Tag Archives: row

Golden Aspen Grove, Conway Summit

Golden Aspen Grove, Conway Summit
Golden Aspen Grove, Conway Summit

Golden Aspen Grove, Conway Summit. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Groves of tightly spaced slender aspen trees with golden fall leaves at Conway Summit, California.

Conway Summit is a location well-known to many eastern Sierra photographers, especially those who photograph the autumn aspen color displays. The “Summit” is the high point on the highway 395 just north of the town of Lee Vining, and the aspens grow to the west on the slopes that gradually rise toward Dunderberg Meadow and Peak. When I’m looking for brilliant autumn color here, several factors come into play. First, you have to be there at the right time. This isn’t always easy to predict, and when the color is great in one area of these trees it may have passed or not yet arrived in others. Second, you need to come at the “right” time of day. For me this means, at least at Conway, coming in the mid- to late-afternoon when the groves are lit by backlight coming across the Sierra crest. Third, it helps a lot if you can be there for conditions that are not too ordinary. For example, on the afternoon when I made this and some others photographs that may follow, after a weekend of boring perfect cloud-free weather some puffy clouds began to form above the Sierra crest, and their shadows raced across the area and created patterns of light and dark.

This photograph is also an example of long lens landscape photography. For some reason there are those who think that landscape photography must be done with certain lenses, often those of “normal” to wide focal length ranges. Those certainly have their place, and I use them too. However, I find that longer focal lengths are also indispensable – not just for filling the frame with subjects that you otherwise might not be able to approach, but also to compress foreground and background and to narrow the depth of field, among other reasons. Here I photographed with a 100-400mm telephoto at 250mm.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Aspen Trees and Boulders, Bishop Creek

Aspen Trees and Boulders, Bishop Creek
Aspen Trees and Boulders, Bishop Creek

Aspen Trees and Boulders, Bishop Creek. Sierra Nevada, California. October 3, 2010. © Copyright G Dan Mitchell – all rights reserved.

A row of aspens in full orange autumn color stands in front of a boulder field on a rainy evening, Bishop Creek, California.

I have visited this bunch of colorful trees before, but in the past have arrived just past the end of the prime color – but this time I think I hit the upper reaches of Bishop Canyon below South Lake at almost exactly the right time. Not only was the color at its peak, but the overcast, late day illumination, and light rain served to increase the intensity of the colors. I also feel that the background of large gray slabs and boulders provides a nice contrast to the very light tones of the aspen trunks and the gaudy colors of the leaves.

When it comes to fall color, each year seems to have its own personality. Some years feature brighter colors and others seem to be less striking; some seem to start early and others linger. Some years fall seems more like summer; but in others the weather seems to move quickly to winter. It is perhaps too soon to say for sure, but I have a feeling that this fall – at least the early weeks in the eastern Sierra – may go down as one of the most colorful and spectacular in a number of years.

I’ll mention a technical point about this photograph as well. For this image I used one of my favorite landscape lens, especially when I’m shooting more intimate details of the landscape, the Canon EF 70-200mm f/4 zoom. You’ll often hear people say that the best lens for landscape work is a wide angle lens. While the wides have their place, I think it is far too much of a generalization to say that any particular focal length is necessarily the most appropriate for landscape. Basically, any focal length that works with your subject and your concept of the subject is the right lens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Shoreline Reflections, Trees and Rocks

Shoreline Reflections, Trees and Rocks
Black and white photograph of silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

Shoreline Reflections, Trees and Rocks. Yosemite National Park, California. June 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

During peak snow melt many Sierra Nevada lakes overflow and flood surrounding meadows and forest. Although the water level was lower at the end of June when I made this photograph than it had been three weeks earlier during my first visit of the year, many areas in the margins of the lake were flooded. (This, of course, makes the mosquito population very happy – and human visitors less so!) The early morning sun back-lit these closely spaced trees and the rocks ringing this quiet flooded area along the shoreline.

I have visited this lake for many years. I’ve long been intrigued by this particular spot, where flat granite slabs line the shoreline, allowing the lake to expand and contract across shallows as the season progresses. Later in the season this spot can be dry, but early season in this wetter-than-usual year the water flooded this small pool and what might otherwise be shoreline trees were on a rocky peninsula. Those trees have been a subject for other photographers— being aware of this I wanted to avoid a photograph that imitated their beautiful work. I arrived in the early morning, when the air was still and cool and the water smooth. I walked about a bit and just looked, then came to this spot, where the complex patterns of the trees and their reflections in the water fill the frame, creating for me a sense of stillness and calm and quiet.

This photograph was a prize winner in the Yosemite Renaissance 2013 show in Yosemite Valley. Prints are available. Email me and/or see the Sales link at the top of this page.

This photograph is the subject of one of my “Photograph Exposed” posts, in which I share more of the story behind the image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Bare Aspen Trunks and Boulders

Bare Aspen Trunks and Boulders

Bare Aspen Trunks and Boulders. Sierra Nevada, California. October 3, 2009. © Copyright G Dan Mitchell – all rights reserved.

Granite boulders stand behind a row of nearly bare fall aspen trees near South Lake, Sierra Nevada, California.

This is one more photograph from my early October aspen-chasing expeditions to the eastern Sierra. On this trip I ended up in the Bishop Creek area and on this cold, slightly snowy, early fall day I ended up at one point along a section of roadway just below Parcher’s Resort near South Lake. Below Parcher’s there is a meadow – I parked there and spend some time wandering up the roadway past this area of steep, jumbled rocks and aspen trees and other foliage.

A note about the light in this photograph: I had passed by this area before – on previous visits and earlier during this trip – and thought about how I’d like to photograph here in diffused, shaded conditions. So I made a plan to return much later in the afternoon when I knew that the sun would move around behind the ridge about this spot and leave it in shade, but with some light coming in from the open sky and ridge on the other side of the valley – pretty much exactly the sort of conditions I look for when I photograph this type of subject.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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