Tag Archives: print

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Two Owls, Trees and Ponds, Dusk

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Two Owls, Trees and Ponds, Dusk - Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge
Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge

Two Owls, Trees and Ponds, Dusk. Merced National Wildlife Refuge, California. February 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two owls in the branches of a group of trees at dusk, reflected in the waters of a pond at the Merced National Wildlife Refuge.

I originally posted this in an impromptu manner and out of sequence back on SuperB owl Sunday – but now it comes up “officially” in the queue. At the very end of a winter day that had begun well before dawn back up the Central Valley closer to Sacramento (in the Cosumnes River area, to be precise) we had headed south to Merced National Wildlife Refuge in search of somewhat different subject for the evening. We arrived to find some geese on the pond, but most were a bit too far off for good photography. But while we settled in to wait for whatever else might show up, I turned my attention to the beautiful and wide-open Central Valley landscape.

This little group of trees grows on a small levee between a couple of ponds in this agricultural area. (Over the past few weeks I have come to know this exact spot very well, as I have been back three times now to photograph there, with better and better luck each time.) After the sun set, some of the most beautiful light appeared – the soft and pink/purple/blue atmospheric light of dusk, when there is still some brighter color in the sky. I saw a single bird high in one of the branches of this tree and soon figured out it was an owl. I set up a composition that centered the tree – creating, I hope, a sense of quiet and stillness – and which included a bit of the sky and the beautiful reflection of the tree’s silhouette in the water. As I shot, a second owl showed up for a few seconds and I was able to get a frame with the couple together.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Migratory Birds in Twilight, Central Valley

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Migratory Birds in Twilight, Central Valley - Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.
Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.

Migratory Birds in Twilight, Central Valley. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory birds flly though the twillight winter sky above California’s Central Valley and the Coast Range.

I made this photograph when it was almost too dark to see clearly. In fact, when I packed up and drove away a few minutes later, it was so dark that I momentarily got mildly lost on my way out of the refuge! Long after the sun had set, and at the time when perhaps the most intense sky colors appear, the migratory birds were still in flight above the Central Valley, often silhouetted against the colorful dusk sky just above the horizon.

This photograph is going to get a bit more technical explanation than usual. I had a 100-400mm telephoto on the camera at this point since I had been photographing the birds in a variety of ways, including trying to fill the frame with one or a few birds. While some might say that shooting a prime lens of this length could have some image quality advantages, this photograph wouldn’t have happened if I had been shooting, say, a 400mm prime. Since I wanted to move quickly from targeting small sections of the surroundings or even individual birds to making photographs that attempt to portray the larger landscape within which the birds are found, I frequently found myself moving quickly to much shorter focal lengths. Here, I realized that I might be able to “zoom out” and include some of the birds in flight high above the valley and the distant mountains in the context of their surroundings. So I shot this at something like 130mm. In addition, because the scene includes subjects that are not that far away (like the trees) and those at much greater distances (like the hills), depth of field was an issue with the longer focal lengths. I couldn’t shoot wide open without some excessive focus issues, so I stopped down to f/11. Think about that for a moment: shooting in extremely low light, stopped down to try to maintain some depth of field… and needing use a shutter speed allowing me to get some definition out of birds flying through the scene. This is essentially being caught between a rock and a hard place… and another rock. With the camera on the tripod, but still aimed manually, I used a shutter speed of 1/13 second and turned image-stabilization on. With all of this stuff pushing boundaries of shutter speed and aperture… my only option was to increase the ISO to 1600. For landscape work. Here’s the thing… in the end, while there was more noise in this photograph than if ISO 100 were possible, it isn’t that bad and probably wouldn’t even be visible to viewers of a print. While I’m usually persistent in my view that little technical differences among cameras don’t amount to much, in this case it was because current cameras make it possible to shoot in ways that were essentially impossible a decade ago that I could get this photograph at all.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Ross’s Geese, Winter Evening

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Ross's Geese, Winter Evening - Motion-blurred photograph of low-flying Ross's geese on a winter evening in California's Central Valley.
Motion-blurred photograph of low-flying Ross's geese on a winter evening in California's Central Valley.

Ross’s Geese, Winter Evening. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Motion-blurred photograph of low-flying Ross’s geese on a winter evening in California’s Central Valley.

From time to time I experiment with longer exposure photographs of birds in flight. The idea is that allowing the image to blur as the birds move might suggest their constant motion more effectively than the more typical approach of stopping the motion. Here not only was the exposure relatively long (I think it was 1/30 second) but I was shooting with a long telephoto which also amplifies the motion of subject and camera.

I’m thinking of this as a “study” for future photographs of these Ross’s geese and similar birds that will work with this idea of motion blur. Making this shot let me get a bit closer to understanding the most likely times to find the birds lifting off in the evening, and the best time to try to catch this with a bit of the last sunlight before sunset. I was also able to slightly better establish the shutter speed I would like to work with for this kind of image. The idea is to keep just barely enough shape in the birds that you can recognize what they are, but to allow the motion to blur things enough to eliminate the hyper-sharp realistic quality of the scene and to let the motion blur imply something about the actual flying motion of the birds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People, Photographs: Southern California

Photographer, Sand Dunes, Evening

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Photographer, Transverse Dunes, Evening - A lone photographer at work among sand dunes, Death Valley National Park, California.
A lone photographer at work among sand dunes, Death Valley National Park, California.

Photographer, Sand Dunes, Evening. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A lone photographer at work among sand dunes, Death Valley National Park, California.

This is a sort of “Where’s Waldo?” photograph – and, yes, there really is a photographer in this scene. There is not much to give you an accurate sense of the scale of the components of this scene, and there are even a few details that might throw you off. Hint: That bush near the upper left is a lot larger than you might imagine. If you look closely, I’m pretty certain that you can spot the photographer, but I won’t spoil the fun by telling you where to look.

These dunes extend over a large areas in Death Valley National Park, and I’ve come to find some of the smaller dunes of the park to present interesting relief among the closely spaced ripples and waves of sand, and late-day color variations that only get better after sunset. To make this photograph I used a long lens and found a vantage point that was elevated above the sand.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.