Tag Archives: rise

Autumn Moon Rising, Mono Lake

Autumn Moon Rising, Mono Lake
A full autumn moon rises above Mono Lake at dusk.

Autumn Moon Rising, Mono Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

A full autumn moon rises above Mono Lake at dusk.

There are still a few more photographs in this series of autumn evening images from Mono Lake that I made a few years ago. These come from that pandemic photographic genre that we might call “photographs that would have been lost forever if forced isolation had not given me a great reason to look through my old files.” (Maybe you have a shorter title?) I know I’m not the only one dong this. Travel has, of course, been complicated for a year and a half. I’ve been out, and I’ve even been to Mono Lake during this interval, but the opportunities seem greatly diminished. But there are tens of thousands of raw files in my archives, and it has been productive to spend time going back through them and discovering things I had left behind. (How that happens would be a great subject for a long post sometime.)

On this autumn evening I timed by arrival at Mono Lake for right around sunset. I knew that the full moon would rise over those distant mountains east of Mono Basin, and I expected that the moon world rise while there was still some light in the sky. This is ideal in many ways, since the remaining ambient light is often colorful, it illuminates landscape details, and it reduces the contrast between the bright moon and the darker scene. In several of the photographs —working very quickly! — I used a much longer focal length to enlarge the moon. But for this one I backed off and included much more of the surrounding landscape and the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Lake Moonrise

Mono Lake Moonrise
Early autumn full moon rising over Mono Lake, California.

Mono Lake Moonrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn full moon rising over Mono Lake, California.

This is a photograph of that magical moment when an early-autumn full moon rises above the mountains to the east of Mono Lake while there is still a bit of sunset or early twilight light in the sky. I’ve experienced this here quite a few times, and I often time my arrival at this point for this hour when it is full moon time. On this evening it all worked out perfectly: intense color in the sky as the moon appeared, plus sky color reflected on the surface of the lake, interspersed with blue areas where surface turbulence broke up the reflection.

Photographing a full moon is a bit trickier than it might appear at first glance, especially if you want to include the landscape in the scene, too. Once it is dark or close to it, the difference between the light on the landscape and light of the moon is huge — the moon is essentially a daylight exposure, while that landscape is much darker. Even with a camera that had enough dynamic range to capture both of those extremes, you would either end up with a well-exposed moon and a nearly invisible landscape or a nicely exposed landscape and featureless white disk of a moon. One approach is to time the photograph so that the moon in in the sky before it is fully dark. Ideally, this means photographing the moon a bit before it is truly “full” — or photographing at a time of year when there is still light on the landscape when a truly full moon rises.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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December Moon, Bird-Filled Sky

Full Moon, Bird-Filled Sky
The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

December Moon, Bird-Filled Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

The evening sky above the Great Central Valley fills with migratory birds as the late-autumn moon rises.

When photographing wildlife, virtually any time of day can present special, even miraculous events — but if forced to pick my favorite time of the day out in bird photography country, it might well be evening. The choice would be difficult, for sure, but some of the most memorable sights and sounds I’ve experienced while photographing autumn and winter birds have occurred late in the day: the evening fly-out of flocks of geese, the rising moon, the return of cranes, and more.

I made this photograph very late on a December day, at time time we might describe as very late afternoon or perhaps early evening. (Yes, technically the moon was not quite full.) It had been foggy for much of the day, but the sky had cleared and was now uniformly blue. It was the time when things are mostly slowing down and evening’s quiet is coming. And then the sky filled with birds for a few moments…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Coastal Pinnacles, Fog

Coastal Pinnacles, Fog
Rocky pinnacles rise above the rugged Big Sur coastline.

Coastal Pinnacles, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky pinnacles rise above the rugged Big Sur coastline.

On some days photography is easy. It seems that subjects are everywhere, and all of them are obvious, compelling, and beautiful. But most days aren’t like that. This week’s day trip to the Big Sur coast was great but it had its challenges. Ironically, the major challenge came from the trigger for this visit: fog. California summers can be “too beautiful,” if your idea of beauty is perfect warm blue sky days. (Though such days are increasingly affected by wildfire smoke, but I digress…) I prefer more interesting conditions, and coastal fog fills the bill. But it presents some challenges, often related to fickle local conditions. The ideal is to have just the right amount of fog, which means enough to be interesting but not so much as to kill all directional light. (A tourist stopped while I was making this photograph and, obviously distressed by the near invisibly of the nearby ocean, asked “is it always like this?)

On the plus side, there is virtually always something to see no matter where you stop along the Big Sur coast, and I “discover” some new features on every visit. For no particular reason I stopped above a small bay filled with fog, and when I walked to the edge I spotted this dramatic feature below near the edge of the surf — a peninsula with pinnacles running out toward a small island nearly obscured by the fog. I set up and made a few exposures, then settled in to way for a bit more clearing. The for was right up against the coast, and there was occasional sunlight only feet behind me, so I figured that the fog would continue to dissipate. I was wrong. Even though it was midday, when the sun usually wins out over the fog, the view became more obscure and this photograph, on of the first I made, turned out to be the keeper.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.