Tag Archives: red

Tall Aspen Trees, Autumn

Tall Aspen Trees, Autumn
A grove of tall aspen trees at peak autumn color, Eastern Sierra Nevada

Tall Aspen Trees, Autumn. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of tall aspen trees at peak autumn color, Eastern Sierra Nevada

“The color isn’t very good this year,” someone said. “The color is changing late,” said someone else. “It changed to early,” said another. “The trees are still all green,” according to one observer. “Too many trees are bare already,” lamented one photographer. “The early snow turned lots of leaves black,” someone wrote. “It isn’t as good as it used to be,” reported another. After watching quite a few fall color seasons in the Sierra, I have observed that seasons do seem to have a bit of a personality. I’ve also heard (and spoken!) some generalizations about the development of color every year. It finally occurred to me this season that I often hear some variation on the same comments almost every season! Someone reports early color — or that it isn’t starting on schedule. Someone reports that the colors are better — or worse — that usual. But, aside from some differences likely attributable to weather variations, both long-term and short-term, over time things do seem to play out it fairly similar ways each year.

This year I spent — so far — about six days in the Sierra during fall color season. I feel like I pretty much hit the peak color over the past few days, with good color remaining at higher elevations and starting at the lower levels. If you haven’t gone yet and can get away in the next few days, I’m confident that you’ll be able to find some great eastern Sierra color, too. You will find a few groves have lost their leaves, but you’ll also find some in peak condition and probably even a few trees that are still green. I made this photograph on a very cold autumn morning — made a bit colder due to a miscalculation on an ice-coated rock while trying to cross a stream! — in a location where the morning sun had not yet cleared the top of a nearby tall ridge. The trees were picking up some soft reflected light that opened up the shadows and revealed details and colors that would not be a visible later on when the trees were in full sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Meadow, Wildflowers, Granite Peaks

Meadow, Wildflowers, Granite Peaks
A view of wildflowers leads across a meadow and lake toward High Sierra peaks

Meadow, Wildflowers, Granite Peaks. John Muir Wilderness, California. September 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A view of wildflowers leads across a meadow and lake toward High Sierra peaks

Taking a little break from the Great Basin National Park photographs today, I’m sharing another from our late August and early September backcountry time in the John Muir Wilderness. To recap, we spent essentially nine days base-camped in one spectacular location, from which we could easily explore outwards in all directions — to the meadows surrounding the lake below our camp, further down the drainage where marshy areas were lush and green, a few hundred feet higher where a spectacular meadow full of flowers provided views of alpine peaks, and further up the canyon where we could want cross-country past the timber-line. All in all, it was the kind of location and circumstances that produce a landscape photographer’s paradise.

Near the conclusion of our visit, as happens on any such trip, I was realizing that I still had not gotten to certain obvious subjects. In my case, I hadn’t really spent as much time as I should have in the area right below our camp, where these green meadows wrapped around a small, subalpine lake. So on the first two days of September I focused on exploring this nearby area a bit more. The precise spot in this photograph was one I had first walked through a week before, on the day I completed the (slow!) hike up to this lake. I had walked up this meadow on a faint trail, not really knowing where our camp was and a bit concerned about finding it. Nonetheless, the intense green of the meadow (unusual for so late in the season) and the abundant wildflowers immediately caught my attention. There were many kinds of flowers in the meadow, but here you can see the beautiful paintbrush blossoms, and then the meadow holding the little lake, a bit of forest, and in the distance the high peaks across the canyon from us.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red Shirts, Fountain

Red Shirts, Fountain
Two brightly clad people face a fountain in Washington Square

Red Shirts, Fountain. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two brightly clad people face a fountain in Washington Square

Manhattan’s Washington Square holds, along with many other places in this city, lots of opportunities for people-watching and for photography. On this visit we meandered through the park late on a Sunday morning as we walked to a destination further uptown. There was a lot going on: A pianist was set up on a walkway to give a recital, jazz combos played here and there, groups were doing aerobics, folks were playing in and around the fountain, people sitting on benches read the morning paper quietly, and much more.

When it comes to explaining what a photograph “means” or what it attempts to accomplish I would generally leave the determination to the viewer than offer too much explanation. I have my reasons! One is that, at least in most cases, I tend to think that a photograph that requires explanation may be a photograph that doesn’t speak strongly. Another is that I believe that multiple understandings of a photograph are possible, and that the photographer does not have a monopoly on the correct interpretations. But here I will give a few hints about what I was thinking when I made this. First, I was working quite quickly — there was definitely not enough time to pre-conceive this image. (That is not to say that pre-visualization was not possible, but that is a different thing.) I think the red shirts, which stand out from most of the other elements of the scene, initially caught my attention. The geometry of the scene also interested me — I confess that I think about composition quite a bit, even when shooting street. There is also something about the anonymity of these two people as they stand and look at a fountain while others are swimming in it or sitting on the steps that lead to the water. There’s more, but I’ll leave it at that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Coastal Forest, Point Lobos

Coastal Forest, Point Lobos
Dense forest atop bluffs above the Pacific Ocean at Point Lobos State Reserve

Coastal Forest, Point Lobos. Point Lobos State Reserve, California. July 14, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dense forest atop bluffs above the Pacific Ocean at Point Lobos State Reserve

Point Lobos State Reserve, located just above the Big Sur coastline, is not a large park, but it packs a lot of beauty into a small park. I have visited for decades, beginning long ago when my parents moved the family to California when I was about four years old and we used to take day trips there to picnic and visit the tide pools. (Today’s visitors would be shocked to know that it once was a quiet place not overrun by crowds. Ah, well.) In my teens, when I first became serious about photography, I used to go there and try to channel my inner Ansel Adams and Edward Weston. And, often to my surprise, I still find new surprises almost every time I visit.

On this mid-July visit I arrived in the morning on a weekday shortly after the park opened and before too many other people were there. I was hoping to time my visit for the breaking up of the morning fog, but it stayed foggy the entire time. I parked my car, shouldered a pack full of camera gear, and spent the next few hours wandering slowly and almost aimlessly across the northern half of the park, just looking and enjoying the cool coastal air. Eventually I found myself on familiar ground, walking along the north shore trail. I have passed this spot many times before and may even have photographed this bit of forest, but I had not really noticed these two light-barked trees — one twisted and one straight — surrounded by incredibly dense forest growth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.