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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Brush and Trees, Eastern Sierra

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Autumn Brush and Trees, Eastern Sierra
Brush and trees begin to take on autumn colors along the base of the eastern Sierra Nevada.

Autumn Brush and Trees, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Brush and trees begin to take on autumn colors along the base of the eastern Sierra Nevada.

My first memories of Sierra Nevada aspen trees could not be more different than what we see in this photograph. Those early experiences came on backpacking trips when trails briefly traversed small groves. I’m thinking of several of them as I write this — a small section along a trail to Cathedral Lakes, arriving at such groves when descending from the crest on the east side, various other backcountry locations. I always associated them with the “High Sierra,” the high elevation, forested wilderness that lies below the exposed high peaks.

It was much later that my perception evolved and encompassed the recognition that these trees can be part of what is essentially a high desert terrain just as easily. I recall a drive east of US 395 into such an area a few decades ago on which I was surprised to find groves of aspens surrounded by rangeland and no other trees. I soon became aware of what had always been there but which I had not noticed — small groups of such trees all along and near the base of the eastern Sierra. This small grove, along with a bunch of shorter brush, grows in a small creek bed passing through an area that is otherwise profoundly dry and seemingly barren.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Forest Reflection, Morning

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Forest Reflection, Morning
Morning light on forest trees, reflected on the surface of a backcountry lake.

Forest Reflection, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on forest trees, reflected on the surface of a backcountry lake.

Photographing the special and transitory light at the start and end of the day reminds me of the experience of spring skiing. It can be great, but you’ve got to be there at the right moment, and it doesn’t last long. Early on a spring skiing morning the slopes (be they groomed or natural) are often badly frozen in the early morning. I’ve done a lot of cross-country skiing and a bit of telemark skiing, and I have to say that that refrozen slush can be really nasty stuff. But as the morning warms there is a point where the surface softens just enough and what was nearly impossible become quite wonderful… for a very short time, as the snow soon turns to slush.

Early morning (and evening) light seems a lot like this. In the same way that you need to already be on the slopes while they are icy to catch that bit of wonderful spring snow, you need to be up and about and finding your photographic subjects before the light is ideal — and while the cold and lack of coffee aren’t making things any easier. But if you are out there and you know where to look, at some point the light “happens,” continuously changing as the rising sun works its way across the landscape, illuminating a bit of meadow, a tree, the rim of a peak… and then it becomes too harsh and flat and is gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees, Ledge, Fractured Rock

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Trees, Ledge, Fractured Rock
Two trees grow tenaciously on a narrow ledge above a fractured cliff face.

Trees, Ledge, Fractured Rock. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two trees grow tenaciously on a narrow ledge above a fractured cliff face.

Nearly a decade ago I joined a group of friends and photographers at a Yosemite backcountry location. I was only there a few days, but they stayed for over a week — including a bout of incredibly cold early autumn weather than I managed to miss. (Although I wan’t there to experience it, I have heard the stories many times on subsequent backcountry trips with these folks.)

We were camped in a scenic location within in walking distance of a remarkable range things to see and photograph — lakes, meadows, ridges, granite slabs and ones, forest, and more. But I made this photograph only a few feet from camp, where low, fractured cliffs began to climb near the edge fo the lake and meadows. Like anyone who spends time there, I’ve long been fascinated by the relationship between Sierra trees and rock. Some trees, especially those growing in the rock, manage to eke our a life in little more than cracks in the granite and, in doing so, they sometimes seem closer to rock than to living things.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Ocean & Coast

Forest and Fog

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Forest and Fog
Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Forest and Fog. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Today we visit the California coast below the Monterey Peninsula, at the Point Lobos State Reserve. (That is the actual name, though many of us casually refer to it as a state “park.”) I have gone to this place for decades, since my parents took us there as kids. Back then the big attractions were the tide pools (the number one attraction!), the various sea mammals, and the surf. Those are still on my list when I go there, though now I’m more likely to go with the goal of making photographs. (The place, like so much of the Big Sur coast, has become almost impossibly popular, so I try to visit at odd, off-peak times.)

I had gone down there on this 2013 early spring day to make photographs. My typical routine is to arrive very early, before those crowds show up, and spend a few hours photographing in relative quiet. This time I headed to a location in the more northerly portion of the small preserve, where there are views back across the coastal forests and toward the low hills to the east. Because it was morning, the sun was coming over those hills just as the fog was starting to then, allowing a bit more light into the gaps between the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.