Tag Archives: print

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Mouth of the Little Sur River

May 27, 2014 G Dan Mitchell Leave a comment

The Little Sur river empties into the Pacific Ocean beneath the fog-shrouded mountains of the Big Sur coastline

It has been a very busy month or so, and since my early April trip to Death Valley, aside from a quick one-day visit to Tioga Pass on opening weekend, there has been less time for photography than I would like. I finally managed to find time to break away today, and I had enough desire to photograph that I was even willing to chance the Memorial Day traffic… along the Big Sur coast. I was up very early and on the road while most people were probably sleeping in, and as I passed Carmel and headed south it wasn’t all that crowded for such a day. However, after my first hour or two of photography, the crowds began to show up. I had decided that my plan would be to get the heck out of there before this happened, and as I turned back to the north I congratulated myself on not being in the traffic jam heading south on the coast highway. My joy was short-lived, however, and the rest of my return drive took at least twice as long as usual!

But, anything to get out for a morning along this coast! It was supposed to be warm along this section of the California coast today, and there wasn’t as much fog as usual. However, right in this area a stubborn bank of fog clung to the ridges of the Big Sur mountains, and as I drove along this section of the road the temperature dropped into the fifties and the wind blew like crazy. I almost didn’t stop at this overlook above the lagoon at the outlet of the Little Sur river, thinking that the wind might simply make it impossible to get a shot with the quality I wanted, but the beautiful curve in the green water of the lagoon, the fog bank, and the whitecaps on the deep blue Pacific convinced me to stop and give it a try.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

High Desert, Rock and Sage

May 26, 2014 G Dan Mitchell Leave a comment

An upturned boulder stands in a wash below high desert mountains, Death Valley National Park

This was not a day like most that you would expect to experience in Death Valley National Park, although in this spring transitional season such days are not completely unexpected. Early in the morning we had been at a very high promontory from which we had expansive views of a huge area of the desert mountain landscape, though an incoming storm muted the colors and blocked the sunrise light. Soon after that it began to snow, and we spent several hours photographing in desert mountain snow. Oddly, a portion of this time was spent photographing copious spring wildflowers!

By early afternoon the main body of the storm was passing and the clouds began to break in some places, and while it continued to rain or snow in other nearby mountains we had sun where we were. We took advantage of this to visit an old historic site high in the mountains, and then we began our drive back to the Valley itself, where I had an evening subject in mind. Along the way we pulled over at a spot where I often like to stop and look at and perhaps photograph certain things. While there I looked back across this valley, with hills briefly green from spring moisture, and noticed the juxtaposition of the shape of this layered rock in the foreground and those soft hills with moving cloud shadows in the distance.

Photographs: Music & Musicians, Photographs: People

Conductor Karen Kamensek

May 25, 2014 G Dan Mitchell 2 Comments

Karen Kamensek conducts the Symphony Silicon Valley

From my ongoing project photographing classical musicians that their world, this photograph of conductor Karen Kamensek comes from a recent performance of the Symphony Silicon Valley, one of the groups I have been working with. (One reason for this project is my hope to expose people who are not familiar with this world to a bit more of its reality, ranging from the sometimes mundane aspects of the work to the aspects that reflect the intensity, dedication, and incredible work that isn’t so easy to see directly.)

All performers in this world distill their technical skills and emotional/aesthetic focus to levels not often experienced by those in more prosaic lines of work. If you have the opportunity to watch closely—as I have, both as a former performing musician myself and now as a photographer—you begin to see subtleties that are difficult if not impossible to see from the audience during a performance. Or, people might see them, but only small parts of them and only for brief moments. The conductor provides a more visible example of what can be seen among all of the performers. A huge number of factors are simultaneously at work—tempo, expression, technical issues of timing and balance and intonation—and all of this unfolds rapidly and inexorably as the music moves forward in time. And the conductor must express (or, often, over-express) all of these things visually, often simultaneously signaling things about to happen, being in the moment of things happening now, and even responding to things that have just occurred.

Photographs: Music & Musicians

Double Bass, Backstage

May 24, 2014 G Dan Mitchell 1 Comment

A double bass rests back stage during a break in a rehearsal of Symphony Silicon Valley

This is a photograph from my ongoing project related to classical music performing groups and the musicians who belong to them. It falls into a category I have mentioned before, namely photographs of people and things that happen to turn up in the small areas of interesting backstage light that I have discovered. As I have worked several venues over the past two years I have gotten to know many things about them intimately, and one of those things is the location of the many little unexpected pools of interesting light. Sometimes I “stalk” those spots, just waiting for someone or something to happen there, and I always check them as I walk around the theater with my camera.

This is, obviously, a visually simple image—just a double bass lying on its side during a break in a rehearsal. (I was attracted by the contrast between the warm colors and interesting textures of the instrument and the “industrial” surroundings with their signs of heavy use and even minor damage.) From my point of view, however, it could lead to thoughts of a whole range of other things. I’m fascinated by what an instrument is and what it isn’t. Instruments, musical and otherwise, are often remarkable things in that they allow us to do things that we can’t otherwise do with our minds and bodies alone. The instruments of classical (and many other types of) music are fundamentally pretty simple things and often the result of some really “primitive” technologies, yet they are remarkably adapted to the purposes for which they are intended, generally as a result of a long and complex evolutionary process. But in the end, I would argue that even the most beautiful and sophisticated instrument is no more than a tool, and the really interesting things are how the tool is used by a person or persons to produce something far more meaningful and interesting than the instrument itself.

G Dan Mitchell Photography

Tag Archives: print

Mouth of the Little Sur River

High Desert, Rock and Sage

Conductor Karen Kamensek

Double Bass, Backstage

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.