Tag Archives: point

Zabriskie Before Sunrise

Zabriskie Before Sunrise,Death Valley
“Zabriskie Before Sunrise” — Badlands terrain, distant Panamint Mountains, and Rogers Peak.

I made this photograph right around sunrise. A half hour earlier I had abruptly aborted my drive to a different locationi when I thought I saw some promising clouds in the pre-dawn dusk. I thought that they might produce something exceptional at sunrise. My hunch was wrong — it was a lovely morning at Zabriskie, but nothing particularly out of the ordinary. But since I was there I went ahead and photographed, including this image that includes the short and long views.

As I was standing there waiting for the right light, some women asked about that snow-covered peak. I said it was Telescope Peak, then realized my error — Telescope is hidden behind the dark foreground ridge, and the high point visible here is actually Rogers Peak, a lower summit near Telescope. One of the remarkable things about Death Valley National Park is the range of climates it encompasses. We can stand in an arid desert location like this one and look up to snow-covered alpine peaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands, In Shadow

Badlands, In Shadow, Death Valley
“Badlands, In Shadow” — Badlands formations in early morning shadows, Death Valley.

This is another is a series of photographs I made one morning at Zabriskie Point during my late February visit to Death Valley National Park. Previously I mentioned that I rarely photograph at this spot any more — after a couple of decades it takes some pretty special conditions to persuade me to join the crowd there. I stopped when pre-dawn clouds suggested the potential for a very colorful sunrise. Alas, that did not happen, but I did get some interesting light before the direct sunlight came to the formations at Zabriskie.

I’m a big fan of photographing in subdued light and especially in shade and when reflected light fills in the shadows. That is what we see here. The morning sunlight was striking nearby subjects, but it had not yet penetrated down into this little valley. The light produced a kind of soft glow and it picked up colors from the sky and reflected light from nearby prominences that were in the sun. Once again, the Death Valley landscape is a sort of canvas that is colored by light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Gullies in Soft Light #2

Gullies in Soft Light #2
“Gullies in Soft Light ” — Eroded gullies and ridges in soft light, Zabriskie Point.

In the right light (and perhaps with a certain amount of post-processing) the geological patterns in a place like this can be drawn out and emphasized. But most of the time they are rather subtle, with pastel colors and low levels of contrast. This is especially true early and late in the day when the formations are not in direct sunlight. In this series of photographs from Zabriskie Point I decided to embrace the low contrast light and allow subtleties of shape, texture, and color to predominate.

Previously I mentioned that I ended up here because in the predawn twilight I thought I saw the potential for a spectacular sunrise sky. You cannot predict such things with certainty, and this time the colors did not develop as I hoped. Since I was there and set up to make photographs, I decided to use a long lens and focus on smaller details of this area’s landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Gulllies and Strata, Morning Light

Gulllies and Strata, Morning Light, Death Valley
“Gulllies and Strata, Morning Light” — Highly eroded gullies and strata, Death Valley National Park.

Some geological formations in Death Valley National Park are simply otherworldly. The sparse vegetation lays these features bare — they are more visible than in places covered by forests and other vegetation. The landscape has been uplifted, split, warped, and eroded in remarkable ways. Here tilted strata emerge in deeply eroded land, and morning shadows add more contrast.

I’ve often noted the irony that this place, known for its dryness and heat, is one of the best places to clearly see the effects of water on the landscape. The material in these formations was laid down under water millennia ago. And the diagonal gullies were created by water erosion. If you have your eyes open, you’ll see that the evidence of water’s effect on the landscape is visible everywhere in this park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.