Tag Archives: ridge

Lake And Mountains, Morning Light

Lake And Mountains, Morning Light
High Sierra peaks in morning light, reflected in still waters of a subalpine lake

Lake And Mountains, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

High Sierra peaks in morning light, reflected in still waters of a subalpine lake.

Our group spent a week base-camped in this location a few years ago, getting to know the area intimately and photographing it and its surroundings extensively. The spot is quite beautiful, but many of its beauties don’t reveal themselves immediately. In fact, when I passed by here some years earlier I don’t recall even stopping! My only memory is of walking past a campsite and continuing toward my more distant goal. But a week spent in such a place — or almost any similar place — inevitably turns up treasures that are overlooked when passing through.

It turned out that a short walk in any of several directions took us to all sorts of photographic subjects: wildflower-filled meadows, granite slab country, streams meandering through timberline meadows, expansive views. In most cases “short walk” meant something between ten minutes and perhaps an hour. In the case of this photograph it meant “5 minute amble before breakfast!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Peak and Lake, Afternoon

Peak and Lake, Afternoon
A Sierra Crest peak stands against the sky above a rocky basin and small lake

Peak and Lake, Afternoon. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Crest peak stands against the sky above a rocky basin and small lake.

This photograph comes from almost a decade ago, when a group of friends ascended into this alpine region just east of the Sierra Nevada crest in the John Muir Wilderness, and area of rocky slabs, talus fields, lakes, and high peaks. We spent several days camped here, exploring nearby terrain. I hope to return again before long, which is perhaps why I resurrected this older photograph.

These areas just below and east of the peaks of the crest present steep and rugged country, with the highest peaks sometimes rising quickly to 7000 feet or more above the valley to the east of the range. This is an area of morning light, as the peaks and high valley generally face toward the rising sun. Late in the day, on the other hand, the sun generally drops behind the peaks well before sunset, leaving soft and shadowed light behind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clouds Above The Pacific

Clouds Over The Pacific
Clouds cast shadows on the Pacific Ocean, as seen from the mountains of Redwood National Park

Clouds Above The Pacific. © Copyright 2019 G Dan Mitchell – all rights reserved.

Clouds cast shadows on the Pacific Ocean, as seen from the mountains of Redwood National Park.

While this obviously doesn’t look like the typical Redwood National and State Parks photograph… that is, indeed, where it comes from. We spent a week in the coastal areas of Northern California in early June, mostly in and around these parks and mostly looking for photographs of the redwood forests and the rhododendron bloom. We had headed up one road to a popular grove where we thought we might fine the flowers in bloom among the trees, but this road also leads to other interesting places, including some open, ridge top “prairie” lands and other locations providing distant views that are quite different from what you find inside the forest.

This photograph is an illustration of something that often surprises folks when they consider landscape, namely that a lot of it does not come from careful planning and slow, methodical work, but rather by being in the right place at the right moment and being ready to respond quickly to rapidly changing conditions. When we went up this road and even when we pulled over at this spot, I would be lying if I claimed that I pre-visualized this subject or this scene. But once I saw it — big, back-lit clouds floating past and casting shadows on the reflective surface of the sea beyond the undulating, tree-covered foreground ridge — I worked quickly to make a few photographs as the scene evolved. And did it evolved quickly! Only moments later these clouds had almost entirely dissipated.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stormy Evening, Sunset Light

Stormy Evening, Sunset Light
Sunset light on peaks of the Amargosa Mountains, backed by stormy skies and sand storm dust.

Stormy Evening, Sunset Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunset light on peaks of the Amargosa Mountains, backed by stormy skies and sand storm dust.

This is yet one more photograph from a wild Death Valley afternoon and evening in early April. Beforehand I was already aware of weather forecasts that included dust storms, and I anticipated both strong winds and perhaps other challenges… but also the possibility of some very special conditions of the atmosphere and light. Late in the afternoon, as the winds rose, we headed up the valley in the direction most likely to be affected by the combination of wind, sand, and rain. Sure enough, we soon ran into strong winds and blowing sand, and the mountains ahead were largely obscured by a sand and dust cloud blowing northeast out of the valley.

Photographing in these conditions is not easy nor particularly fun, to be honest. Most often the winds are too strong for even a stout tripod, and lens changes are very problematic. I often empty a set of strategies based around photographing from in or near a vehicle, of shooting handheld, and exposing myself to the worst conditions just long enough to get the shot — though I often quickly make several “safety shot,” given all of the variables in play. Just before sunset we ended up near the dunes that were the source of most of the sand. Here the winds were extremely strong and the conditions hellish. I got out briefly and worked from the shelter of the leeward side of the vehicle. This was one of the last photographs of the day, made as sunset light fell on some peaks of the Funeral Range, against a backdrop of storm clouds and with a bit of dust and virgo beginning to intrude on the right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.