“Islands, Fog” — Two small reed-covered wetlands islands in thick winter tule fog.
At times I like to make photographs that contain as little detail as possible, photographs that might suggest more than they tell. The most distinct feature in this scene is the darker island at the left. Beyond that we see (barely) one more island and then nothing. Any further detail is masked by the thick Central Valley tule fog.
It was a remarkably foggy day. I drove over there from my home about two hours away, and the last half hour or so of the drive was in fog so thick I could barely see the roadway. I had initially hoped that I might get a bit of sunrise color and then a late-morning clearing, but neither happened. If anything, the fog got thicker after noon!
Water plants reflected on the surface of a wetland pond.
In another post that I queued up recently I mentioned some aspects of the experience of photographing migratory birds, pointing out that a lot of “down time” is part of the experience — times when there isn’t a lot of action going on. The birds may be static — or missing! — and one waits. In that other post I point out that these slow times are certainly not a bad thing! The quiet stillness can grow on you eventually, and there are other things to see and photograph, too.
I’m not at all a “pure bird photographer.” When I’m in the field photographing this subject I spend a good portion of my time thinking as a landscape photographer. Even when the primary subject is a bird or birds, I often consider how that bird is part of the landscape. But I also frequently switch gears entirely and focus on the space in which the birds live… and I photograph landscapes. On this occasion I was working a wetland area and the reflections of plants in the water caught my attention.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A large flock of sandhill cranes gathers in a shallow San Joaquin Valley marsh
This large group of sandhill cranes was most cooperative with us during our mid-February visit to their habitat out in California’s San Joaquin Valley. While there are places in the valley where it is reasonably simple to get quite close to them, at this place they often hang out a good distance from the areas accessible to visitors—and many times the photography is therefore limited to very long shots or to birds passing overhead.
In general this was a somewhat different day as far as birds were concerned. The common mid-day lull in their activity was less pronounced, and for almost the entire day they tended to be quite active. Large groups of many different kinds of geese flew in and out, often collecting in large flocks in empty fields. Earlier a group of cranes had stood close to the access road near the larger group of geese. And a bit later in the day, a very large group of cranes settled in on this shallow pond and was willing to remain there as we photographed.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Dawn light begins to illuminate high clouds above the fog over a California Central Valley marsh
Have I mentioned how much I love fog and pre-dawn and post-sunset light? I guess I have… :-) I made this photograph on New Years Day 2013, shortly after arriving at the San Joaquin location in near darkness to meet a group of friends and fellow “wild goose chasers.” I can hardly imagine a better way to greet the new year than to join like-minded friends in such a place!
This was a day of surprises of various sorts. A painter showed up to join our photography-centric little band! We took a midday break to go see a movie. Although they were too far away to see clearly in the early morning haze, huge numbers of cranes arrived just after sunset. A solitary flock of white pelicans surprised us with an unexpected fly-over at one point. And the light and atmosphere were about impossible to predict. It was cold and seemed very clear on the way to our location, but as we arrived I could see hints of fog forming above this wet and cold area. Just before dawn it was quite hazy and gray, providing neither perfectly clear air nor the evocative and mysterious atmosphere of thick tule fog. But as sometimes happened, as the sky became lighter at sunrise, the brighter clouds and sky above the low elevation murk began to reveal itself, much as a hidden theatrical set may become visible behind a scrim. We stopped at the spot where I made this photograph because we could barely see a very large flock of (hundreds or, more likely, thousands) of sandhill cranes across the pond near the levee next to the trees. We stood around waiting for the birds to fly our direction, which they mostly did not do. But as we waited I began to see a bit of color and definition come to the higher clouds far above the low fog.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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