Tag Archives: reflection

Trees, Tarn, Mountains

Trees, Tarn, Mountains
Late afternoon skies darken above alpine peaks and a meadow holding a small reflecting tarn

Trees, Tarn, Mountains. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late afternoon skies darken above alpine peaks and a meadow holding a small reflecting tarn

No, I’m still not finished with the photographs from our nine-day photographic sojourn into the John Muir Wilderness, on which a group of us base camped in a stunning backcountry location and wandered off daily to photograph the area. Today, on a morning that is the first one of the season to feel winter-like here, it seems both odd and pleasant to think back on these summer days of photography, friends, sun, thunder showers, green meadows and flowers, cross-country hikes into high places, and more.

This meadow and its tarn were located perhaps 10-15 minutes above the location of our camp, and once we “discovered” the place we visited almost daily. It was a stunning place, filled with green meadow plants and wildflowers and surrounded by alpine scenery. The mountains to our south were a daily presence as they rose on the other side of a deep river canyon, and I had wanted to photograph this small tarn since I first saw it. That became my focus on this visit, and this photograph is one of several in which I tried to combine the meadow, tarn, small trees, and the distant view.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens At The Shoreline

Aspens At The Shoreline
A grove of shoreline autumn aspen trees reflects on the surface of a subalpine lake

Aspens At The Shoreline. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of shoreline autumn aspen trees reflects on the surface of a subalpine lake

We arrived before dawn at this little eastern Sierra Nevada lake because, well that’s what photographers do! Also we knew that it would be most effective to photograph aspen color at this location in the soft, pre-sunrise light and the shadowed light that follows before the sun rises above the peaks and shines harsh light on the scene. It was one of those wonderful autumn mornings when it actually feels like fall has arrived. The temperature was as low as 23 degrees, and we had to wear lots of layers as we went to work.

We began by photographing a familiar sight, a band of aspens that drops down the opposite mountainside, following a gully to the shores of the lake. I’ve photographed it so many times that I almost never simply make another photograph that includes the larger scene, and instead I now look for smaller components of the large scene that might be compositionally interesting. As the direct sun arrived on that subject I shifted my attention to other things that were still in the soft light, including this bit of the aspen grove right at the shoreline, reflected in the still early morning waters of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake Shoreline, Evening

Mono Lake Shoreline, Evening
The last light on hills beyond the Mono Lake shoreline

Mono Lake Shoreline, Evening. Mono Basin, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The last light on hills beyond the Mono Lake shoreline

I’ve long been fascinated by the view across this section of the Mono Lake shoreline. It contains a lot of things that I consider essential to the Mono Lake experience — tufa “towers” (though these are more like islands), the shallow shoreline with its curving edges, the larger islands and buttes, the distant mountains in the east, the immense open sky, and the textured and reflecting surface of the water.

In a way, this photograph was sort of (but not exactly!) the result of “killing time” between photographing two other subjects. I had been at a nearby area with colorful aspen trees, and had finished up there — the light was gone sooner than expected when high clouds moved in. At that point I knew that the full moon was going to rise close to sunset, so I decided to find a location along the Mono Lake shoreline to photograph it. I arrived there too early — better than too late! — and had some time to photograph other things as I waited for the moon. I went ahead and set up tripod and camera with some urgency as I noticed to last sunlight on some of those distant hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Reflections, Early Morning

Reflections, Early Morning
A distant ridge in very early morning light is reflected on the surface of an alpine tarn

Reflections, Early Morning. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A distant ridge in very early morning light is reflected on the surface of an alpine tarn

A photograph is a curious thing. It can “tell” you things about a subject — and about the person who made the photograph — that might not be easily communicated in other ways. On the other hand, a photograph usually leaves it to the viewer to guess at many aspects of the image’s context — and the viewer either brings her/his own context or may simply be unaware. For example, I probably see this scene very differently from others who view the photograph, even those who were there or who know the place. Let me explain.

What is not “visible” in this photograph? It was made near the end of a long stay in this area, where we were camped in forest a few hundred feet lower near a lake. So by this time I knew the spot quite well, and rather than “discovering” it I was essentially revisiting and looking more closely at things I already had seen. I had crawled out of my tent before sunrise, resisting the temptation to stay in the warm sleeping bag “for just a few more minutes,” and instead unzipping the bag, pulling on a down jacket and boots, heading outside and shouldering my gear. It was still not light when I arrived here, and a made a few “warm up” photographs as I wandered around this pond in the damp meadow. To make the photograph I was standing almost as much in the lake as I was next to it. At the time of this photograph the first, warm dawn light had come and gone, though the alignment of the peaks meant that not much direct light fell on the scene. Having visiting this spot for a week now, I was also noticing that the grass on the rise across the small pond was now visibly transitioning from summer green to autumn brown. As I worked a breeze came up, ruffling the surface of the water — and this photograph was made during a brief interval when it quieted enough to reflect the distant peaks. And speaking of those peaks, as I stood here and looked at them I was also aware that in about 48 hours I would be leaving, crossing a 12,000′ pass that is visible at the low point on that ridge. The trip was coming to an end.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.