Tag Archives: peak

Sierra Foothills, White Mountains

Sierra Foothills, White Mountains
A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Sierra Foothills, White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long view from the Buttermilks in the Sierra Nevada eastern foothills to the crest of the distant White Mountains.

Recently I was once again pondering how the way we approached the Sierra Nevada at first affected our overall perceptions of the character of the Range of Light. As I have noted before, during the first decades of my relationship with these mountains I approached from the west, crossing semi-coastal mountains, crossing the agricultural Central Valley, rising gradually into oak-grasslands and eventually to conifer forest, and only much later finally arriving in the “High Sierra” world of open meadows and alpine peaks. Contrast this with the experience of those approaching from the east, where the range presents a very long “wall” of peaks that towers above high desert, in places rising by as much as 10,000 feet above that dry landscape.

This photograph is, probably obviously, one that focuses on that eastern part of the Sierra. But here I look away from the Sierra Nevada, past the rugged and “barren” terrain of dry hills at the base of the range, across the expanse of Owens Valley, and toward the (also dry) peaks of the White Mountains. To put it plainly, you won’t see anything like this on the west side!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Basin Mountain, Dawn

Basin Mountain, Dawn
A cloudy autumn dawn on Basin Mountain in the Eastern Sierra Nevada.

Basin Mountain, Dawn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A cloudy autumn dawn on Basin Mountain in the Eastern Sierra Nevada.

This is probably (maybe, likely, could be) the final photograph in the series from this beautiful autumn morning in the Eastern Sierra Nevada some years back. Since I’ve told the story previously, I’ll keep it short this time. I was there to photograph another subject up higher in the mountains, but I thought that the cloudy skies were making the eastern escarpment of the range a more likely prospect, so I changed plans at the last minute and headed to this spot that I had previously scoped out. Beginning with the pre-dawn glow, moving on to the sunrise light on the highest peaks, and continuing as it worked its way down the front of the range I was a very busy photographer for a short period on this morning!

This is a visually striking peak along the eastern edge of the range above the town of Bishop. It has long intrigued me with its east-facing basin on the upper slopes, where I presume that a glacier must have been active in a much earlier time. A close inspection of the face reveals an old trail/road climbing up into the basin, and from some maps I’ve looked at it appears that some mining or prospecting might have taken place there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise in the Buttermilks

Sunrise in the Buttermilks
Autumn dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks.

Sunrise in the Buttermilks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks.

This is a sort of new/old photograph. A question from a friend about the time period when I made it prompted me to make a return visit to some older photographs from that time. When I came to this on in my raw file archive I knew it looked familiar, but the raw file itself appeared to be little changed from the downloaded default settings. I soon realized that I had worked it up before, but using some older software and without using some techniques that I now apply on a regular basis. So it was back to the drawing board to come up with a newer interpretation that I like more than the old one. (I’m with the many other photographers who regard the original — whether it be a raw file or a film image — to be the score, not the only possible performance.)

It occurs to me that the title might well perplex some folks who are not familiar with this area of the eastern Sierra Nevada. “The Buttermilks” is (are?) an area of fascinating rock formations at the base of the Sierra above Bishop, California. Long a favorite location for climbers, I’m surprised that it hasn’t attracted more photographers. It isn’t that hard to get to, though to fully explore it you are going to have to drive on some gravel backroads and likely do a bit of hiking. I made this photograph on an autumn morning when I was in the Sierra to photograph fall color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stream and Peak

Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.