Tag Archives: range

Lake, Granite, and Forest Reflection

Lake, Granite, and Forest Reflection
Lake, Granite, and Forest Reflection

Lake, Granite, and Forest Reflection. Yosemite National Park, California. May 12, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Granite slabs rise above the reflected shoreline of Tenaya Lake, Yosemite National Park

I woke up on this morning in Yosemite Valley, car camping (as in “camping in the back of my car”) so that I could rise well before dawn, get out of the Valley, and drive over Tioga Pass in the morning light on this first weekend during which the road was open. It had actually opened the previous day, and I had made a ritual midday “first of the season” drive to the pass, but it was in light that was less than inspiring – hence my return at an earlier hour this next morning. It was dark when I left the Valley and the sky began to lighten as I headed up toward highway 120 and the trans-Sierra route.

I stopped along the way in the very early light to photograph lakes and rocks and trees and granite, and by the time I arrived at the shoreline of Tenaya Lake I felt like the light was going. However, the stillness of the water and the slight atmospheric recession produced by morning haze caught my attention and I pulled over. The main draw for me in this composition and a few other similar ones that I did at the same time was the reflection of the sunlit granite slabs ascending from the far shoreline. I also wanted to contrast that hard and bright surface with the softer and darker patterns of the forest beyond and the shaded faces above the forest.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Late November Fly-In

Ross's Geese, Late November Fly-In - Ross's geese settling in for the night at last sunset light, San Joaquin Valley, California.
Ross’s geese settling in for the night at last sunset light, San Joaquin Valley, California.

Ross’s Geese, Late November Fly-In. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese settling in for the night at last sunset light, San Joaquin Valley, California.

Now that I have finally (it was about time!) discovered the migratory bird populations in the Central Valley of California, I’ve become addicted to photographing them. Among my favorites are the huge flocks of Ross’s geese that can appear at times in certain places out there, and which are most active during the morning “fly out” and the evening” fly in” periods.

This was my first “wild goose chase” of the current season, and I had arrived very early that morning… to find thick tule fog obscuring the views of the birds. Early in the morning, I could hear them but barely see them at all, with the exception of one flock settled in close enough to the access road that I could barely make out a few of them in the murk. As things cleared a bit in the morning I could confirm that there were decent numbers of these birds about, but they seemed to be settled in on water that was inaccessible to me for photography. I photographed some other subjects, and eventually moved on to check out some other areas. Late in the day, I realized that I probably had time to swing back through the refuge for about an hour in the evening. When I arrived I found a few birds in the same inaccessible location where I had seen them in the morning, but I also was able to see some flocks passing by and even circling over along the far corner of the area. With this in mind, I began to work my way over there, and was rewarded with a good-sized flock that had settled into a grassy area not too far from the access road. As these geese will do, from time to time they spontaneously all rose into the air and the giant, thick flock circled for a few minutes before settling back in more or less where they were before. I photographed these against the dusk sky about the Coast Range as the last of them came back to rejoin the group on the ground.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Abandoned Buildings, Leadfield

Abandoned Buildings, Leadfield
Abandoned Buildings, Leadfield

Abandoned Buildings, Leadfield. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abandoned buildings at the site of the Leadfield mines, Death Valley National Park

In a way there is really nothing that special about Leadfield. It is one of many, many abandoned outposts and mining sites found all over California and, for that matter, all over the West. These sites remain, though precariously in some cases, as a reminder of a number of things: history that is not all that distant, the people who must have been willing to come to such places and attempt to scratch out a living by mining, the human capacities for misleading others and for falling victim to those who would mislead, and the temporal nature of things that might seem permanent at the time.

I’m no historian, but I can share a few facts about this particular spot. In the 1920s the town – with some semi-permanent buildings and reportedly many tents – came into existence and died again in the span of less than a single year. Although the reports of ore in the area and situation that might allow it to be successfully mined were wild exaggerations or downright lies, a road was built into this rugged area, work was started on a mill, and today there is still plenty of evidence of mines all around the area. I made this photograph from the tailings pile at the entrance to what I think may be the main mine shaft, looking out over the site in what I imagine might be the direction that a person working that mine might have looked. I wonder it these people took as much notice as I did of the tiny and inconsequential appearance of the human landscape against the vast and rugged natural landscape beyond?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Trees, Waterfall Mist

Spring Trees, Waterfall Mist
“Spring Trees, Waterfall Mist ” — Waterfall mist fills the air around sunlit maple trees with new spring leaves, Yosemite National Park

There are at least two stories behind this photograph. The first involves a family tradition that I started when I began taking my kids to The Valley quite a few years ago when they were small. Each spring we would take a “waterfall trip” as close as possible to the time of peak runoff – sometimes going up to the Valley and back in a single day. As part of this event, it was also my tradition that we would “say hello to summer” in the Sierra by making the first stop at Bridal Veil falls, then hiking as close to the base of the fall as possible, in order to stand in the tremendous wind-blown clouds of spray, usually getting thoroughly soaked. This year we were there without our kids, who are now “all growed up” and off living their own lives, but I still had to make a ritual visit to the spray at the base of this fall. Yes, I got soaked. :-)

The second story might actually be a continuation of the first. Sometimes I go to experience something rather than to photograph it. That was my intention when we walked to the fall this time, so I left my “big camera” gear behind. But as we rounded a corner on the trail and I looked up into the morning light from the sun that had just cleared the top of the cliff, I saw this wonderful silhouetted maple tree standing in mist-filled air with the still-shaded waterfall beyond. But I did not have my “big camera” nor did I have a tripod — I had my small Fujifilm X-E1, but with the wrong lens for this shot. I turned to my wife, who also had an X-E1 but usually attaches a 60mm macro lens (she is passionate about photographing small things!) and asked if I could borrow her camera/lens to try to squeeze off a couple of shots. She agreed, and I made two exposures on her camera, shooting handheld in the spray and wind.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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