Tag Archives: pink

Slot Canyon Tree

Slot Canyon Tree - A box elder tree stands against the vertical sandstone walls of a Utah slot canyon
A box elder tree stands against the vertical sandstone walls of a Utah slot canyon

Slot Canyon Tree. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A box elder tree stands against the vertical sandstone walls of a Utah slot canyon

Near the beginning of this late-October photographic trip in Utah, we visited a long canyon, slot-like in places, in the southern reaches of Utah in the Grand Staircase-Escalante National Monument. Although I had been is small sections of little slot canyons before, this was actually the first time I ventured up a desert canyon like this one (with the exception of some in Death Vally) that had a creek running up the bottom, steep sandstone walls, and plenty of cottonwoods, box elders, and other typical plants. We started in a more or less flat area outside the canyon, waded up a section of the creek to enter the canyon, and spent the next few hours exploring and making photographs.

I have a thing about trees standing in front of rock walls, and among the mental images I was carrying as we went to the Southwest were several with that theme. I was actually thinking more about trees with fall colors, but in this particular canyon there was a still a lot of green foliage – and I liked the somewhat unusual combination of the leaves’ lime green and the pinkish, almost purple coloration of the rock in the soft reflected canyon light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Bottom, Red Rock, and Trees

Canyon Bottom, Red Rock, and Trees - Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park
Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park

Canyon Bottom, Red Rock, and Trees. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park

Yes, I’m still working that vein of October 2012 Utah photographs! This one came from a productive day, though it wasn’t an easy one, during which we spent a lot of time along the Mount Carmel Highway that passes through the high country of the park, looking for fall color and juxtapositions of light and rock and trees.

This rough terrain varies in its susceptibility to being photographed as the light changes. Areas that might be muted while in shadow can become highlighted and separated from background terrain when the sun strikes them. On the other hand, certain subjects such as fall foliage may be almost impossible to photograph in direct light, but when they fall into shadows the soft and diffuse light can change them. This photograph combines the shadows and the direct light, with the sun lighting a few trees, especially those at the top of the foreground red rock, and letting them stand out against the background terrain that is in the shadows.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Striped Rock, Grass, and Sand

Striped Rock, Grass, and Sand
“Striped Rock, Grass, and Sand” — A striped rock atop sand, Grand Staircase-EscalenteNational Monument

I made this photograph in the first canyon we investigated during my late-October 2012 visit to Utah with photographer friends. We drove up a long gravel road and pulled off at a wide spot to find the creek that came out of this canyon, which we followed a good distance upstream. Believe it or not, this was the first time that I had hiked such a canyon and it was exciting to move from imagining the experience to actually doing it! We started out by essentially walking up the creek bed though the flats below where it left the canyon, wading through shallow water and little sand bars. Soon we entered the canyon itself and the “path” involved walking alongside the creek, frequently crossing from one side of the stream to the other to avoid obstacles, and sometimes just walking right up the stream bed, as that often provided the clearest path.

In the location where I made this photograph, the light became very red as it reflected between the upper sandstone canyon walls, and although I was shooting in the shade I had unusually warm toned light to work with. The sand here comes from – no surprise! – sandstone, and was very red in places. This bit of sand had been smoothed by the passage of higher water which had also flattened the grasses and wrapped them around this small rock with its bright red stripe.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Dawn Sky, Panamint Range

Dawn Sky, Panamint Range
Dawn Sky, Panamint Range

Dawn Sky, Panamint Range. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

First dawn light on clouds above Death Valley, as seen from high in the Panamint Range

I recently “discovered” (or perhaps “remembered?”) this photograph that I made nearly a year earlier during an early January 2012 trip to do winter photography in Death Valley National Park. Winter is a wonderful time in Death Valley, though the season can present its own challenges – not the same as summer, but challenges nonetheless. The challenges include, believe it or not, the possibility of some very, very cold weather, especially in some of the higher outlying areas of the park an up in the mountains, such as here in the Panamint Range. But there are special rewards, too, including the possibility of snow among the peaks and the more interesting skies that can come with the passage of winter low pressure systems that originate in the Pacific Ocean.

On this morning I had gotten out of my sleeping bag well before dawn so that I would have time to drive to this overlook high in the Panamints before sun rise. It was still dark as I drove the last section of the gravel road approach, and its wasn’t until after I arrived that there was enough light to see that this might turn out to be a spectacular sunrise. (When you get up in darkness and drive many miles, you have to take it on faith that something special might occur, and accept the possibility that it might not.) My original subject ideas for this location were not so much about sky as about deep valleys and receding ridges, but when the first sun hit these high clouds I was willing to angle the tripod up a bit to photograph them! This light on the clouds only lasted a few minutes, and after that I turned my attention back to the landscape below.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.