Tag Archives: peak

Dune Summit

Dune Summit
“Dune Summit” — Sand slopes leading to the summit of tall sand dunes.

After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)

Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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White Mountains, Autumn Storm

White Mountains, Autumn Storm
An autumn storm drops snow on the summit of the White Mountains.

White Mountains, Autumn Storm. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn storm drops snow on the summit of the White Mountains.

Autumn is fascinating time of transition in the Sierra Nevada. One day it can be sunny a warm, with the landscape filled with the golden and brown tones of fall — perhaps the most inviting form of the Sierra landscape. The next day something resembling winter sweeps in, the wind rises and the skies turn gray, and snow falls among the peaks. While summer is the time of easy access to most of the range, I’ve always had a great fondness for autumn in the Sierra — it is, without a doubt, my favorite time of year there.

We had ascended high on the giant fan at the base of the range above Bishop, looking for new perspectives and for aspen groves a bit more off the beaten track. The previous day and night had brought an early weather front through the range, closing some of the passes, and laying down a few inches of snow on the highest regions. From our position we looked back across foothill formations and the Owens Valley toward the immense White Mountains, a range that is just as high as the Sierra, where new snow coated the cloud-covered peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspen Grove in Transition

Aspen Grove in Transition
An Eastern Sierra Nevada aspen grove just past peak autumn color.

Aspen Grove in Transition. © Copyright 2021 G Dan Mitchell – all rights reserved.

An Eastern Sierra Nevada aspen grove just past peak autumn color.

The first instinct, I think, when viewing and photographing autumn aspen trees is to just go for the brilliant colors. I’m no less guilty of giving into that understandable instinct than the next person. At its least sophisticated, this can amount to “point at the colors and snap!” But it turns out — no surprise! — that there’s a lot more to see in aspen trees that only reveals itself after having that initial experience. In short, there’s more than one way to photograph this subject!

While I subconsciously assume that the ideal tree is one that is completely covered with brilliantly colorful leaves, I keep learning and relearning that often the more interesting trees are those in the “imperfect” stages before and after the peak color transition. For example, one colorful tree can seem even more colorful against a backdrop of trees that are still at least partially green. The beauty of the colorful trees may seem just a bit more poignant when the scene reveals how transitory the phenomenon is.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake, Ridges, Evening Light

Lake, Ridges, Evening Light
Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park

Lake, Ridges, Evening Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park.

This photograph (and its appearance here) is a bit unusual for me, though not entirely unprecedented. It is a photograph that I have shared previously, back when I originally made it some years ago. During the last year and a half I have had plenty of opportunities to revisit older work. Mostly this has meant exploring raw file archives to locate work that was “left behind,” but which turned out to be interesting and valuable in retrospect — photographs that I felt deserved a first showing. But this case represents something different — the rethinking of a photograph that I thought I had finished.

Revisiting and revising one of my previously-shared photographs usually leads to some relatively obvious changes. But in this case I think that changes may be subtle. Theres a small change in how it is cropped, some new ideas about how to handle the foreground light, some important but small changes to the middle forest and peak just beyond the lake, and some new adjustments to the sky. In my view, it is perfectly natural and good to revisit the original interpretation of a photograph over time, a process that was perhaps more common in the film era.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.