Tag Archives: pink

Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening
Paoha Island, Mono Lake, Evening

Paoha Island, Mono Lake, Evening. Eastern Sierra Nevada, California. August 6, 2013.© Copyright 2013 G Dan Mitchell – all rights reserved.

Pastel colors in evening clouds above Paoha Island reflect on the surface of Mono Lake

On this evening I ended up at Mono Lake on more or less a hunch about the clouds – thunder clouds had built to the east out over the basin and range country and even a bit over the Sierra, and I had heard a report of thunder and lightning a bit north of here, so I decided to chance an evening visit to the south shore of the lake. Mono Lake evening light can be very special, but it can also be a bit tricky. Because the tall peaks of the Sierra Nevada crest lie directly to the west, the light leaves the lake itself well before actual sunset, so you often might end up relying on the clouds themselves to provide most of the interest. Smoke from a wildfire to the south near Mammoth Lakes had also been affecting the atmosphere, creating a lot of haze and some unusual colors.

In any case, I drove out to a point along the south shore of the lake – not the well-known South Tufa site, though visible from there – and watched the mostly uninspiring light of this very hazy evening. But there I was, and there wasn’t time before the end of the light to get from Mono Lake to other places that might be interesting, so I stayed and photographed and thought about how I might be able to work with the light and conditions that were available to me. There were beautifully shaped clouds, and they rose high enough above the lower atmosphere to gain some clarity. The haze muted the shapes and colors of the far hills and the darker shape of the island. So I composed the scene to just barely hold the island and a bit of the lake at the bottom, and used that to anchor a scene that was mostly sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass
Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass. Sierra Nevada Foothills, California. August 25, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The earth’s dusk earth shadow rises behind the folds of an oak and grass-covered Sierra Nevada foothill ridge on a late-summer evening

We had been in Mariposa, along the road heading towards Yosemite Valley, to meet up with friends and do various other fun things. As is often the case, at one point the conversation turned toward the photographic possibilities for later in the day. As the horrendous “Rim” fire was burning a few ridges over along the boundaries of the park, one thought was to find a high viewpoint and try to photograph the huge smoke clouds and the light from the flames during the dusk hours. A suggestion was offered by a person who knows the area concerning a gravel back-road to the top of an area ridge from which a good view might be obtained, so we decided to give that a try. It was a beautiful early evening – no smoke here – as we drove through oak and grass-covered hills below Mariposa to pick up this route and then ascended toward the ridge to turn off on the gravel road. From the junction we could see columns of smoke from burning forest to our north, but there was also a pretty clear “No Trespassing” sign posted along the road… so we decided that we should double-check our directions before risking a citation, and we headed back down the mountain.

The alternative plan had been to simply photograph the beautiful foothills themselves as the day came to an end. In this area there are many beautiful valleys of rolling hills covered with dry grassland and oak forests that sometimes thin to individual trees. We headed along a little back road and soon arrived at our main route shortly before the last sunlight was about to fade. Driving as we looked, we finally stopped at a turnout right after the sun had dropped below the horizon, where we could see the boundary between the last pink color in the sky and the rising blue line of the earth’s shadow. I used a long lens to make a small number of exposures shooting across the hillside patterns towards an oak-topped ridge with the dusk sky beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Maple Leaves and Sandstone

Maple Leaves and Sandstone - Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park
Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park

Maple Leaves and Sandstone. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fallen autumn maple leaves lie on pink sandstone slabs in the high country of Zion National Park

Wind is not usually the photographer’s friend, at least when the photographer is shooting natural subjects that include foliage. Later on this trip we were stymied by strong winds when shooting in the Escalante River Canyon, as the trees and leaves were being whipped around in the gale. But the same winds that create these problems – and I was experiencing some of them with tree photographs on this day, too – also bring down the autumn leaves and in the right conditions can create a thick carpet of the wild fall colors.

This photograph, like quite a few I have shared recently, was made in the bottom of a wash where leaves tend to collect, but by means of water flow and, as here, due to the wind. These maple leaves ranged in color from yellow-gold through orange to almost red, and here they littered the rocks in the bottom of the channel. Like spring flowers, these colors are a fleeting thing, and the leaves on the ground quickly blow away or turn brittle and brown.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese Take Flight in Dusk Sky

Geese Take Flight in Dusk Sky
Geese Take Flight in Dusk Sky

Geese Take Flight in Dusk Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Motion-blurred photograph of a flock of Ross’s geese taking flight in dusk sky above the San Joaquin Valley, California

This is another example of what I’ve taken to referring to my “blurreds in flight” photographs. (Yes, a bad pun on the common subject of “birds in flight,” also known as “bif” photographs.) Very early morning or dusk seem like good times to experiment with this, as the very dim light often pushes the ability of photographer and gear to continue to shoot as ISOs rise, apertures enlarge… and eventually one runs out of maneuvering room. Just lower that ISO and let the birds blur!

But that’s not really why I do these. While I suppose that I’m just as interested in trying to produce very sharp images of birds frozen in flight by high shutter speeds and accurate autofocus, I sometimes feel that this more clinical approach isn’t the only way to capture or express the qualities of these animals and what I can observe of their lives. In a sense, the still camera “lies” about what we can actually see of these birds when we are there and watching them. In low light, often observing from a distance, when a group of Ross’s geese suddenly takes flight in a wild maelstrom of honking and flapping wings, we really cannot see all of the specific details of each feather and the impression we have is more often one of wild motion and surprise. While I don’t think a photograph can ever fully or accurately depict this, allowing the motion to become visible by using slow shutter speeds might evoke a sense of these animals that the razor-sharp, stop-action photographs might miss.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.