Tag Archives: river

Heidelberg Castle and Bridge

Heidelberg Castle and Bridge
Heidelberg Castle and Bridge

Heidelberg Castle and Bridge. Heidelberg, Germany. July 10, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Heidelberg Bridge spans the Neckar River and heads to Old Heidelberg, with the Heidelberg Castle in the hills above.

This may seem odd, but when I travel to a new place I often prefer to not know too much about where I’m going and what I’ll see. One reason for this is that I like to save a few surprises for my arrival at the place itself, and another is that I like to, as much as possible, come to know the place at least partially from my own perspective rather than that of some person who writes about it and tells me what to see and what to think. (There was a time when I was more organized about preparation – perhaps I’ve just sort of “been there and done that” with the very organized approach. Or maybe I’m just getting lazy!) So I arrived in Heidelberg knowing very little about what I would see (or what I should see) and little specific knowledge about the place beyond that which I had picked up from various conversations.

In addition, we were very fortunate to be able to stay with Patty’s brother and sister-in-law, both of whom have lived in Germany for many years. Their home is on a small side street in a portion of the town that is somewhere between very old and modern, and which is on the “other side” of the hill that runs along the Neckar River past the altstadt, or old town. So, knowing almost nothing about what I would see, we set out from their home on a walk, taking part of the Philosophen Weg (“Philosophers Way”) over the intervening hill toward the river and the old town. So my first view of Heidelberg was from a hillside across the Neckar, with the Heidelberg Castle in hills above the town – quite an astonishing and magical way to see the town for the first time! Eventually we made our way to (and past, as we were going out to dinner) this historic Heidelberg bridge that crosses the river to enter the town.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Geese, Sunset Clouds

Geese, Sunset Clouds
Geese, Sunset Clouds

Geese, Sunset Clouds. Central Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A flock of geese passes above sunset-lit clouds over northern California

I made this photograph on what turned out to be, no surprise to me, my last migratory bird photography day of this season. (And a productive season it was!) In April the climate begins to shift strongly toward spring conditions in California and in this drought year that meant that not only did it warm up, but places that might otherwise remain wet were already drying out. I started the day at a wildlife refuge where I frequently photograph the birds, especially Ross’s Geese, and was fortunate to begin the day with some classic light Central Valley fog that gradually cleared as the morning wore on. After shooting for a few hours I came to that midday time when migratory bird photography isn’t as great as it is at the edges of the day – a time when one might think about how to kill the next few hours until the light again becomes conducive to photography. I spontaneously decided to not spend it waiting here but to instead drive a good distance north to another place I’ve photographed in the past but which I hadn’t visited this season.

I took my time on this long drive. The route itself requires more than an hour of driving, but a few side excursions added considerably to that. I pulled off the highway to investigate one small town that I hadn’t been through before, and I drive a ways up a side road that crosses the Diablo Range heading west, finding the green spring grasses and some early wildflowers. Back on the main highway, I continued north to an areas where I have photographed cranes and other birds in the past, but in this dry year all of the water was gone and agriculture work seemed to already be underway. I decided to try another wildlife reserve that isn’t far away, and it turned out to still be relatively wet – but the large flocks of birds that I could count on back where I started my day seemed to not be here. I continued my search, eventually spotting the tell-tale white “cloud” that could only mean that a flock of geese was busy in a field a ways to the north, so I quickly drove over there to find a very large flock of snow geese, which I don’t generally see further south. After sunset, this flock of geese flew high overhead in the waning twilight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

White Rim, Colorado River Valley

White Rim, Colorado River Valley
White Rim, Colorado River Valley

White Rim, Colorado River Valley. Canyonlands National Park, Utah. October 10, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Colorado River winds through rugged country beyond the White Rim, Canyonlands National Park

On our second visit to Canyonlands National Park (the first had been back in April of the same year, when we briefly visited the “Island in the Sky” highlands of the park) we were somewhat stymied by less than astonishing light. Overall the skies were sort of partly cloudy, but that “partly” portion seemed to line up almost perfectly with where we were, and from afternoon on a large mass of clouds sat above us and to the west. For this photograph, that might have actually been a bit of a blessing, in that trying to photograph the tremendously intricate and detailed landscape visible from the “Grand View” overlook in full sun at this time of day would have been challenging, to say the least. This landscape, lit that way, would have contained some extremely bright features along with very deep shadows in the canyons, and the result probably would not have been all that great. The clouds, however, somewhat mute the contrasty light, making the bright areas a bit less bright and allowing diffused light down into areas that would otherwise be dark. At least there was a bit of light on the buttes in the far distance at the upper edge of the frame.

This scene is one of those “iconic” views that, well, everyone photographs. Generally, I’m not that much about photographing icons. In fact, often when I go to places like this I try to not know what the iconic shots are or where to find them, preferring to instead just sort of guess, follow hunches, poke around, and see what I discover. This may not be the most effective way to find the “cool stuff” in a new location, but it does let me start to develop my own relationship with a landscape from the very beginning. So when we went into Canyonlands the first time I basically had almost no idea what I was “supposed” to see and photograph. (For example, I had no idea that iconic “Mesa Arch” is in this park – drove past the road to it and said, “Ah, that’s where Mesa Arch is!” And, no, I did not photograph it.) However, as we wandered about and looked at stuff, we somehow managed to end up at several of “those places” – especially the Green River overlook (which I now recognize as one of the iconic views of this park) and Grand View. In addition, I’ve often advised others to not eschew icons in certain situations. One, of course, is when you find yourself in front of such an icon and have never photographed it before. But another is when one visits a location for the first time and does not yet have a deeper knowledge of the place. For example, I’ll occasionally get asked by first time visitors to Yosemite or Death Valley (places where I shoot a lot) about where the “secret spots” are that not everyone shoots. I tell them that getting to know a place to such an extent that you can find, “see,” understand and photograph the non-iconic subjects is not a reasonable goal for a first visit. Often that takes many visits, perhaps in different seasons, and the time to let the place “get under your skin” to the point that you have a real feel for it.* But everyone has to start somewhere, and photographing icons is a fine place to start when you are new to a place. They are, after all, usually quite spectacular spots – as I say, “They are icons for a reason.”

*For my part, during my first year photographing in Utah I spent over 30 days there during three long visits. It wasn’t until well into the third visit that I really began to feel that I was moving past the “Oh, wow, Utah!” state and starting to really understand the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Box Elder with Sparse Leaves

Box Elder with Sparse Leaves
Box Elder with Sparse Leaves

Box Elder with Sparse Leaves. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The last autumn leaves on a box elder tree against a dark wall of Escalante Canyon, Utah

On a very cold and somewhat cloudy day in late October we explored portions of the Escalante River in Utah. This was a tough day for shooting! Not only was it cold – it was trying to snow by the end of the day – but it was also very windy, making photography of cottonwood and box elder trees and other vegetation a real challenge.

In places the river twists and turns, first going one way and permitting sun down to the river, then abruptly turning in a share s-curve and heading back the other direction. Then, as they say, “lather, rinse, repeat.” The back and forth winding course of the river continues. As we passed through one of the sharp bends, beneath very tall cliffs and in deep shade, we had to wade across the river as it flowed next to this sandstone wall. Tucked up against the wall and growing from rocky ledges were several trees, including this one that still retained just a few autumn leaves.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.