Tag Archives: pine

Early Evening Forest Light

Early Evening Forest Light
Early Evening Forest Light

Early Evening Forest Light. Yosemite Valley, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Yosemite Valley forest in early evening light.

This is an “intimate landscape” photograph of an otherwise nondescript little scene that you could probably find repeated thousands of times in Yosemite and multiples of that throughout the Sierra. I saw it while wandering along a roadside trail in search of more dogwood blossoms in a spot where few are likely thinking much about the view, as it is located near an intersection that people might pass through as they exit the Valley.

These little scenes are everywhere and I don’t think it is all that hard to find them… if one just slows down a bit and looks a bit more attentively. In this case, there was a momentary effect of light as the sun dropped low enough to cast long shadows through the dense part of the forest yet still light the upper portions of taller trees beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cliffs, Morning Light

Cliffs, Morning Light
Cliffs, Morning Light

Cliffs, Morning Light. Zion National Park, Utah. October 22, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Immense cliffs in the Pine Creek Canyon area of Zion National Park.

This was an interesting morning, as much for its place in the sequence of events on this trip to photograph in Utah as for the actual photographic opportunities. I have noticed, and other photographers I’ve spoken with about this seem to agree to at least some extent, that there is sometimes a sort of “getting up to speed” element to certain types of shooting when you are getting started. I recall mentioning this to one photographer friend in the context of a discussion about the idea that you should always have a clear vision for your photograph before you make it – a theoretical concept that most photographers I know acknowledge to be unrealistic and perhaps even a bad idea. (This is not to say that thinking about what your “capture” may look like as a photograph is unimportant, but rather an acknowledgement that things are often more complex than the simplistic notion suggests and that sometimes we, quite honestly, don’t really know for sure which images will work or why.) When the idea of waiting for a really good image before making a photograph came up, I shared the observation that I sometimes have to “prime the pump” but simply starting to make some photographs, even if I’m not convinced that the first ones will be great. (One friend then referred to this as “photographic foreplay.” ;-)

The previous day we had driven to St. George, Utah from the San Francisco Bay Area – a LONG drive – and finally stumbled into a motel in St. George close to midnight. (As I recall, the motel advertised something like “The Cheapest Rooms in St. George!”) Up in the morning for precisely the free breakfast that you might expect in such a place – I resisted and instead walked across the street to a Starbucks – we left early and headed into Zion. As I recall we did not spend much, if any, time in Zion Canyon, and we were soon heading up the Mount Carmel highway, still having made no photographs. Finally, as we turned a few switchbacks on the initial climb, we saw some interesting light on the cliffs across the canyon, pulled over, got our cameras and lenses and tripods and made some photographs. I’m not sure that any of them were exactly remarkable, but with this first “shoot” (priming the pump) our work was now underway.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Forest, Yosemite Valley

Evening Forest, Yosemite Valley
Evening Forest, Yosemite Valley

Evening Forest, Yosemite Valley. Yosemite National Park, California. May 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early evening light filters through forest, Yosemite Valley, California.

I’m probably not alone in loving the early evening forest light, as the sun’s light filters horizontally between the trees just prior to dropping below the horizon or nearby ridges. As I wandered along looking for dogwood blooms, I passed a section where the forest thinned a bit beyond the nearest trees, and allowed a bit more light to hit the trees. I only had a few moments to make this photograph before the light ended.

This is one of many examples of how the light changes everything. In the middle of the day these trees would seem gray and the light would be harsh – dark shadows would make it very difficult to photograph in an interesting way. But here the light coming from behind the dogwood leaves and brush makes it glow, and the late-day warm color of the light turns those gray trees all sorts of interesting shades of brown.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Bottom, Red Rock, and Trees

Canyon Bottom, Red Rock, and Trees - Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park
Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park

Canyon Bottom, Red Rock, and Trees. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park

Yes, I’m still working that vein of October 2012 Utah photographs! This one came from a productive day, though it wasn’t an easy one, during which we spent a lot of time along the Mount Carmel Highway that passes through the high country of the park, looking for fall color and juxtapositions of light and rock and trees.

This rough terrain varies in its susceptibility to being photographed as the light changes. Areas that might be muted while in shadow can become highlighted and separated from background terrain when the sun strikes them. On the other hand, certain subjects such as fall foliage may be almost impossible to photograph in direct light, but when they fall into shadows the soft and diffuse light can change them. This photograph combines the shadows and the direct light, with the sun lighting a few trees, especially those at the top of the foreground red rock, and letting them stand out against the background terrain that is in the shadows.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.