Tag Archives: rugged

Desert Mountain Sunset

Desert Mountain Sunset
“Desert Mountain Sunset” — Golden hour light on desert mountains, Death Valley.

The final full day of our pre-Christmas visit to Death Valley was mostly not ideal for photography. A winter storm was approaching, and most of the day was quite gray. We managed to get out and photograph in some canyons, but by mid-afternoon the prospects were deteriorating rapidly, and we decided to take a break. Somewhat later, without warning, there was a brief clearing before sunset… so off we went to take advantage of the light!

The best light appeared to be well north of us, so we loaded up the vehicle and headed that way. By this time the light was evolving quickly, partially as a result of the changing atmospheric conditions but also because it was late in the day. When I saw the colorful light on these somewhat distant, rugged mountains I stopped and put a long lens on the camera so that I could capture the scene before the light faded.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees and Sandstone Cliffs

Trees and Sandstone Cliffs
“Trees and Sandstone Cliffs” — Trees near the base of sandstone cliffs, Zion Canyon.

There is a lot going on here related to textures and colors. Color first: the cliff and tree colors are almost complementary. The green trees at the base of the cliff are in full shade. The further cliff face is getting both direct and reflected light. The cliffs seem massive and solid, but the surfaces are surprisingly varied. We see lighter and redder sections contrasting with almost-blue darker areas.

I was a little surprised to see trees growing so close to the base of he cliff. Often these areas are littered with accumulated rockfall debris, but here the trees don’t show any signs of that. It isn’t easy to tell from the photograph, but some of the trees are actually growing from cracks in the rock wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

One Small Tree

One Small Tree
“One Small Tree” — A lone tree grows from a crack in a sandstone cliff, Zion Canyon.

The massive layers of red sandstone in the American Southwest are impressive. But seeing that plants manage to live on these formations is equally so. The variety of ways they eke out a living is surprising — at the bottom of huge holes in the rock, in tiny cracks, along ledges. Here a small tree adds a contrasting bit of green to the sandstone cliff.

Of course, this is not something that is unique to The Southwest. As a long time Sierra Nevada visitor I still marvel at mature trees that seem to grow almost straight out of rock, sometimes in very exposed positions high in the mountains. It seems to take little to provide enough sustenance — a crack that collects some other plant debris and a little water will do it. Before long, little plant and animal communities spring up beneath these trees.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Capitol Reef

Capitol Reef
“Capitol Reef” — Early morning view of the peaks of Capitol Reef from the east.

A friend and I met up in Capitol Reef National Park some years ago, and we spent a few days photographing in and around the park. We began accessible spots not far from our camp, but later we made a long drive down gravel roads to the east of the Capitol Reef ridge. I made this photograph shortly after a colorful sunrise on these summits.

That sunrise photograph, which I’ve shared previously, was focused on the area behind my camera position for this photograph. The sky colors are wonderful, but I also like the darker and somewhat more foreboding quality of this sky that has lost the dawn colors.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.