Tag Archives: print

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock and Trees, Afternoon Light

December 13, 2012 G Dan Mitchell Leave a comment

Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

As much as I have come to love Zion Canyon itself, with its monumental cliffs, winding Virgin River, and cottonwood trees, something still draws me more strongly to the high country such as that found along the Mount Carmel Highway. (I’m sure that the “real” backcountry will eventually appeal to me just as much, but my “getting acquainted” process with Zion is still in its relatively early phase.) This higher elevation terrain, which can at first perhaps seem somewhat overly complex and even “disorganized – if that makes sense – has come to hold more interest for me photographically, though it has been a bit more difficult to figure out how and when and where to photograph it. I was intrigued by these wonderfully complex sandstone patterns of curves and lines when I first saw them, but initially had a hard time seeing coherent photographs among them.

Since my first visit – less than a year ago, believe it or not – I have now had the opportunity to revisit this area on quite a few days, and I feel like I’m starting to “get” its rhythms. Initially it was a matter of passing along the roadway through the park and catching glimpses of juxtapositions of features, bits of light or color, and various canyons and prominences and thinking “there must be a way to photograph that.” Return visits, in various types of light, during two seasons, and at all hours of the day have helped me figure it out. Among my favorite subjects here (and elsewhere!) are backlit trees, here combined with some low ridges and the swooping curves and textures of the wonderful red rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Arizona, Photographs: Desert, Photographs: The Southwest

Storm, Monument Valley

December 12, 2012 G Dan Mitchell Leave a comment

Black and white photograph of incoming storm clouds looming over Monument Valley, Arizona

As we moved on into and through the Monument Valley area, the weather and light conditions were constantly changing. One moment we would be in the midst of a heavy downpour, then we would emerge into the bright sunlight, made brighter by the contrast with the nearby gloom of a passing shower. We were traveling west, and even when the sun was out it seemed like there was a big cloud ahead, ready to drop more rain on us. The wind howled continuously, whether we were in sun or rain.

When I took this photograph we were momentarily in the sun – though that wind hardly allowed it to become warm. Looking around our locations I could see pouring rain, bright sunshine, and more incoming clouds. Despite the bright sunshine on the butte at lower left and the slightly obscured sunlight on the rocky hills beyond, in the distance there was a very large and very ominous cloud, pouring rain onto the desert. However, in virtually every way, I preferred this wild weather – even with the wind – to the alternative of boring blue skies!

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastal Bluffs in Sunset Light

December 11, 2012 G Dan Mitchell 5 Comments

Sunset light momentarily illuminates coastal bluffs near Davenport, California

This photograph or one very much equivalent to it might have been made in any of perhaps thousands of locations along the California coastline, given the right time of year, the right atmospheric conditions, and the right light. With just a bit of looking around, these views from promontory bluffs, looking down the coastline past a series of other rugged bluffs are characteristic of the area. This spot happens to be near the small coastal town of Davenport, California just north of Santa Cruz.

The photograph illustrates one thing about my orientation to photographing the coast line and also illustrates something about light. About the coastline… my favorite times of the year on the coast are not the typical peak tourist season times, but instead are during the late fall through early spring period. Not only is coastal fog much less likely – though still possible! – but the ocean is more interesting and variable under the influence of winter weather, the potential for interesting skies is greater, and the generally lower-angle light creates all sorts of interesting possibilities. The clouds in this photograph, which glow just a bit in the momentary sunset light, are from a weak weather front that passed over during this afternoon along the coast. That weather front leads to my second point about light, which I’ll get to by way of telling part of the story of this afternoon’s photography. When I arrived at this location near the middle of the day, the light seemed very, very unpromising. It wasn’t just the usual nature of midday light, but there was a sort of bland haze in the air, and a shield of approaching clouds was coming down from the north – and as the afternoon wore on it became clear that those thick clouds were going to end up in front of the sun in the late afternoon.

However, sometimes the easiest and most predictable light is the least interesting to shoot in, and the least predictable and sometimes least-promising light can occasionally produce momentary wonders if you watch and are ready for them – or just have enough dumb luck to arrive at the right instant! (On the other hand, you can also watch and wait and, in the end, get… nothing. It goes with the territory!) In this case, I thought about two things. First, I thought about how I could photograph this “boring” light. The way I look at it, I’m there because the place, the circumstances, and the time are interesting – in which case there must be some way to produce a photograph in those conditions that reflect that. But that’s not my point with this particular photograph. The point that this one so nicely illustrates has to do with that possibility of momentary light on a day that seems unpromising. I ran into a couple of other photographers on the bluff during the “blah light” period. I wasn’t making photographs at that point, instead mostly just looking around. We talked briefly about the currently uninspiring light, but I pointed out that I thought I could see an edge to the cloud shield far off-shore, and if I was right there just might be a brief moment of special light as the sun passed below that edge and before it reached the horizon. Sure enough, with just a few minutes left before sunset, the sun dropped below the clouds and an intense band of extremely warm light began to suffuse the coastline against the backdrop of gray higher clouds. It lasted for only a minute or two, but that light was worth the wait.

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Backlit Trees and Sandstone, Afternoon

December 10, 2012 G Dan Mitchell Leave a comment

Afternoon sun back-lights trees and brush in the sandstone high country of Zion Naitonal Park, Utah

I love this “sea of sandstone” country from the higher elevations of Zion National Park, especially early or late in the day when the low angle sun catches the tips of the needles and leaves of the trees and bushes. The rock formations have a combination of sculpted large features and rough and angular small features that I like as well.

Several times this year I had the opportunity to spend good portions of days along the Mount Carmel Highway through the park. Between the well-known tunnel and the east border of the park, the surroundings are filled with this sort of landscape: small canyons, deeply worn stream beds, knobs of stratified red sandstone, and trees and plants managing to grow anywhere they can get a bit of soil on this rocky terrain. As I travel this road it seems that juxtapositions of these components are constantly forming, sometimes so quickly that I don’t have time to stop. However, because I have been over this road quite a few times now, I’m beginning to understand a bit more where and when to look. The idea here was to line up a couple of almost parallel hill structures, each topped by backlit trees, against the backdrop of shadowed and stratified rock.

G Dan Mitchell Photography

Tag Archives: print

Red Rock and Trees, Afternoon Light

Storm, Monument Valley

Coastal Bluffs in Sunset Light

Backlit Trees and Sandstone, Afternoon

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.