Tag Archives: pine

Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze
Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze. Eastern Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening haze settles on the Sierra Nevada above forest and meadow near Lee Vining Creek.

Atmospheric haze and I have a special relationship. ;-) While I love crystal clear alpine air, I’m far more fond of “interesting” atmospheric conditions that involve haze that may partially obscure certain details, accentuate distance contrasts between close and far objects, take on interesting colorations, and even glow when lit from behind. During this early August visit to the Sierra on both sides of Tioga Pass, I encountered some significant haze from a serious wildfire in the Mammoth Lakes area. One one hand, this complicated (or rendered nearly impossible!) certain types of “grand landscape” photographs since the constant brown, smoggy haze isn’t quite what we typically are looking for. However, to me this most certainly does not mean that photography and even landscape photography cannot be done. Not only can it be done, but these conditions can create possibilities that are difficult or impossible to find in more typical conditions. (However, in reality, wildfire smoke is “typical” in the Sierra and many other places during certain times of the year.)

There are a number of ways to use smoke and haze in photographs. In this case I found primary foreground subjects that were close enough that they were not obscured. The haze, however, quickly muted the contrast and color of parts of the scene that were even a short distance away on the other side of the valley. The dark, backlit forms of the near trees stand out against this muted background rather than disappearing into the complex patterns and textures of the more distant forest. The backlight had a few other beneficial effects. It intensifies the colors of the low plants growing beneath and between the trees. It creates a sort of highlighting effect on near and far trees, giving a bit more relief to their textures. And it adds a bit of a glow to that smoke and haze, to the point the further alpine slopes in the upper left show only the barest details.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Color, Canyon Walls

Autumn Color, Canyon Walls - Autumn color foliage marches up the lower slopes of Zion Canyon, Utah
Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

Autumn Color, Canyon Walls. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

I was in Zion three times during October this year – it is a long story how that happened! On the final occasion, we were passing through the area on our way back to California at the very end of the month, having stayed the night before in Kanab and having a plan to stage the next day’s long return drive from St. George, Utah. The drive between those Kanab and St. George is not all that long, so we figured we would see what Zion might offer up as we passed through. Since we had photographed the high country along the Mount Carmel Highway earlier in the month, and since the fall color was rumored to be starting in Zion Canyon, we decided to head there in the morning. (In the end, we finished up here a bit sooner than we might have, so we ended up driving well past St. George, but that’s a different story…)

The height of the Zion Canyon color typically comes a bit later than this, so we figured that we might not see the very best color – but Zion is sort of like Yosemite in that there is something to see no matter what. After many days of shooting, this was one of those days when energy was at a bit of a low ebb. We started out in the upper end of the canyon, where we found some colorful red maples, but I don’t think any of use were necessarily quite “seeing it” at this point. So we moved down that canyon a bit, looking for whatever might turn up, and hoping for a bit more color that we were seeing. One of the last places we stopped to shoot was in this area from which features such as the Great White Throne and The Organ are visible. Here we were a bit more inspired, since there was a variety of things to see: the Virgin River, the flats along the river in the bottom of the canyon, a decent amount of developing fall color, towering rock walls, and evolving light. As I poked around along the river bottom I saw that some very colorful trees were visible up high along the base of the steepest cliff walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Point Reyes and Drakes Bay

Point Reyes and Drakes Bay
Point Reyes and Drakes Bay

Point Reyes and Drakes Bay. Point Reyes National Seashore, California. February, 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Drakes Bay and the Point Reyes Peninsula, viewed from near Mount Vision on Inverness Ridge

After photographing very early in the morning along the shores of Tomales Bay near the town of Inverness, I continued along the road to Point Reyes and soon entered the national seashore. There was a possibility that I might try to meet up with a group of people who planned to photograph the herds of tule elk a bit later in the morning, but at this point I had some time to kill before that might occur. I wasn’t quite sure where I was going to shoot, so I was sort of “following my nose” and the light, atmosphere, and other conditions and waiting to see where I might end up. I had a general idea that it might be interesting to go all the way out to the point itself, where the morning light might illuminate some of the cliffs along Drakes Bay that don’t get that sort of light later in the day.

However, long before I got close to that area I passed a turn-off that I had often noticed and wondered about, a road labelled Mount Vision. With one option looking just about as good as any other option, I decided to head up that road to see what I could see. The road climbs quickly, more or less switchbacking up a steep include and up a few valleys before more or less leveling off high up on Inverness Ridge, actually ascending to the top of the ridge in a few spots and providing panoramic views both towards the ocean and back towards Tomales Bay. Although it wasn’t exactly foggy – at least not in the form that is common here much of the year – the atmosphere was obscured and out at the far end of the peninsula the curving end of Point Reyes was a bit hard to see, and there was a distinct blue quality to the haze that didn’t seem like it was going to work especially well for a color photograph. So I started thinking that this scene might work better in black and white. Soon I saw this steep foreground ridge with its tall trees and dark shaded elements and it seemed like its angle and darker tones might set off the lighter and less contrasty elements of the landscape in the distance, from the tree-filled valley in the middle of the frame to the barely visible peninsula near the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree Covered Hillside, Cliff

Tree Covered Hillside, Cliff
Tree Covered Hillside, Cliff

Tree Covered Hillside, Cliff. Zion National Park, Utah. October 14, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early autumn afternoon back-light on high country trees and shadows on a sandstone cliff face, Zion National Park

Perhaps surprisingly, trees were a big draw for me during my several visits to Zion National Park in October last year, and not just the trees that were getting their fall color. The junipers and pines are also intriguing, especially when backed by sandstone or lit from behind by low angle light as in this photograph.

This area near the eastern boundary of the park has intrigued me but also puzzled me each time I have stopped there. Nearly is a significant and named park feature that seems to be the main reason for stopping. It is an impressive geological feature… but, for the life of me, I have not been able to find a way to make an interesting photograph of it. Yet each time I passed by, I stopped and looked and pondered and (most often) did not photograph it. However, with each successive stop I began to pay more attention to other features in this spot: the big cliff on the other side of the valley on which colors fade from gray-white to red, the many trees that stand with enough space between them to allow back-light to pick them off individually, and more.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.