Tag Archives: print

Print Review (Morning Musings for 8/19/14)

August 19, 2014 G Dan Mitchell 3 Comments

We are very fortunate to be part of a small group of photographers and friends who gather every six weeks or so in one of our homes for an informal print review. Each of the photographers is talented and expressive, and while our stylistic and subject preferences overlap, each has a unique style and photographic “voice.”

Print reviews, especially when the participants comprise a group of very talented and perceptive photographers who are also friends, are very, very useful. They tend to force me to switch out of the regular ongoing “flow” of making a lot of photographs, and towards a more directed task of choosing work worthy of showing and then making decent prints of the work. This switch is another element of the “discipline” component of photography. Even more important, I hear diverse responses to the work, which range from the purely emotional (very important) to technical observations (also important).

It is interesting to see the range of responses — sometimes they are pretty much what I expected based on my own relationship to the images, but at other times I’m surprised. I had two of those surprises last night, and each of them came in the case of sets of related prints that I shared. One was a small group of three street photographs from my recent visit to New York City, photographs of dense and busy spaces that feature intense and wild color palettes. I had originally preferred one of the images to the others, but was beginning to gravitate to a second one in the set that included many more people. To my surprise, the group responded most strongly to the third, and their reactions to it made me reconsider my own feelings about the images in several ways.

The second group of photographs included five high-key black and white photographs, all of which belong to minimalist thread in my work that is about luminous atmosphere, usually from fog, that is so brightly lit by sun that it almost hurts to look into the scene. In order to get prints to somehow suggest that quality, I push the luminosity levels up about as far as possible, and the resulting images are somewhat minimal and often contain large areas of gentle tonal gradation. Among the five I shared were four that I made in California’s Central Valley. One of these is truly minimal, with a nearly invisible and diffuse horizon dividing an extremely luminous foggy sky from its reflection in still water below, and the only clear details are a few scattered birds in the water. I had almost chosen to not include this print, thinking that it might just be too minimal for other viewers. Much to my surprise, and without any prodding from me, the group preferred this image over the others. Live and learn!

Finally, it is a wonderful and useful discipline to hear my work critiqued and mostly adopt a learner’s attitude about what I hear. It is in my nature to try to persuade others of my point of view, but that is usually (but not quite always) the least useful way to deal with critique. The best and most useful thing is to hear and understand what others are seeing in the work, and to a consider it even if it doesn’t mesh with my own perspective. In the end, I can choose to accept or not what I hear, but hearing it is incredibly useful and important.

If you are fortunate enough to have perceptive, knowledgable, sympathetic photographer friends, I urge you to try to get together and try this, and to stick with it long enough to allow the process and the relationships to grow. (And thanks to any of you in the group who are reading this!)

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Manhattan Traffic

August 19, 2014 G Dan Mitchell Leave a comment

Motion blur abstract of Manhattan traffic

OK, here we go! I’m about to share a string of urban photographs, many of which are from New York City, where I spent slightly more than a week in early August. We were there for several reasons. My wife was attending a music conference at NYU. (A conference of oboe and bassoon players, if you wondered.) Her brother and sister-in-law live in Brooklyn and graciously agreed to host us during our stay, and our two sons also live in Brooklyn. For me this meant that I had the better part of a week to simply head out into Manhattan and Brooklyn, going wherever my intuition took me, and make photographs of the city.

A lot of the photographs fit into the street photography genre — which may seem a bit perplexing to those who know my landscape and nature photography — but this first one is more of an abstraction, created my means of a slow shutter speed and camera motion, most likely as I was crossing some busy street in midtown Manhattan.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Oaks and Grass, Late Summer

August 18, 2014 G Dan Mitchell 2 Comments

Late summer morning fog clears about oak and grass-covered California hills

Today’s photographic journey was a short one — back to a local park where I have photographed for quite a few years, though not recently. This is a place that I used to go to almost every week, and where I hiked just about every trail, to the point that I became intimately familiar with the place in all seasons. It is a landscape of rolling hills with a few high, rocky outcroppings, many oak trees, and grassland. In the manner of most of California, the grass deeply affects the appearance — changing from “impossible green” in winter and spring to brown or golden, depending upon your disposition. I think of it as golden.

This morning I was in a bit of an autumn frame of mind. (A separate post today will have more to say about that pleasant state.) I got up early to discover that the area was covered by the typical coastal high fog. (I live perhaps an hour’s drive from the Pacific Ocean.) This is not the sort of romantic and moody fog that sits low to the ground and floats among trees. It is the higher, drab, gray kind of fog that produces an undifferentiated sky and very flat light. However, at this time of year that fog will most certainly clear, usually by mid-morning. So I left home in these gray conditions, planning to be among the oaks and grass when the fog began to break up.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast, Photographs: Wildlife

Elephant Seals and Blue Water

August 17, 2014 G Dan Mitchell Leave a comment

Elephant seals resting on a Southern California beach at the edge of the water

This time of year, a lot of elephant seal photographs are likely to be “elephant seals napping/resting/sleeping on beach” photographs, since that seems to be how these critters spend the bulk of their time. If 100 of them are around the beach, perhaps two are out for a swim, and occasionally one or two might move around a bit or engage in some biting, butting battles with one another, but the rest pretty much must there, occasionally flipping some sand on their backs or scratching somewhere.

This large group was crowded together tightly right along the edge of the wave line. For the most part there was little or no action, though occasionally one would come or go, or one might jockey for a more favorable position in the pile. I realized that if I moved further away from their position that I could shoot back over them right along the beach, and once I got to this camera position I realized that the wet sand beautifully reflected the blue of the sky.

G Dan Mitchell Photography

Tag Archives: print

Print Review (Morning Musings for 8/19/14)

Manhattan Traffic

Oaks and Grass, Late Summer

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.