Tag Archives: park

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dusk, Death Valley Dunes

March 31, 2010 G Dan Mitchell 9 Comments

Dusk light on plants and wavelike patterns of Death Valley Dunes, Death Valley National Park, California.

The drive to Death Valley from the San Francisco Bay Area is a long one, and even though I try to leave early I almost always arrive at Death Valley in the middle or late afternoon. This was the case on my visit during the past week. I arrived just before dinner time, set up my tent at Stovepipe Wells (or “Stove Pipe Wells” according to some of the literature at the lodge), grabbed a quick bite, and headed over to nearby Death Valley Dunes (sometimes a.k.a. “Mesquite Dunes”) to do a quick shoot in sunset and dusk light from a position along the road using a long lens. Some of the other photographs show a more “traditional” dune view, focusing on some of the larger dunes, the transverse dunes, and even the foothills of the Amargosa Range to the east, but for this one I decided to focus closer and photograph the plants growing along the closest dunes – plants greener than usual from the recent rains in the park.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 260mm
ISO 200, f/11, .5 second

keywords: death valley, national, park, california, usa, north america, landscape, nature, desert, mesquite, dunes, evening, dunes, dusk, sunset, evening, light, plants, sand, pattern, wave, folds, travel, scenic, landscape, nature, stock

Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Man in Suit Between Two Cars

March 15, 2010 G Dan Mitchell 2 Comments

A man in a dark suit holding a bag and standing between two cars in front of old buildings in downtown San Francisco, California.

A quick street photo while walking into the fringes of the Tenderloin in San Francisco on the first weekend of March. I’m not sure how much sense this photograph may make to others, but there is a lot in it that appeals to me. For one thing I like the muted color scheme – most everything is some shade of black or near-gray or muted tan, with just a few spots of color. Even the man between the two cars is wearing only black and white clothing. Then there is the very busy but blocky pattern of the front of the buildings behind the man and the cars. However, to my eye at least, several types of order emerge from the complexity of these shapes. For example several elements create forms that rise diagonally from left to right: the two cars, the two balconies, the line through the left window, the dark doorway, and the lighter window in the center right section. And then there are the window reflections – which are becoming a bit of an urban photography theme for me. I also look at the man and wonder what he is doing – why is he wearing that particular set of clothes? What is in the small bag he holds? What is he looking for?

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/60 second

keywords: man, between, two, cars, sedan, street, curb, park, suit, hill, slant, incline, door, frame, gate, window, balcony, latter, awning, sidewalk, urban, city, downtown, bag, wrought, iron, worn, grafitti, reflection, brick, wall, urban, san francisco, california, usa, north america, travel, person, tenderloin, stock, dark, black suit

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Horsetail Fall, Early Evening

March 5, 2010 G Dan Mitchell 2 Comments

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley, California.

I’m thinking it is pretty nearly impossible to make a truly original photograph of Horsetail Fall – though I won’t completely rule out the possibility.

In any case, here I decided to start photographing the February spectacle a bit before the colorful sunset light showed up. At this point the beam of light on the cliff face around the fall is a bit larger, lighting the rocks to the right of the fall as well as the fall itself. During this season there has been enough precipitation and the weather had warmed enough to not only get Horsetail flowing but to also create some seepage down the face of the cliff next to the fall. As a matter of fact, the reflections from this wet rock caught my attention more strongly at first than did the fall itself. A second process was at work here as well: a stiff breeze from the west was blowing across the path of the falling water, catching it, and blowing thin clouds of spray across the buttress to the left of the fall itself.

I have posted several short articles on photographing this seasonal Yosemite Valley icon:

“Thinking About Yosemite’s Horsetail Fall” (2012)
“Photographing Horsetail Fall – Random Thoughts About Photographing an Icon” (2011)
“Horsetail Fall – It’s That Time Again” (2011)
“Thinking of Photographing Yosemite’s Horsetail Fall?” (2009)
Search results for Horsetail Fall at my blog (results will include the above-listed articles and more)

One of the best sources of current season information about the Horsetail Fall photography potential is photographer Michael Frye, who frequently posts general information and updates each winter.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Kelp, Weston Beach

February 26, 2010 G Dan Mitchell Leave a comment

Black and white photograph of kelp tossed up by winter storm surf at Weston Beach, Point Lobos State Reserve, California.

I have already worked up a couple of color photographs from this day shooting the kelp washed up on the rocks of Weston Beach by big Pacific winter storms – but earlier this week I was in a black and white frame of mind (it was Ansel Adams’ birthday on February 20!) and thought I’d see where this one might go as a monochrome print. There are several things that I like about this image – though I’ll admit that it may not be one that initially grabs a viewer!. First, although it starts out looking like a pretty amorphous mass of seaweed, kelp, and other detritus, eventually I think that an overall form starts to appear – there are some rough patters formed by sequences of lighter material, by some of the stringy “branches” of the kelp, and by way of some lighter ribbon-like material looping through the image. Second, the print ends up with a wide range of tonalities, ranging from pure black to pure paper-white.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 105mm
ISO 200, f/16, 1/15 second

keywords: weston, beach, point, lobos, state, reserve, park, california, usa, north america, wrack, leaf, float, stem, branch, rock, texture, plant, foliage, sea, ocean, pacific, shore, storm, tossed, nature, black and white, monochrome, coast, monterey, carmel, twist, scenic, travel, stock

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.