Tag Archives: pink

Dawn Sky, Panamint Range

Dawn Sky, Panamint Range
Dawn Sky, Panamint Range

Dawn Sky, Panamint Range. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

First dawn light on clouds above Death Valley, as seen from high in the Panamint Range

I recently “discovered” (or perhaps “remembered?”) this photograph that I made nearly a year earlier during an early January 2012 trip to do winter photography in Death Valley National Park. Winter is a wonderful time in Death Valley, though the season can present its own challenges – not the same as summer, but challenges nonetheless. The challenges include, believe it or not, the possibility of some very, very cold weather, especially in some of the higher outlying areas of the park an up in the mountains, such as here in the Panamint Range. But there are special rewards, too, including the possibility of snow among the peaks and the more interesting skies that can come with the passage of winter low pressure systems that originate in the Pacific Ocean.

On this morning I had gotten out of my sleeping bag well before dawn so that I would have time to drive to this overlook high in the Panamints before sun rise. It was still dark as I drove the last section of the gravel road approach, and its wasn’t until after I arrived that there was enough light to see that this might turn out to be a spectacular sunrise. (When you get up in darkness and drive many miles, you have to take it on faith that something special might occur, and accept the possibility that it might not.) My original subject ideas for this location were not so much about sky as about deep valleys and receding ridges, but when the first sun hit these high clouds I was willing to angle the tripod up a bit to photograph them! This light on the clouds only lasted a few minutes, and after that I turned my attention back to the landscape below.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Approaching Geese, Evening

Approaching Geese, Evening
Approaching Geese, Evening

Approaching Geese, Evening. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese approach their evening landing spot on a hazy late-autumn evening in California’s Central Valley.

This is yet another photograph of Ross’s geese from our December 2012 trek to the migratory bird areas of California’s Central Valley. We saw nearly all of the possible seasonal weather types on this day, save actual rain (that held off for another day) and clear, unfiltered sunlight. But other than that the day transitioned from so-thick-you-can-barely-drive tule fog, to clearing and drifting fog, to fog burning off, to brilliantly luminous winter haze, to dull and gray light as the first clouds of an incoming storm began to arrive, to the finale of a suddenly and unexpectedly colorful sunset.

After a mid-afternoon break to grab a bit to eat, we returned to this wildlife refuge in hopes of photographing the fly-in. Indeed, there were many thousands of Ross’s geese around, settled into pastures and occasionally lifting off to circle the area and then land again. But the light became increasingly dull as the first clouds of an approaching Pacific winter weather system arrived in the west. I made this photograph in what was, in many ways, rather gloomy light, though it is apparent that the sky is just beginning to pick up a hint of the pink that soon developed into a downright amazingly intense sunset. At this particular point in the evening I had positioned myself beyond the end of a large flock that stretched from nearly my position to the line of trees seen in the distance. It seemed that many of the geese were starting to move from the far end of the flock to closer to my position, so I was a in a good spot to photograph them straight on as they approached, and I had managed to position the slightly darker trees behind them, allowing their lighter bodies to stand out a bit. This group was just about to set down not far in front of me.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Central Valley, Winter Dusk

Central Valley, Winter Dusk
Central Valley, Winter Dusk

Central Valley, Winter Dusk. Merced National Wildlife Refuge, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A line of geese fly in front of the first clouds of an approaching winter storm front above California’s Central Valley.

This photograph was made at a late enough time in the evening that it was becoming hard to see in the same detail that the camera has. The sun had gone down and the light reflected up into the clouds was beginning to fade, and Central Valley haze filled the air, partially obscuring the details on anything more than a few hundred feet away.

We were surprised and pleased to have a spectacular sunset as the clouds of an incoming weather system that had early blocked the light were now lit up from below as the sun dropped to the horizon. The intense colors of the red clouds were almost too bright to photograph. Here I used a long lens to isolate a small section of the terrain to the west that held a group of silhouetted trees, with the Coast Range mountains beyond, and the sky turning all shades of purple, orange, and red. Although it may be difficult to see in this small jpg, a long line of geese is traveling from right to left high in the sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Leaves, Sand

Autumn Leaves, Sand
“Autumn Leaves, Sand” — Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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