Tag Archives: pink

White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky
White Faced Ibises, Clouds and Sky

White Faced Ibises, Clouds and Sky. San Joaquin Valley, California. April 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A flock of white-faced ibises is silhouetted against early spring evening sky above the San Joaquin Valley

I have what almost amounts to a tradition of making a weeklong visit to Death Valley near the end of March and beginning of April, that time of year when this desert landscape oscillates between winter and summer conditions and when the flowers bloom.. After a week or so in that austere landscape I am usually quite ready to see green and a greater density of living things. I’m also ready to get home! On a typical final day of the trip I do a bit of photography in the morning and then leave the park well before noon and start the long drive home. During the last few years I have made it my practice to leave early enough that I can just make it to one of my favorite San Joaquin Valley bird locations before the sun sets.

It has been a series of drought years in California and this was the worst one so far. When I drove do Death Valley things were still just as dry as we would expect in such a year. But while I was in the park a series of winter storms swept across the state—finally! I saw some rain and snow in DEVA, but by the time I got to the Central Valley is was clear from the puddles and ponds that a real storm had come through. I drove on up highway 99 and turned west toward my destination and found fields that were actually green. And on arriving at the wildlife refuge I was greeted by the smell of damp air and plants and the sounds of birds. What a contrast to Death Valley! Close to dusk we found a large flock of dark-colored birds in the shallow water nearby, and a closer inspection showed them to be white-faced ibises, settling in where the now departed geese would have distracted us from such quiet birds a few weeks or months earlier. As the evening wore on, large groups flew in, circled, and then descended to join the flock… including this group that passed in front of delicate dusk clouds and blue hour sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn, San Francisco Bay

Dawn, San Francisco Bay
Dawn, San Francisco Bay

Dawn, San Franicsco Bay. San Francisco, California. March 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn light, fog, and high clouds over the northern shoreline of San Francisco Bay

This early morning late-winter view of San Francisco Bay looks back to the east from the Marin Headlands. The morning had started with somewhat murky conditions—high clouds above, atmospheric haze over the bay, and for along the San Francisco waterfront and across the bay toward Oakland. I was hoping for color, but the moment of sunrise was a bit disappointing in that regard. The probably was some color, but it was muted by the high clouds and haze and it happened mostly behind that fog bank floating above the East Bay.

But soon the high clouds began to pick up some color, and this pinkish glow reflected down towards the water, the fog, and the haze, gently coloring the scene. I thought that I might break up the many horizontal layers of light and color by including a it of the foreground land, and I experimented with several compositions: one that centered Angel Island in the scene, one that caught a bit of the edge of Angel Island and a bit of the Tiburon shoreline, and then this one which just included a bit of the north bay shoreline instead. Having watched so many sunrises, I still am struck by how this visual beauty arrives without a sound.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

North Tower, Dawn Fog

North Tower, Dawn Fog
North Tower, Dawn Fog

North Tower, Dawn Fog. San Francisco, California. March 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

There are many associations with this location and scenes like this, at least for me. I am fascinated by the shapes, colors, and textures of this bridge, a structure that we take for granted here in the Bay Area. The location from which I photographed is also familiar and easily taken for granted, yet it is a spectacular place, sitting high above the bridge, the Golden Gate itself, the Pacific Ocean, and the San Francisco Bay spreading inland to the west. At this early morning hour, while the sound of traffic approaching the bridge is faintly audible far below, it is otherwise nearly silent. It is also typically cool and damp, most often with at least some fog around—occasionally so much that the view is completely blocked. The City is visible across the Bay, seeming like it is coming back to life at this early hour, with cars heading in to work and lights from the fading night still turned on.

The dawn light on this morning was, as usual, not exacty like any previous morning that I’ve seen here. When I left home well before dawn I thought that it might be clear over the entrance to the Bay, but as I got closer I encountered fog on the San Francisco side. But as I crossed the bridge, and a bit to my surprise, it was clear over the water—the fog seemed to be mostly over the south shore. There were high, thin clouds above the fog and the light haze. At first it looked like all of this cloudiness would kill any morning color, and that impression was strengthened as the sun came up behind the clouds to the east with only the subtlest color. But a bit later, some minutes after actual dawn, the rising sun’s colorful light began to clear that eastern fog and slant across the top of the thinning fog bank to my south.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.