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The Quiet Pacific

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The Quiet Pacific
“The Quiet Pacific” — The Pacific Ocean on a quiet, overcast morning on the Big Sur Coast.

There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.

The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Forest and Meadow, Evening

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Forest and Meadow, Evening
“Forest and Meadow, Evening” — Soft evening light on backcountry forest and meadows, Sierra Nevada.

One of the attractions of the Sierra backcountry is deep quiet, something that gets lost in all the attention paid to spectacular peaks, wild sunrises and sunsets, flowing water, and more. From the photographic perspective, this may partly be because it is easier to reflect those powerful subjects in a photograph — quiet photographs don’t demand our attention in the same way. This is one of the quiet photographs.

We were camped very close to this scene for about a week on a backcountry trip. Like virtually all photographers, we started our work at the beginning of our stay by heading out to photograph those peaks, wildflower-filled meadows, spectacular skies, and streams cascading over rocks and through meadows. But as we settled into the quiet daily routines of the backcountry we began to notice other things — like this scene with a few trees and bit of rocky meadow in the soft evening light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature

Winter Cloudscape

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Winter Cloudscape
“Winter Cloudscape” — Clouds and their reflections produce a minimalist landscape on a foggy winter morning in Central California.

Recently I went back and reviewed photographs from the winter migratory bird season, a time when I head to California’s Central Valley as frequently as possible. The birds are the trigger for this annual focus, but my interests go well beyond the wildlife. I’m fascinated by the flat, wide-open landscape, the immense sky, the long views, and the fantastic tule fogs. “Normal” people steer clear on foggy days out there, but that’s my cue to head to the Valley!

This morning began with fairly thick fog. But as is common, it began to clear shortly after sunrise. This is a slow process. The fog may thin in one area but remain impenetrable nearby, or after clearing it may drift back again. Because tule fog isn’t very deep, the sky above is often visible before the surrounding land. That’s the case here, as the soft overhead winter clouds are visible against a blue sky, even as the horizon is obscured by fog. One thing that seems magical about these scenes is that almost nothing is solid and tangible — it is a vague landscape of mist, clouds, and reflections.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Evening, Aspen Grove

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Autumn Evening, Aspen Grove
Quiet light in a grove of autumn aspen trees in the Eastern Sierra Nevada.

Autumn Evening, Aspen Grove. © Copyright 2023 G Dan Mitchell.

Quiet light in a grove of autumn aspen trees in the Eastern Sierra Nevada.

These “evening”quiet light” aspen scenes really appeal to me. While the colors can be extremely intense in full daylight, especially when the trees are back-lit, the soft light lowers the contrast level and allows the details in the shadows to emerge and the leaf colors to be a bit more true. (We have to scale back the exposure quite a bit to avoid blowing out the red channel in digital photographs of colorful leaves in full sun.) The whole atmosphere changes at these times, too. It is often cool and quiet and still.

How to compose such photographs is an interesting question. To some extent, I work pretty subjectively in this regard, just looking at the scene and thinking about balance and primary subject and then doing a bit of quiet analysis and “edge patrol.” But “when I know, I know.” Here I was looking for the even spread of trunks across the scene, but I also like the little “mountain” of yellow leaves in the foreground… and the visually dissonant presence of the small, green conifer adds just a bit of tension.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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