Tag Archives: red

Layers, Sunset Dunes

Layers, Sunset Dunes
“Layers, Sunset Dunes” — layers of desert sand dune formations in the last sunset light of the day.

When photographing dunes that are new to me, I have little to go on when I first venture into them. I typically start walking toward them when the light is still somewhat flat and harsh, or before dawn when it is dark. It is difficult to imagine the details of how the light will evolve. I make some guesses based on the direction of the sun, how I think distant ridges may affect the arrival of shadows, and what I can see of the dunes’ features in the less-than-ideal light. In the end, I’m almost always surprised by how these first visits play out.

I approached these dunes in the late afternoon in preparation for sunset and evening light. I picked out a destination along the base of a particular dune where I saw some potentially interesting plants. Because the ridges to the west are quite low here, I guessed that I’d have a bit longer period of colorful light and longer shadows later on. Initially I walked past the location of this photograph because the textures of the successive ridges had little contrast in the daytime light. Later, as I finished photographing other nearby features that fell into shadow, I happened to look back in this direction, where the very last bit of colorful light was now delineating these shapes as evening shadows approached.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Evening Sand

Evening Sand
Warm evening light on sand dunes, Death Valley National Park.

Evening Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Warm evening light on sand dunes, Death Valley National Park.

I photographed this scene on my first visit to this location. Going to a new location for the first time can be a complex experience. There is, of course, the excitement of photographing something new. But there are other feelings, too — uncertainty about where to start, a bit of confusion and guesswork about how the light will evolve and about where to find the most interesting subjects. While sometimes the new simply seems exciting, other times it is almost overwhelming. For the most part I think I’ve learned to go with the flow, knowing that I’m going to make some wrong choices, that I’m acquiring knowledge that I can use when I come back, and that most likely I will at least come away with something interesting.

Approaching this spot, at first I wasn’t quite sure where to begin. I had an idea of how the light might evolve as the day ended, but when I arrived the light was less than spectacular. Another thing I have learned is that it is often better to just start making photographs rather than waiting for the perfect to reveal itself. Setting up, looking, and making exposures often primes the pump, and soon I start to see things more clearly. It is also good to be flexible and ready to be surprised. This photograph is built around one of those surprises. At first these patterns of windblown sand seemed uninteresting and I went on to photograph something else. But in the very last direct sun (you can see the edge of approaching shadows at lower left) the low light revealed shadows and textures that had been hidden earlier, and the color of the light became momentarily intense.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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First Light, Desert Mountains

First Light, Desert Mountains
The first morning light on a ridge in desert mountains, Death Valley National Park.

First Light, Desert Mountains. © Copyright 2022 G Dan Mitchell – all rights reserved.

The first morning light on a ridge in desert mountains, Death Valley National Park.

One important factor to keep in mind when photographing in Death Valley National Park is the roughly north-south orientation of most of the valleys and mountain ranges. In a broad sense, this tends to give us two ways to photograph these subjects in the morning or evening — one in direct sun and the other in shadow and backlight. This is such a basic aspect of the park’s geography, that I often organize my daily photography around it. (There are some variations on this theme, for example in locations where some features face more towards the north or south, and interesting light often slants across them.)

This photograph takes in a small segment of the east face of the Panamint Mountains, the gigantic range separating Death Valley from the Panamint Valley to the west. This east-facing aspect of the range rises over 11,000′ from Badwater to the summit of Telescope Peak, and most of it has a remarkably rugged and barren appearance. Because it is so tall, the “sunrise” takes place over a longer time as the light works its way down from the highest peaks and ridges to the alluvial fans at their base and eventually to Death Valley itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunset Sand

Sunset Sand
Sunset light, shadows, and sand dune textures, Death Valley National Park.

Sunset Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Sunset light, shadows, and sand dune textures, Death Valley National Park.

In the evening I found myself in an isolated place. In fact, as near as I could tell, there was no one else in these dunes at all, despite a few parties being camped not far from my location. Taking stock of the orientation of the dunes and the surrounding topography, I decided that I wanted to be at the edge of the dunes about an hour before shadows from a tall ridge to me west would arrive there. I picked out a likely-looking destination in the distant dunes, waited in my “camp” for the right moment, and then headed that way.

The complex interplay between the warm-toned light angling low through the atmosphere, the hills that would inevitably cut off that light a bit before actual sunset, and the shapes, colors, and textures of the dunes plays out rather quickly. Sometimes the ideal light may last only minutes, though this can be extended a bit by looking for higher and lower spots to photograph and by paying attention to where the light will last a bit longer as it streams through low spots in the ridge. I thought that I was probably done for the evening until I looked toward this bit of dune texture, where the last bit of light was shining through one of those gaps in the mountains to the west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.