Tag Archives: plants

Marsh, Tule Fog

Marsh, Tule Fog
Marsh, Tule Fog

Marsh, Tule Fog. San Joaquin Valley, California. January 25 ,2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Early morning winter tule fog about a San Joaquin Valley marsh

When I first went to this place in the San Joaquin Valley a few years ago, I was only looking for birds. I had visited some wildlife refuges further up the valley already, I heard of this place, and I was intrigued by the name of the roads that go there. On the way back from an early spring photographic trip to Death Valley I detoured this direction on my way home, arrived just before sunset, and found sandhill cranes — I made a photograph that is still one of my favorites of these birds. I returned, sometimes alone and sometimes joining like-minded friends. I learned a lot more about the birds — though there is still much more to learn — and I began to see the place in a wider variety of conditions, and soon began to see not just as a place to photograph wildlife, but also to see it as a landscape.

The experience has reinforced something that I already learned from returning many times to photograph a different area near my home — namely, that there is often far more to see in a seemingly unexciting place than you might first imagine, and that over time such places can become the source of astonishingly varied photographs. Today when I go to this location, I always find something new or a new way to see and photograph something familiar. This morning was very foggy, and long-distance views were unavailable. It was so foggy that photographing wildlife was quite difficult at first. Instead I traveled along slowly and watched as grasses and other plants growing in ponds assembled themselves into surprising compositions as I passed.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Urban Flower Hunter

Urban Flower Hunter
Urban Flower Hunter

Urban Flower Hunter. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Photographing flowers in a Chicago urban garden

In this photograph a woman kneels to make close-up photographs of flowers in an urban garden at Chicago’s Millennium Park. Not just any woman, by the way, but my wife! Aside from that obvious factor, there are several other things that I like about this scene and this photograph, some of them photographic and others more about the facts of the image.

Most people would pass right by such an urban garden. Some will notice it and perhaps look a bit. But a person who stops and looks close, as Patty does, can find a whole world to see in such a small place. In this photograph I also like the juxtaposition of the sharp angles and structures of the downtown Chicago skyline, with colors muted by hazy afternoon, and the wild and unpredictable organic forms and colors of the bit of garden. It doesn’t hurt that her red top complements the greens, either!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Curves, Desert Canyon

Curves, Desert Canyon
Curves, Desert Canyon

Curves, Desert Canyon. Death Valley National Park. April 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Small dry plants grow in a curving crack in a two-toned desert canyon, Death Valley National Park

Passing through this deep and narrow canyon, I always watch the rock walls for little odds and ends of shape and form and color and occasional surprising bits of vegetation. If you had asked me about this section of canyon after my first passage some years ago, I might well have mentioned how narrow and deep it is and perhaps how dusty. I might have commented on the way the bottom remains in shade even in the midday heat. But repeated visits have shown me that there is much more to see, and the fact that I still see new things on every visit tells me that there is far more yet to be discovered.

On one hand this is a pretty plain photograph of some rocks with cracks running through them. On the other hand, I think there are some stories behind the scent that are interesting to contemplate. At least I think so! If you look closely you will see some very dry plants that have grown in this curving crack. It is hard to imagine a more inhospitable place for a plant to grow—perhaps a dozen feet up the nearly solid rock wall of an arid and hot desert canyon. Yet somehow these plants found a way, as did and do many other plants throughout this desert landscape. Behind the small, delicate, and even intimate element of these plants is the backdrop of a small section of a massive rock wall that towers out of sight above the frame of the photograph. Here is a boundary between two sorts of rock—I’m not enough to a geologist to make technical observations, but I do note that the upper layer is darker and more solid while the lower is lighter and has more cracks in its surface. From the upper left a crack follows the junction of the two rock layers, but for some reason the crack leaves the junction and curves back upwards into the darker rock, and it is in this surprising bit of geological dissonance that the small plants took root.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Panamint Mountains, Spring

Panamint Mountains, Spring
Panamint Mountains, Spring

Panamint Mountains, Spring. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cloud shadows pass across valleys of spring-green high desert plants in the Panamint Mountains of Death Valley National Park

I like to think of this photograph as one that may offer a more truthful presentation of the character of Death Valley. As photographers, almost all of us to looking for the extraordinary—momentary instances of astonishing light, brilliant color towering clouds, dramatic light, and more. And, of course, there is nothing remotely wrong with that. It is these things that draw us to these places and which drive our search once we get there. We will often put up with, sometimes patiently and sometimes not, hours or days of what some call “blah” light in order to be able to photograph brief instance of something atypically powerful. But we must be aware that what we find and show in this brief slices of time is often special precisely because it is unusual.

A few years back I started thinking more about my relationship with the landscape of Death Valley and the surrounding terrain. I had been focusing on the extraordinary—and I still do—and on the way to such places I often passed through other areas, sometimes without taking the time to think about what I was seeing in those moments. I think that it was partially out of frustration that I arrived at the idea of trying to see these subjects more clearly and try to figure out how to photograph them. After all, I knew—at least once I stopped to think about it—that my love of this places was not limited to just the unusual and extraordinary moments, but that it also included midday quiet in the heat and subtle colors of sage country, a series of simple overlapping ridges, a bit of rock. And once I recognized this I started to think that these things, and not just sunrises and sunsets and impressive formations and unusual clouds, might make worthy subjects if I slowed down and tried to understand them. And this is one of those photographs. There is no single, impressive subject in this frame. Instead we have the almost uniform pale green of the arid mountain plants on an early spring day after rain, when the plants produce a subtle but surprising green coloration that varies as the land alternates between gullies and the tops of low hills and clouds from a cleaning storm move across the landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.