Tag Archives: red

Red Door

Red Door
Weathered red door and wall, Lower Manhattan

Red Door. G Dan Mitchell – all rights reserved.

Weathered red door and wall, Lower Manhattan

Yes, I’m a sucker for doors, weathered stuff, and bright colors. During the last week of 2017 we were in New York City, staying in Lower Manhattan and traveling all over from there, at times getting to Brooklyn and Queens. While those longer forays involved subway and cars, we also walked… a lot. New York City is, or at least can be, quite a walking city. I recall the first time I visited as an adult, and being surprised to find that people walked much more there than in California where I live. Having said that, walking there in winter can be a bit daunting, though it didn’t stop us. For most of our visit New York was in the grip of a cold spell, with daytime temperatures only making it into the lower 20 degree range, and on some days not “warming” up even that much. We found that we could bundle up, try to avoid windy spots, walk briskly, and when we got too cold… duck into a coffee shop or restaurant to warm back up.

I made this photograph on one of these walks. The specific location seems unimportant, but it wasn’t too far from Wall Street — though this scene hardly looks like it comes from a financial center! We headed north on a meandering path that took us east of Wall Street and away from the main, busy area. I was in street photographer mode, working a small camera with a single small prime lens, so I made the photograph more or less “on the move,” likely pausing only a few seconds to squeeze off a couple of frames before continuing to walk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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W!

W!
“W!” — Colorful painting and graffiti on metal door, New York City

Continuing my current pattern of wild back-and-forth swings among subjects, today I retreat from the foggy California wetlands and head back to New York City for some wild color. There’s nothing in the photograph to let you know this, but it was a bitterly cold winter day when I made the photograph. Almost nothing stops me from walking with my camera when I visit New York, though the 20 degree (and colder!) temperatures and biting winds did their best on this day. We started walking in Lower Manhattan, near the Staten Island Ferry Terminal (a very windy place!) and headed uptown on a somewhat random path. The route took us through some places you might not bother to visit on a tourist trip to the city, but it did turn up subjects like this intense example of street art painted on the roll-up door of a small business. If memory serves, this was the day that we finally made it to Veselka, the Ukrainian restaurant. As we walked and got colder and colder, the thought of borscht and other goodies became more and more attractive. Veselka did not disappoint.

About this photograph and its dissonance with other work I post, such as wilderness landscapes, seascapes, and migratory birds. I know that some photographers prefer to focus on a particular range of subjects. (There are fine reasons for making that choice, in fact.) But I have at least a couple of reasons for photographing a wider range of subjects. First, I come from a background in music, where the idea of performing only one style of music (say, Baroque trio sonatas) all the time seems incredibly constraining — so seeking out a wider range seems nature to me. Second, I like to think that these different subjects are still united by whatever it is that constitutes my way of seeing… and that there might be a bit of the landscape photographer in the city and a bit of the street photographer in the landscape work.

TWO


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Hi-Tech Electronics

Hi-Tech Electronics
Man crosses street in front of Hi-Tech Electronics store, Manhattan

Hi-Tech Electronics. New York City. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Man crosses street in front of Hi-Tech Electronics store, Manhattan

I made this photograph on a quick walk through a slightly seedy area of Manhattan, passing through on a hot afternoon as many people filled the streets. (It actually was crowded, despite the appearance in this photograph.) The area is one of somewhat run-down businesses in one of those pockets where there are not so many tall buildings.

I see many things when doing street photography. Some of them are static enough that I can take some time to make the photograph, but others happen instantaneously and are gone in an instant — they require a “shoot without thinking” kind of response — and that was the case with this one. Obviously, the man walking toward me was only there for a moment, but even better was the brief conjunction of red things in the frame. A close look may reveal even more of them that you notice at first.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Color

Aspen Color
Aspen grove containing colors from green through red and orange to yellow

Aspen Color. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Aspen grove containing colors from green through red and orange to yellow

I have been watching this location for many years, and even this season I had checked it out earlier in the week to see how the color was coming along. During that first check the color was just beginning, and most of the trees were still green, but when we returned just a matter of days later the scene had been transformed, and most of the trees were wildly colorful. The bits of remaining green seemed to be just enough to set off the brighter shades of yellow, orange, and red.

Photographing aspen color depends a lot on the nature of the light at the time of the photograph. Midday light can be harsh, and the subtle qualities of the coloration can be lost. In fact, if the light on the front of the aspen trees they lose virtually all of their color and they can look quite drab and boring. On the other hand, photographing aspens in shadows can let the colors glow, especially after a bit of adjustment to compensate for the blue quality of the shadow light. Additionally, the softer shadow light allows shaded portions of the scene to be more visible. On this morning we planned our time to make sure that we arrived at a series of locations just before the shadows were overwhelmed by the arrival of direct sun. In fact, as I photographed these shadowed trees, the line of sunlight streaming over a nearby peak was only feet behind my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.