Tag Archives: red

Cliffs, Morning Light

Cliffs, Morning Light
Cliffs, Morning Light

Cliffs, Morning Light. Zion National Park, Utah. October 22, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Immense cliffs in the Pine Creek Canyon area of Zion National Park.

This was an interesting morning, as much for its place in the sequence of events on this trip to photograph in Utah as for the actual photographic opportunities. I have noticed, and other photographers I’ve spoken with about this seem to agree to at least some extent, that there is sometimes a sort of “getting up to speed” element to certain types of shooting when you are getting started. I recall mentioning this to one photographer friend in the context of a discussion about the idea that you should always have a clear vision for your photograph before you make it – a theoretical concept that most photographers I know acknowledge to be unrealistic and perhaps even a bad idea. (This is not to say that thinking about what your “capture” may look like as a photograph is unimportant, but rather an acknowledgement that things are often more complex than the simplistic notion suggests and that sometimes we, quite honestly, don’t really know for sure which images will work or why.) When the idea of waiting for a really good image before making a photograph came up, I shared the observation that I sometimes have to “prime the pump” but simply starting to make some photographs, even if I’m not convinced that the first ones will be great. (One friend then referred to this as “photographic foreplay.” ;-)

The previous day we had driven to St. George, Utah from the San Francisco Bay Area – a LONG drive – and finally stumbled into a motel in St. George close to midnight. (As I recall, the motel advertised something like “The Cheapest Rooms in St. George!”) Up in the morning for precisely the free breakfast that you might expect in such a place – I resisted and instead walked across the street to a Starbucks – we left early and headed into Zion. As I recall we did not spend much, if any, time in Zion Canyon, and we were soon heading up the Mount Carmel highway, still having made no photographs. Finally, as we turned a few switchbacks on the initial climb, we saw some interesting light on the cliffs across the canyon, pulled over, got our cameras and lenses and tripods and made some photographs. I’m not sure that any of them were exactly remarkable, but with this first “shoot” (priming the pump) our work was now underway.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cliffs and Fog, Morning

Cliffs and Fog, Morning
Cliffs of Zion Canyon emerge from morning fog

Cliffs and Fog, Morning. Zion National Park, Utah. October 13, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cliffs of Zion Canyon emerge from morning fog

This is a somewhat different photograph of a scene that I previously shared. The earlier version featured a closer view of the pinnacle near the right of this frame – this one backs off a bit and shows more of the overall cliff face. We had arrived at Zion National Park the previous day, coming across Arizona in very rainy weather to enter this park in light rain in the afternoon. On the way over the Mount Carmel Highway to Springdale, where we would stay that night, we had photographed the wet high country sandstone as the rain came to an end.

On this morning the clouds from that rain storm had not quite left as we rode one of the very early shuttles into Zion Canyon with a plan to photograph further up the canyon. But as the shuttle entered the lower canyon I was intrigued – as I always am! – but mist and clouds swirling around the upper slopes of the canyon walls. Aside from the much more colorful red rock here, the scene reminded me a lot of what I frequently see in Yosemite Valley during stormy weather. The timing was just right in relation to the clouds and the light. As the sun came up behind my camera position, the clouds had cleared over the center of the valley allowing the morning light to shine under the mist swirling around the upper cliff face, so while the highest ridge was still darkened by the clouds, the lower face was increasingly lit by the morning light as the clouds rose and began to clear away.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

High Country Desert Canyon

High Country Desert Canyon
High Country Desert Canyon

High Country Desert Canyon. Death Valley National Park, California. April 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A back-country gravel road twists through the upper reaches of a colorful mountain canyon, Death Valley National Park

The gravel back-country road might be hard to spot in this photograph, but if you look closely near the lower right you may see it twisting around a bend before crossing the canyon behind the rocky prominence at the bottom of the frame. The road begins in desert sagebrush country, then rises to cross the Amargosa Range before descending, sometimes precipitously, down toward the main Death Valley.

Some things about photographing this subject are easy and obvious, but others are a bit challenging and require some attention and then some resistance to trying to turn the scene into something it isn’t. What is easy about this subject? I am endlessly fascinated by winding canyons with overlapping ridges that descend toward the bottom of the canyon, creating a back and forth weave of form. Here the canyon winds from right (at the top) to left to right to left to right to left and, finally, back to the left. And the colors and textures are remarkable, ranging from the very dark rocks at the bottom, through the much lighter slopes right above to the rather reddish rock in the far, upper portion of the canyon. What is hard about it? In many ways, it is easy to pass right through such an area and overlook what it offers, since there really is not single, central, and iconic “thing” to focus the attention. Instead, I almost have to remind myself to slow down, to stop, and to just look… and finally the way to photograph such subjects begins to reveal itself. In addition, because the color palette of this land is so subtle, including mostly pastel shades that subtly contrast with one another, it is important, I think, to resist the ever-present temptation to hype it up into something it isn’t.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning
Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning. Arches National Park, Utah. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees grow in Courthouse Wash with sandstone towers in morning light, Arches National Park

This is not exactly an iconic spot at Arches National Park, a place that is overflowing with icons. Very early on this morning we had engaged in icon photography, from a location near the top of a hill that provided a truly panoramic perspective on huge swathes of the park and from which I had photographed beautiful sandstone structures in the first light and the backlit, haze-filled vista looking toward the La Sal Mountains. We finished there and started to move on, having only vague ideas about what to photograph next, but knowing that if we kept our eyes open we could hardly avoid finding other subjects.

Descending into a wash to cross a stream bed, we came upon a large number of cottonwood trees lining the waterway. These trees were just beginning to transition to their brilliant fall colors, so we stopped. At first I dropped into the wash and made some close up photographs of the leaves themselves, along with some close shots of trees against sky and the nearby sandstone cliffs. Finishing with that I climbed back up to the roadway and there in front of me was another row of colorful trees where the creek emerged from under a bridge, and beyond that some of the same towers that I had earlier photographed from their far side now appeared almost back-lit and with a rim of morning light along their left sides.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.