Tag Archives: railing

Photographs: Architecture, Photographs: Southern California

Walkway, Arch, and Stairs

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Walkway, Arch, and Stairs
Architectural details at Balboa Park, San Diego

Walkway, Arch, and Stairs. © Copyright 2013 G Dan Mitchell – all rights reserved.

Architectural details at Balboa Park, San Diego

One thing that has fascinated me as I’ve spent more time reviewing old files during the pandemic is the variations in how much I recall about the original experience of making the images. In some cases the recollection is so clear that I literally remember almost everything about it. At the other end of the spectrum are photographs that I don’t even recall making — they come as almost complete surprises now. This photograph lies between the extremes. I do specifically recall this day and the places we visited, but I do not remember making this photograph and I’m not exactly sure of the precise location.

Scenes like this intrigue me, and when I slow down and look I find them everywhere. I could easily walk through here and barely register the surroundings at all, but sometimes when I’m attuned to what I see, such places come alive. There are, I think, some fun visual surprises here. First, note how full the scene is of those black railings — parallel to the walkway at the left, steeply angled upwards beyond the column, and dropping into the scene from the right margin. Then spend a moment trying to make sense of the ways all of the various lines relate to one another. Some (all?) are angled due to perspective convergence (both straight ahead and toward the left) and their actual inclines. There’s more, if you are interested…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: England, Photographs: People, Photographs: Travel, Photographs: Urban/Street

At the MillenNium Bridge

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At the Millennium Bridge
People, clouds, and sky, London

At the Millennium Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

People, clouds, and sky, London

We have been to London a few times in recent years, and our latest visit was this past summer, when we spent just a few days there near the start of our long travels through portions of Northern Europe. We “staged” our transit, starting with a three-hour time change and a few days in New York, followed by the six-hour time change between there and London, and then a few days to adapt in London before heading on to the next place.

The visit was short, so we didn’t schedule a lot of specific events, aside from one of the “Proms” concerts. This left us with time to wander. As always happens at some point, we ended up crossing this bridge. On the south side, near the Tate Modern, the bridge sort of splits into two halves, with a descending ramp heading back between the two sections as it drops toward the walkway along the River Thames. On an early visit I become intrigued with this as a spot to photograph the bridge, the city, and the people passing by. As we dropped down that center ramp I looked up and saw this fellow “posing” against a striking sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Netherlands, Photographs: Travel, Photographs: Urban/Street

Bicycles and Canal, Rainy Evening

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Bicycles and Canal, Rainy Evening
Bicycles locked to a bridge railing above an Amsterdam canal on a rainy evening

Bicycles and Canal, Rainy Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bicycles locked to a bridge railing above an Amsterdam canal on a rainy evening

If I remember correctly — and I’m pretty sure I do in this case — I made this photograph late on our first day in Amsterdam this past summer. We had arrived by train from London that afternoon, made our way to our hotel just outside the main “downtown” section of the city, settled in, and then headed on foot into the city to start exploring. For some reason I had expected sunny and somewhat warm weather — which had recently been the trend in northern Europe — but we certainly did not have that when we arrived!

This first late afternoon exploration was quick. It began with a stop at just about the first decent-looking restaurant we ran across, since we were pretty hungry by this point. We finished, went outside, and began walking. It was a dark and drizzly evening, which produced a subdued and moody effect. I made this photograph — obviously! — as we walked on a bridge across one of the canals, finding bicycles leaning against the railings.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Stairwell, Winter Shadows

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Stairwell, Winter Shadows
Shadows of bare winter trees on windows in a Metropolitan Museum stairwell.

Stairwell, Winter Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Shadows of bare winter trees on windows in a Metropolitan Museum stairwell.

This is perhaps a bit of a mind game of a photograph. I’ll explain why in a moment. I made it while visiting the New York Metropolitan Museum of Art on a cold winter day last December. We were there mainly to see the David Hockney exhibit and then, once we realized what it was, the remarkable Michelangelo exhibit nearby. It is also true that we were there on that particular day partly because that was when we happened to be in New York, partly because we wanted to see the exhibits, and partly because it was a freezing cold day! For visitors to New York City in winter, the museums are good options when it is just plain too cold for a lot of outdoor stuff. (Nonetheless, we still did do a lot of walking in this frigid weather.)

This little corner of the museum is at the end of a series of galleries where an open stairway connects several floors together. There are windows, but they are covered with a sort of fabric scrim that allows diffused light to enter, blocks views of the outdoor landscape, but does project the shadows of nearby trees. The bare, winter branches silhouetted on this window and others nearby caught my attention. But the more I looked the more I saw the almost bizarre and perspective-defying combination of lines from the angled wall, the floor and handrail, and more. In the end, this photograph is perhaps of several things, but also about the strange conjunction of their forms.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.