Tag Archives: road

Child In The Street

Child In The Street
A toddler walks in the street in front of arches, Vienna

Child In The Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

A toddler walks in the street in front of arches, Vienna

There are probably multiple ways to think about this photograph. It is, obviously, a photograph of a small child in a roadway. Is the child actually alone? Why is he/she in the street? Why did I make a photograph rather than running to protect the child? I’m not going to answer those questions here — partly because I think it is better to let the viewer wonder, and partly because there is no scandal in any of the actual answers. But questions remain? What IS this child doing? What, if anything, does this mean?

On a practical note, this is an example of the sort of photograph that would be pretty much impossible to make using the equipment or techniques of my landscape and similar photography. A scene like this happens instantaneously, usually with little or no warning, and it is gone almost as soon as you see it. For this sort of thing I work with a small handheld camera with a prime lens, which lets me respond to such scenes almost without taking (much) time for conscious thought.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Cranes Return

The Cranes Return
Sandhill cranes fly over full moon in twilight and return San Joaquin Valley wetlands

The Cranes Return. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sandhill cranes fly over full moon in twilight and return to wetlands

I understand that the “Super Blue Blood Moon” or something similar occurred early this morning. I missed it. (Well, not quite. I did look out my window before sunrise, and I saw a bit of the eclipse over my neighbor’s house.) However, almost exactly 12 hours earlier I was in a position to look at and photograph that very same moon as it rose over the Sierra Nevada and climbed into the sky above California. It was a beautiful, quiet, peaceful moment at the end of a long day photographing birds.

I chose this particular day to visit the wetlands for a couple of reasons. First, I knew there would be ground fog in the morning and that fog often leaves behind a soft and hazy atmosphere. Second, I knew that the moon would rise from behind the Sierra about a half hour before actual sunset, putting it at an interesting elevation above the horizon at sunset and during the blue hour, that period when the moon seems bright but the ambient light is still sufficient to illuminate the landscape. I began watching for the rising moon at the appointed time, but it did not immediately appear, because it still had to clear the Sierra and because the atmosphere above the valley was so thick with haze. Perhaps twenty minutes later it began to emerge from the haze, and I quickly moved to a spot I had previously considered, where some trees break up the otherwise flat landscape here where a gravel road winds among them. I hoped that the cranes might appear — they often do during the moments shortly after sunset — and hoped even more that they might pass through the scene. Sometimes one does get lucky, and a long string of the birds flew just above the moon as the sky turned pink and deeper blue.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest, Wildfire Smoke

Forest, Wildfire Smoke
Smoke from the Empire Fire drifts among forest trees in the early morning

Forest, Wildfire Smoke. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Smoke from the Empire Fire drifts among forest trees in the early morning

In late October I spent a few days photographing in and around Yosemite National Park. I was in the area for the opening reception for the last hurrah of this year’s Yosemite Renaissance Exhibit, which has been installed at Gallery Five in Oakhurst. I took advantage of the visit to photograph various autumn subjects including the (somewhat early this year) fall colors in Yosemite Valley. But I also photographed another Sierra Nevada fall subject that we often aren’t as easily attracted to, namely wildfire smoke.

Like most Americans brought up with Smokey The Bear, I used to think that wildfires were uniformly evil things. We are more enlightened today, and we now understand that fire is actually a healthy part of the forest ecosystem. (Some fires at not so healthy, such as some during recent years that have completely destroyed large areas of forest.) Periodic fire clears out underbrush and forest litter, doesn’t kill mature trees, and tends to prevent the truly dangerous fires may otherwise occur. While I understand this intellectually, it has been harder for me to begin to see wildfires as attractive photographic subjects. However, on this morning, it was a bit easier! I had decided to get up early and head for Glacier Point at dawn — but I was soon distracted by an opportunity to photograph autumn dogwood trees. By the time I finished that I knew that I wasn’t close to being on schedule for dawn at Glacier Point, but I decided to head that direction anyway. As the road turns toward Glacier Point and overlooks a vast expanse of Sierra to the east, the view of this valley filled with early morning smoke that


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Beecher’s

Beecher's
Seattle street scene

Beecher’s. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Seattle street scene

I made this photograph on a recent visit of several days to the Seattle, Washington area. Much of this visit was not photographically oriented, but I did have a couple of days that I could devote to photography. Seattle has a particular character that I enjoy — to generalize, it is partly about the light and weather, partly about the nature of the city itself, and partly about the people. The light is softer and lower angled than what I’m used to in California. The “nature” of the city is a bit hard to explain — though it has both the woodsy quality of being built-in forest as another quality that is shared with San Francisco and its older buildings. There is something, again to generalize, about the people as well. Perhaps more beards and more informal and slightly outdoorsy clothing?

I made this photograph in the Pike Place area, and I just happened to notice the little tableau of people, buildings, and colorful bicycles and other elements as I walked by. If the photograph is about anything, that anything might include the contrasting square shapes of the building and the angled lines of the road and sidewalk, plus something about the positioning of the people. It is also about color, from the yellow line to the colorful elements sprinkled throughout the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.