Tag Archives: reflection

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Reflections, Unnamed Lake

August 2, 2011 G Dan Mitchell 2 Comments

The still early morning surface of an unnamed subalpine lake reflects the boulders and trees along its rocky shoreline, Yosemite National Park.

This is yet another of those little places in Yosemite that is both surprisingly accessible and surprisingly neglected. Since keeping it that way may be a good thing, I’ll refrain from locating it more specifically than to say that it is along the Tioga Pass Road through the park.

I have photographed here before, and I am intrigued by the good-sized granite boulders along the shoreline and out into the water of this shallow lake surrounded by forest. Because of the surrounding terrain, morning light does not reach down to th lake right away, so I was able to shoot in this soft and indirect light and include both some details in the shadows of the forest and their beautifully blurred reflections in the still surface of the water.

The photograph includes one indication of what an unusual year this has been in the high country. The horizontal white area beyond the shoreline trees at the left side of the frame is a melting snow bank. Normally that might not be a big deal, but this photograph was made near the very end of July. It is a very unusual year when we can still find snow at this elevation near the beginning of August!

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Rocks and Fog, Point Lobos

July 27, 2011 G Dan Mitchell 2 Comments

A rocky peninsula drops into the ocean on a foggy morning at Point Lobos State Reserve.

On this morning it was foggy and drizzling at Point Lobos and there was a surprising amount of surf for a summer morning. When I arrived shortly after the park opened, there were few other people about. With the moving water and the low light conditions, I decided that this was a good time to do some work with long daytime exposures, so I got out my 9-stop neutral density filters and went about looking for compositions.

After shooting down closer to the water in the cove to the left of these rocks, I wandered up a trail along the shoreline that took me to a point that was a bit higher above the water. As I looked back I saw that the rocks that defined the cove that I had been shooting appeared to head straight out into the water towards a distant peninsula and then submerge – a rather different take on this feature.

By using this filter I was able to get an eight-second exposure in this light. Longer would have been better, but the light was beginning to come through the fog a bit and I didn’t have much choice. With an exposure this “short” I had to be a bit careful about timing the shots, trying to get the right amount of water breaking over the rocks.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Trees, and Granite

July 22, 2011 G Dan Mitchell 9 Comments

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Loading Dock Doors, Townsend Street

July 17, 2011 G Dan Mitchell Leave a comment

Early morning light on the wall of an industrial building with black loading dock doors along Townsend Street, San Francisco.

This photograph was made very near to where I made another I posted recently, one of a pair of freeway overpasses near the San Francisco Caltrain station. After making that photo, I headed back on Townsend toward the station and as I walked along a row of industrial buildings these loading dock doors and the bright light from the morning sun caught my attention. So, in a suitable old-school approach, I pulled out the camera with the 50mm prime and found a way to frame the scene.

If you are into this sort of thing, you might relate to a few small details in the scene that I like. One is the faint shadow of the two overhead electric lines that cuts a diagonal from upper right to lower left, which also happens to be along the same dimension over which the sunlit diminishes. Aside from the predominant shades of tan on the wall and shades of gray elsewhere, there are a couple of bits of yellow-orange on the curb and the sign near the far right.

If you can read the signs – hard to do at this small size – you will understand that it would be a very bad idea to park here. :-)

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.