Tag Archives: red

W!

January 10, 2018 G Dan Mitchell Leave a comment

“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: New York City, Photographs: Urban/Street

Hi-Tech Electronics

December 8, 2017 G Dan Mitchell Leave a comment

Man crosses street in front of Hi-Tech Electronics store, Manhattan

I made this photograph on a quick walk through a slightly seedy area of Manhattan, passing through on a hot afternoon as many people filled the streets. (It actually was crowded, despite the appearance in this photograph.) The area is one of somewhat run-down businesses in one of those pockets where there are not so many tall buildings.

I see many things when doing street photography. Some of them are static enough that I can take some time to make the photograph, but others happen instantaneously and are gone in an instant — they require a “shoot without thinking” kind of response — and that was the case with this one. Obviously, the man walking toward me was only there for a moment, but even better was the brief conjunction of red things in the frame. A close look may reveal even more of them that you notice at first.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Aspen Color

October 29, 2017 G Dan Mitchell Leave a comment

Aspen grove containing colors from green through red and orange to yellow

I have been watching this location for many years, and even this season I had checked it out earlier in the week to see how the color was coming along. During that first check the color was just beginning, and most of the trees were still green, but when we returned just a matter of days later the scene had been transformed, and most of the trees were wildly colorful. The bits of remaining green seemed to be just enough to set off the brighter shades of yellow, orange, and red.

Photographing aspen color depends a lot on the nature of the light at the time of the photograph. Midday light can be harsh, and the subtle qualities of the coloration can be lost. In fact, if the light on the front of the aspen trees they lose virtually all of their color and they can look quite drab and boring. On the other hand, photographing aspens in shadows can let the colors glow, especially after a bit of adjustment to compensate for the blue quality of the shadow light. Additionally, the softer shadow light allows shaded portions of the scene to be more visible. On this morning we planned our time to make sure that we arrived at a series of locations just before the shadows were overwhelmed by the arrival of direct sun. In fact, as I photographed these shadowed trees, the line of sunlight streaming over a nearby peak was only feet behind my camera position.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove in Shade

October 17, 2017 G Dan Mitchell Leave a comment

A hillside grove of autumn aspens in early morning shadows

I think there may be at least a couple of things worth discussing about this photograph — both from a slightly technical point of view and from an “opportunity” perspective, as in what photographic opportunities might be available in this part of the Sierra when focusing on the subject of autumn aspen trees. The technical issue (though it really turns out to be an aesthetic issue in the end) is one that I’ve discussed before, namely the kinds of light in which one can photograph aspen and other fall color. This photograph was made in fairly deep shade, and the trees stand on a slope of a tall mountain that blocks the morning sun until several hours after sunrise. I went here largely because of that — and the beautiful trees! — because I wanted to photograph in this soft light. Photographing these trees in shade reduces the huge contrast in light levels between highlights and shadows that we must deal with when the trees are lit directly by the sun. The intensity of the colors can increase and the light fills in the shadows, revealing details that disappear in harsh midday light. (One challenge is handling the blue quality of light that comes from the open sky, but that is perhaps a topic for another post.)

The second observation has to do with the types of aspen trees found in the Sierra. People who have seen the huge groves to straight and tall aspens in places like Colorado and Utah often remark on the many small and twisted aspens in the eastern Sierra. They are right to do so — many of “our” aspens are shorter, the groves frequently (though not always) are limited in their extent, and the tall and straight trees are less common. However, that is part of what I like about the Sierra aspens — the variety of “aspen personalities” is remarkable, ranging from brilliantly colorful but very small scrub aspens to some examples of tall and straight trees with thick trunks. This photograph combines the two. The presence of the smaller foreground trees provides color in front of the revealed trunks of this grove of tall and straight trees.

G Dan Mitchell Photography

Tag Archives: red

W!

Hi-Tech Electronics

Aspen Color

Aspen Grove in Shade

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.