A person in a blue shirt and a pigeon share a Stockton Street sidewalk in San Francisco.
Continuing my fascination with the walls of San Francisco buildings… this one is on Stockton Street just above China Town, and near the base of stairs descending from an overhead portion of the street under which Stockton continues through a tunnel. After I made this photograph I realized that I had also photographed it last year, from almost the same position and also with figures in front of it. But I decided that I like the subtle pigeon (perhaps hard to see in this small presentation) in front of the doorway, the guy in the blue shirt and shorts sauntering into the frame, and the fairly harsh front-lighting and shadows.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A lamp-post in front of the Embarcadero Center and Maritime Plaza buildings, San Francisco.
The buildings in this photograph are in the financial district of San Francisco, very close to the Embarcadero, the roadway that travels along the waterfront where all of the old shipping piers are located. The taller building to the left is part of the Embarcadero Center, a major landmark along the waterfront, and the darker building occupying much of the rest of the frame is the Maritime Plaza Building, one that I’m less familiar with. The lamp-post is… a lamp post.
This summer, while my wife has been involved in an ongoing musical event in The City, I’ve been taking advantage of this to spend more time that usual wandering around the downtown area and making photographs. I have a number of general ideas in mind for photographs, but one thread has been to shoot the large forms of these buildings at odd angles, often with fog or bright sky above. Recently I was thinking about some of the factors that attract me to shooting here. One is, obviously, that this is where the large urban downtown closest to me is located – it is an hour drive away and I can get there by public transit in not much more time than that. It occurred to me yesterday that San Francisco is perhaps the most likely place to find “interesting” weather this time of year here in otherwise mostly blue-sky-boring California – between full sun and dense fog, there are a lot of visually interesting conditions to be found here… occasionally all at once!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A street light attached to the exterior of dilapidated industrial buildings at the historic Mare Island Naval Ship Yard.
Given the number of times I have ended up photographing this building at the historic Mare Island Naval Ship Yard near Vallejo, California, you might think that I’d almost be done with it by now. Apparently not. I was back at Mare Island in early March to do some photography with my friends from The Nocturnes (and to drag along photographer and friend David Hoffman). After shooting a newly-accessible area near the waterfront and not far from the Mare Island Museum, our wanderings took us past this building, also sometimes known as the UFO building. (I’ll leave the source of that name a mystery for now…)
These old buildings were part of a very active ship building facility until the mid-1990s when the area was decommissioned. Today many of the old buildings still stand, some kept maintained in their historical state and others now the homes of various industries. As far as I can tell, this weathered building is not occupied, and its exterior is a marvel of peeling paint, wild textures, boarded up windows, external electrical conduits, and more.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.
Early this month I had the opportunity to join my friends from The Nocturnes, the San Francisco Bay Area night photography group, for (yet another) return visit to the historic Mare Island Naval Ship Yard for an evening of nocturnal photography, along with a chance to share work and pizza! I have been photographing Mare Island at night for something like a half dozen years now, yet I still find new and interesting subjects every time I go there.
These turnstile structures are found throughout the facility, and they are a frequent topic of conversation and subject of photography among the night photographers I know. They are intriguing features and there is something compelling about them as potential subjects. Standing along at night they seem forlorn, perhaps in contrast to the knowledge that thousands of ship yard employees must have passed through them at one point. They also seem almost disconnected from the rest of the industrial landscape here. While it is obvious that they must have once been the only entry way to certain areas of the facility, not it is quite possible to simply walk around them. In addition, some mysterious electrical “stuff” has clearly been removed – time card readers? Something else?
It also turns out that they are a surprisingly difficult photographic subject, and I have had many discussions with other night photographers about this. Up close they present an amazing density of interlocking metal features… that are very difficult to assemble into a good composition. I’ve managed once or twice. Oddly, one of my favorite photographs of the turnstiles is almost the very first photograph I made at Mare Island, a black and white close-up photograph of a gate by the island’s museum. For this shot I decided to work from a bit of elevation, setting up on a raised landing in front of a nearby building so that I could look down on the structure and create a sort of surround out of the background area and further buildings.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
