Tag Archives: peak

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Dusk, From Boulder Mountain

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Dusk, From Boulder Mountain
A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

Dusk, From Boulder Mountain. © Copyright 2012 G Dan Mitchell – all rights reserved.

A distant peak in sunset light beyond autumn aspens in the Boulder Mountain area.

This photograph marks a step in my process of learning about the remarkable landscape of southern Utah. I’ve written previous about how I managed to miss photographing Utah for a long time — it is a long story having to do with Sierra obsessions and family travels though less visually stimulating portions of Utah when I was very young. My first real photographic visit was in the early 2000s in the springtime… and I was taken by this landscape. On our way across the state we passed through the Boulder Mountain area, and I made a mental note to try to revisit this area’s extensive aspen groves in the fall.

A few years later we went back in autumn, on a long trip that started in the Eastern Sierra, crossed empty areas of Nevada, and arrived in Southeast Utah… where I discovered that fall colors arrive earlier there than in the Sierra. When we eventually worked our way across Boulder Mountain it was clear that we were catching the tail end of the aspen colors, and many groves were already bare. At dusk we found a location where lines of still-colorful trees alternated with bare trunks. Among the photographs I made was this one, looking toward the last light on the Capitol Reef area and higher mountains beyond.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Dust Storm

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Desert Mountains, Dust Storm
A desert dust storm obscures Amargosa Range mountains and ridges, Death Valley National Park.

Desert Mountains, Dust Storm. © Copyright 2020 G Dan Mitchell – all rights reserved.

A desert dust storm obscures Amargosa Range mountains and ridges, Death Valley National Park.

Death Valley dust storms are beautiful and terrible things. They are, from an objective point of view, very unpleasant. The wind alone can make it difficult to do much of anything, especially photography. The dust gets into everything, including camera equipment and your eyes, and is a constant, uncomfortable presence. A really bad dust storm is one of those things that helpfully remind us of how small and insignificant we are in this grand landscape.

The dust storm on this late afternoon was approaching that level. Having seen a few of these in Death Valley, there were a few things that were different about this one, most notably that the wind was carrying the thick dust into place where I don’t usually see it, including far up into the Amargosa Mountain range. It was so windy and dusty in the spot where I stopped to make the photograph that I was only able to cower behind the shelter of my vehicle just long enough to make a few exposures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

First Light, Sierra High Country

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First Light, Sierra High Country
First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

First Light, Sierra High Country. © Copyright 2019 G Dan Mitchell – all rights reserved.

First light touches Sierra Nevada peaks and reflects in the surface of an alpine lake.

The photography, of course, is the main excuse for our trips to places like these. We go to some lengths to put ourselves in locations like this for days or longer — lots of advanced planning, solid backcountry travel to get there, and then a week or more of living in tents. But the advantages are many. Obviously the “scenery” is often right outside our tent doors, and when great light happens we are essentially right there. Because we are there for a significant period for time we can more carefully and completely explore our surroundings, finding hidden gems, figuring out best times for various subjects, and returning to them as necessary. We also have the time to slow into the natural backcountry rhythms, where it seems that we have much more time to do all of the important things — photography, of course, but also sitting a looking or having a look discussion with colleagues/friends.

This view was literally steps from my tend, set on what seemed almost like a large peninsula nestled within the curve of the lake. After our first sunrise here it became apparent that the intensely colorful first light would be a fleeting subject. Due to the surrounding geography, this first color would initially spread across the summit of this ridge… but then quickly lose its color. This was a quiet morning, with little wind, so I decided it was time to stake out a camera location and photograph the first light reflected in the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Cascade And Peaks, Morning

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Cascade And Peaks, Morning
Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline

Cascade And Peaks, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Peaks lit by early morning light rirse above a Sierra Nevada wilderness cascade near timberline.

The daily routine on these backcountry photographic expeditions tends to follow a basic pattern. We’re up very early — in order to be in a good place by the time the light arrives we typically need to arise when it is still dark out and then make our way to our chosen location. There’s often an intense period of photography right around sunrise, but then things taper off as the rate of change in the light slows. We work for a couple of hours until the light becomes less spectacular, then we return to camp for breakfast followed by a midday period of mostly hanging out. We usually eat dinner in the late afternoon time frame, and then we head out once again for a few hours of photography that often end in darkness.

On this morning I had a plan to walk up a nearby route to a higher lake, where I had several potential photographs in mind. I knew that these scenes were very light dependent, so I wanted to arrive early. I set out with plenty of time… and immediately started to find myself distracted by unanticipated subjects. I stopped to photograph the inlet stream of a lake, then a pool below the trail, then this lovely section of a small creek cascading down the slope from the valley above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.