Tag Archives: pink

Tree, Wetlands, Morning Fog

Tree, Wetlands, Morning Fog
Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

Merry Christmas 2015!

Tree, Wetlands, Morning Fog. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

This landscape is ostensibly about the migratory birds at this time of year, from late fall through the winter months. These ponds, which are just fields during the hot Central Valley summer, typically fill with shallow water and become the winter home for uncounted numbers of geese, sandhill cranes, ibises, and more. It was, in fact, the birds that first brought me out here in the winter, and they still call me back every year.

But there is much more to this landscape than photographs of birds. In fact, my strongest sensory associations with the place are not about the visual appearance of the wildlife for the most part, but are instead about a host of other things. And this simple photograph, for me at least, evokes the sensory recall of those other elements. To a person who may not have been here at this time of year, many things familiar to me cannot be contained in the photograph. The sound of the birds, continuous and often raucous, is central — and it is the thing that most immediately gets my attention when I visit. The fog is a big part of the experience — not just its ability to mute the details of the landscape, but also the sensations of cold and damp and what it does to the quality of light, especially at dawn. In addition, this is one of those California places allow me to extend the color season for three months or more. It begins in September in highest reaches of the Sierra, works its way down (as aspens change) to the high desert (with cottonwoods), then the Sierra foothills, then to the coastal hills, and finally to the lowlands where, as in this photograph, “fall” color remains until nearly the new year.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Sunrise, Winter

Wetlands Sunrise, Winter
Wetlands Sunrise, Winter

Wetlands Sunrise, Winter. San Joaquin Valley, California. January 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The sun rises above wetlands, barely visible through San Joaquin Valley winter fog

We arrived at this place in California’s San Joaquin Valley well before dawn on New Year’s Day — with some of us having driven as many as two hours in the dark to get there. After the drive, it is always a special moment when we get out of our cars in the cold for warm greetings and hear the sound of cranes and geese waking up in the dark distance. Knowing that the sunrise won’t wait for us, we then turn to unpacking cameras and tripods and to fitting lenses, and then we move out along the perimeter road to find the right combination of birds and atmosphere and light for photographing the dawn that will begin our full day of photography.

This morning was foggy, but not so foggy that we would not see the sunrise. With this in mind we headed to the west side of the wetlands, where we could have a view back across the flatlands and ponds toward the sun rising above the fog and the distant Sierra Nevada. As the sky began to glow we each estimated where we thought the sun would appear, and we found good spots to set up our cameras. As the very top of the orb of the sun appeared on the horizon I quickly made a small adjustment to my location to place the sunrise between the two distant tree silhouettes and to include some interesting foreground water. This was one of the very first exposures I made, at a point where the sun was still so obscured behind the low fog that I could look directly at it — within moments it rose above the ground mist and became extremely bright. I continued to photograph, but in the end this first photograph of soft light, fog, and pastel colors was my favorite.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Sky, San Joaquin Valley

Evening Sky, San Joaquin Valley
Evening Sky, San Joaquin Valley

Evening Sky, San Joaquin Valley. San Joaquin Valley, California. December 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

In late December, as winter began, we spent a day photographing in our favorite area of the San Joaquin Valley, where we shoot migratory birds and the austere and often atmospheric landscape of the Central Valley. The primary excise for going there at this time of year is virtually always the birds: geese, ibises, sandhill cranes, herons, egrets, white pelicans, and many more. For most of the day this was our primary subject, starting in the thick early morning fog and continuing as it began to lift, and then later when we returned after lunch to find a bit more light getting through.

Very late in the day the bird action diminished — many of the geese were in nearby areas that are inaccessible to us, and other birds were either quieter or hidden in more distant locations. It seemed like the bird photography was winding down for the day. (Though there was a special surprise a bit later on.) At about this time, what had been a thick deck of fog and clouds began to break up to the west, and just before sunset the clouds thinned enough to let in some direct soft light which glowed luminously on the clouds and in the hazy atmosphere. Oh, about that surprise… A bit later it really seemed like the birds were unusually quiet and we pretty much stopped photographing them as the light began to fade. (Often we continue shooting until it is simply too dark to focus and make exposures.) The members of our group, who had been spread over several miles of this particular refuge, collected together near the exit to say goodbye… as cranes arrived, followed moments later by a deep dusk fly-in by thousands of geese who landed in near darkness on the pond next to where we were standing and watching.

Soft evening clouds above San Joaquin Valley wetlands


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunrise, Capitol Reef

Sunrise, Capitol Reef
Sunrise, Capitol Reef

Sunrise, Capitol Reef. Near Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn clouds about the peaks of Capitol Reef National Park

Finding sunrise light like this is a matter of getting up very early, making some decent pre-dawn guesses about what may happen later, finding a good location… and a whole bunch of plain dumb luck. Oh, and persistence helps, too — if you are out there a lot you will inevitably increase the odds that you’ll encounter the very special light. But no one can call up a small cloud centered above a ridge lit by first light that also turns the distant clouds shades of pink and purple.

Our primary plan on this day was to take a rather long drive down the east side of the park, though the ultimate goal was a bit fuzzy — it could have been a slot canyon I know of or it could have been a higher location that I had visited before. We started out in near darkness from our campsite, crossed the park, and then started south. As dawn approached, it was immediately obvious that the sky was just about to do something amazing, so we quickly found a spot with a panoramic view in most directions, stopped the car, grabbed cameras and tripods, and hurried to find compositions that might make use of this light. Since most of the interesting geological features seemed to be a good ways off, I put a very long lens on my camera and focused on small distant details. For a very brief moment, just as the first light began to gently wash over the high peaks of Capitol Reef, this intense color came to the clouds and one small cloud became visible against the lighter background.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.