Tag Archives: river

Snow Geese, Sunset

Snow Geese, Sunset
Snow Geese, Sunset

Snow Geese, Sunset. Central Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Snow geese in flight at sunset, Sacramento Valley

I made this in the last moments of an early March visit to the California Central Valley to photograph migratory birds. (As I write this in late March, I’m pretty certain that this was the final “goose chase” of this winter season.) I had come across a very large flock of snow geese in a field alongside a road south of Sacramento near the end of the day – somewhat to my surprise – so I pulled over on the barely adequate shoulder of the road and photographed over a fence and some roadside weeds as the birds began to fly off in small groups.

This little episode illustrates, for me, some of the unpredictability and luck involved in photographing such birds. I don’t mean to diminish the importance of having appropriate equipment and knowing how to use it, nor of having some idea of where to find the birds. But there is a lot about this that is not in the photographer’s control. I had started the day many miles south of here before dawn at a very different wildlife site. My plans were a bit vague beyond starting there, and when the opportunities seemed a bit less than idea after the morning shoot, I decided that I would use the “blah light” midday hours to travel up the valley a good distance to another area where I had not photographed since last season. (This added bit of driving also allowed me to investigate a few highways and side roads that I had been wanting to check out.) After a long drive of nearly two hours I arrived at this location in the Sacramento area and found… not at all what I had hoped for. I was hoping for more large flocks of birds, preferably geese and/or cranes, but at the first place I stopped it seemed that formerly flooded fields had now been drained and tilled. I moved to another area, but still couldn’t see what I had in mind to shoot. I drove around a bit trying to get the lay of the land and discover if perhaps the birds were somewhere other than where I expected to find them, but aside from a few small groups I didn’t find much. I took a nap. I started the usual contemplation about how not every shoot is successful and reminded myself that it was a good day even if nothing turned up here. As sunset approached I decided to make one last loop around the area, stopping to briefly photograph a few Canadian geese. As I watched the, I caught a glimpse of the tell-tale white birds off to the north and since I wasn’t finding anything all the compelling where I was I drove off in that direction. I soon was surprised to find a field filled with many thousands of geese – and a bit more surprised to find that they (or at least many of them) were snow geese rather than the Ross’s geese I often photograph. I stood along the road, separated from them by a low fence and tall weeds and watched. Before long small groups began to take of and fly low angle paths across the field toward the setting sun. The light was beautiful but often they were in front of farmland buildings, trees, and wires. I kept shooting and occasionally a group would rise high enough and quickly enough to appear against early evening sky. One of the important factors, or at least it seems to me, is to capture the group when the birds are in a pleasing and interesting configuration. Too often they overlap, or may not have wings raised or lowered, or there distances may vary enough to create focus problems – so it is no surprise that a good percentage of the shots aren’t keepers. (I have a sense of when this is more likely to work, but only a sense.) But this group managed to cooperate nicely, not only flying against background of clear sky, heading into the golden hour sunset light, but also managing to maintain enough separation that none of them overlap at all.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Tree, Sandstone Canyon Walls

Cottonwood Tree, Sandstone Canyon Walls - A cottonwood tree set against the afternoon colors of shaded sandstone walls of Zion Canyon, Utah
A cottonwood tree set against the afternoon colors of shaded sandstone walls of Zion Canyon, Utah

Cottonwood Tree, Sandstone Canyon Walls. Zion National Park, Utah. October 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A cottonwood tree set against the afternoon colors of shaded sandstone walls of Zion Canyon, Utah

I photographed this tree, still too soon to have fall colors, in front of the huge sandstone cliffs above the Temple of Sinawava feature at the upper end of Zion Canyon in Zion National Park. These trees grow here along the banks of the Virgin River, which makes some rather abrupt twists and turns in this portion of the canyon and flows right up against the canyon walls.

I should probably write something about the colors in this photograph. I actually held this one back for some time on account of the colors – which could easily be seen to be due to overly enthusiastic post-processing on my part. That’s not the case, but there have been a few other photographs that I have made that have evoked such responses, and sometimes I’d rather not have to explain. However, in this case I will explain! :-) The entire scene is in shadow, as the very tall cliffs are along the west rim of the canyon and completely block sun from this spot for a good portion of the day. The cliff face is extensively covered with a sort of “varnish” that is commonly seen on such walls, though it is much more extensive than usual here. This material normally is quite dark, black even, and is more reflective than natural sandstone. When it is in the shade it tends to reflect the blue tones of the sky – and that is where the intense coloration of this cliff comes from.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dogwood Blossoms, Rushing Water

Dogwood Blossoms, Rushing Water
Dogwood Blossoms, Rushing Water

Dogwood Blossoms, Rushing Water. Yosemite National Park, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Spring dogwood blossoms on a branch above rushing water, Yosemite Valley, California

Continuing with this spring’s “dogwood blossoms over water” theme, here is another from my one-day dogwood photography foray to Yosemite Valley in early May. This photograph was made in an area where I made several others of more or less this subject, a spot where I was able to position myself so that dogwood blossoms in soft shadow light would appear against a background of darker water that was in even deeper shade.

Besides getting a beautiful branch to hang diagonally across the frame, in this photograph I was interested in a background that included both some darker water and some of the constantly changing patterns of white water. Anyone who has tried this will recognize that the task provides a combination of wonderful, time-killing fun and some frustration as you realize that you just missed another unexpected and ephemeral pattern of water flow. Needless to say, I (and most other photographers I’ve talked to) are glad we have digital cameras now, since there are often quite a few ordinary or worse frames for each decent or good one!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood, Fallen Monolith, and Cliff

Cottonwood, Fallen Monolith, and Cliff - Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.
Cottonwood, Fallen Monolith, and Cliff – Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

Cottonwood, Fallen Monolith, and Cliff. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

I may be repeating a story I’ve previously told, but here goes. Earlier during my late-October visit to Utah we had wandered into this area, only to be largely stymied by clouds, cold, absurdly strong winds, and even a bit of rain. It was a bit disappointing, in that we had really looked forward to visiting this portion of the Escalante River, and when we started out in the early morning and saw a lot of beautiful fall color we thought we were in for a good day of shooting. Although that day was not a complete loss, it wasn’t what we hoped for – and by the end of the day we were struggling against very strong winds and cold.

Fortunately, nearly a week later we found ourselves back in roughly the same area of Utah, and as we considered the next day’s possible shooting locations the idea of giving this spot a second try came up. After considering that alternatives of trying a new location or going back, we decided to go back. It was a good decision! Where the first visit had been cold, cloudy, windy and even a bit damp, the second visit brought warmer conditions, almost completely clear skies… and most important, nearly windless conditions. (At one point we were cautiously admitting to one another that we had made exposures of foliage that lasted as long as a couple of seconds!) Near one large bend in the canyon there was a spectacular abundance of “targets” – brilliant cottonwood and box elder trees, beautiful canyon walls of various colors, fallen leaves, and more. On the previous visit we had all looked at this little scene of a large fallen section of the canyon wall with golden cottonwoods growing all around, and then pretty much continued on since the trees where being whipped around by the wind. But on this second visit the wind was calm, and light was reflected into the scene from sunlit sandstone walls to our left.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.