Tag Archives: plant

Lupine and Fog

Lupine and Fog
Lupine and Fog

Lupine and Fog. Mission Peak, Fremont, California. April 16, 2005.© Copyright 2011 G Dan Mitchell – all rights reserved.

Spring lupine blossoms grow on fog-shrouded slopes of Mission Peak above Fremont, California.

While doing a major review of the past half-dozen years of raw files this week I have come across quite a few photographs that I had more or less forgotten. (I’ve also deleted a lot of old raw files, but that is a different story.) While I had forgotten this photograph, I remember the day I took it quite well and the memory of the photograph came back as soon as I found it.

Mission Peak is more than 2000′ feet above the Mission San Jose (part of Fremont) area of the San Francisco Bay Area, in the East Bay a bit north of San Jose. The peak is a very popular hiking location due to its proximity to urban areas, its quick access to near-wilderness, and the fact the summit provides a spectacular view of the southern parts of the San Francisco Bay, ranging from the South Bay and the Santa Cruz Mountains all the way up to San Francisco and, on clear days, beyond. On this day it was not clear, at least not at the start of the hike – it was extremely foggy, quite wet, and rather cold. But anyone who photographs flowers much knows that soft and diffused light can be your friend, and this fog certainly provided that light. The fog-obscured hills beyond are covered in the intense green (what I call the “impossible green”) of the California grasslands in spring.

By the way, I recall that as I continued on up the trail past these flowers and approached the summit of the peak I emerged above the fog bank to find hillsides carpeted with more lupine and with California golden poppy flowers.

G Dan Mitchell Photography
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Spring Cascade, Tioga Pass Road

Spring Cascade, Tioga Pass Road
Spring Cascade, Tioga Pass Road

Spring Cascade, Tioga Pass Road. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

A seasonal stream cascades over a granite ledge along Tioga Pass Road, Yosemite National Park.

This small cascade is one of hundreds seen along Tioga Pass Road on June 18 this year, the day the park service opened the road for the season. The opening date was later than usual due to the heavy snowpack, and there was water everywhere as the snow melt accelerated in the late spring weather. It was almost embarrassingly easy to find and photograph these subjects – this one was right next to the roadway.

This is part of a larger cascade, out of view to the right, that flows off the top of a granite area and drops quickly across granite cliffs. Here the water strikes a slanting ledge and bits of spray explode almost like Fourth of July fireworks. Obviously, the somewhat unusually long shutter speed was selected with this effect in mind. The reddish plants to the left, just beginning to come back to life after the long winter, hint at the early date in the season.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek
“Boulders and Spring Torrent, Cascade Creek” — Runoff from spring snow melt rushes over boulders of Cascade Creek, Yosemite National Park.

I recently posted the black and white version of this photograph of Cascade Creek in full spring flow.

The color version of this photograph posed a series of post-processing questions and problems that others who have worked with a scene like this one can probably imagine. The creek descends through a narrow, rocky gorge at this point and I photographed it early in the morning before any direct sunlight was able to reach the water. Benefits of shooting at this time included the softer light, which tends to both throw some light into the shadows and to soften the brightest highlights. This also permits a longer exposure which allows the water to blur a bit and express the wild motion of the creek. However, since the primary source of light was the open sky, the camera “sees” a very blue scene. (Our visual system compensates for this, so it doesn’t look as blue as it really is when you are on the scene.)

There are several ways to deal with the color balance issues that this situation creates. You could just “go with the blue,” and I’ve seen photographs done that way. I’ve even seen some in which the photograph amped up the saturation and ended up with something very blue. In general, that’s not my thing! I’m most often looking for something that seems “believable” – it may not be objectively accurate, but I intend it to be “subjectively accurate.” With this in mind, my first instinct was simply to warm the color balance in order to move away from the blue cast and toward a warmer one.

My immediate impression was that this was an improvement, and I worked with this interpretation for several days – but something about it didn’t sit quite right with me. (This is perhaps one reason that I also worked with the black and white rendition in the meantime.) Eventually I did some comparisons between the “warmed up” version and the original… and neither seemed like what I was after. The overly blue original looked garish but the overly warm version seemed artificial. I tried some other approaches and finally discovered that because the blue was so intense that I could simply desaturate it – more than you might think – and keep the “colder” coloration without letting it overwhelm the image.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EOS 5D Mark II (at B&H)
Canon EF 70-200mm f/4 L USM at 126mm (at B&H)
ISO 100, f/16, 1/8 second


 

Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek
Boulders and Spring Torrent, Cascade Creek

Boulders and Spring Torrent, Cascade Creek. Yosemite National Park, California. May 7, 2011. © Copyright G Dan Mitchell – all rights reserved.

Runoff from spring snow melt rushes over boulders of Cascade Creek, Yosemite National Park.

This is a subject that I return to several times each year – a particular section of creek that can be viewed from overhead and which can vary from nearly dry to a wild torrent depending upon the time of year and the character of each new year. During the past year I was inspired by Charles Cramer’s stunning photograph of this subject to look at it more closely and from some different perspectives. (A small bit of “Charlie’s scene” appears in this photograph. I wonder if you can find it? :-)

In some ways, the view of this scene is limited in that you can only see it from a particular range of positions – unless you have the skill of levitation! In another way it is hardly limiting at all since the larger view contains many possible smaller views of rocks and plants and water and light. I still have in mind a horizontal composition in this general area, but so far it hasn’t quite worked. Guess I’ll have to keep trying.

I made this photograph in the morning before any direct light had worked its way around the mountains and down into the stream bed. Beyond the stream, which drops precipitously into the Merced River far below, there was open sky and that is the light that reflects on some of the wet rocks. By playing around to find an appropriate combination of ISO values, aperture, and shutter speed, I tried to get the water to hold some detail but to also be blurred enough to reflect its wild motion as it tumbles down this rocky canyon.

As is sometimes the case, I still cannot decide for sure between this monochrome version and a color version that will appear here before long.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.