Tag Archives: rugged

Desert Mountains, Before Sunrise

Desert Mountains, Before Sunrise
A canyon twists down through rugged desert mountains in pre-sunrise light.

Desert Mountains, Before Sunrise. © Copyright 2022 G Dan Mitchell – all rights reserved.

A canyon twists down through rugged desert mountains in pre-sunrise light.

One thing that has always appealed to me about the desert landscape — which for me often means the Death Valley landscape — is that the geology is laid bare almost everywhere. So many landscapes are to a great extent about what covers them — the forests, grasslands, lakes, meadows, rivers, and more. But here most of the vegetation is so sparse (or it matches the colors of rocks and soil so well) that we see straight to the underlying earth — the canyons, the colors of rock and soil, strata twisted and uplifted, runoff channels, landslides, fans, and more.

This canyon descends toward Death Valley from high in the Panamint Mountains, following a twisting path down from the heights as it links up tributary valleys and eventually forms a broad wash that spills out at the top of a gigantic gravel fan. I made this photograph before sunrise, when the soft, early light suffused the canyons and revealed subtle details that can be lost in harsher light later in the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Badlands Detail

Badlands Detail
A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

Badlands Detail. © Copyright 2022 G Dan Mitchell – all rights reserved.

A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

You may have noticed that few of my photographs from Death Valley feature the usual iconic subjects. Perhaps an explanation is in order. There’s nothing at all wrong with photographing those famous subjects — as someone once said, “There’s a reason they are icons!” I photograph them, too, when the conditions are special or unusual. In the right conditions you might even find me lined up at Zabriskie Point at dawn! (Though these days, if I photograph that subject, it is more likely to be in the middle of the day or perhaps at night. That’s a long story — too long for this short post.)

These days much of my photography in the park falls into a few basic categories. There are some photographs that I have had in mind for a long time that still haven’t quite come together the way I want, and I return to these subjects regularly and continue to work on them. I’m also very interested in pushing out the boundaries of my relationship to this landscape, and on every visit I got to places that I have not visited before. Another approach that has come to interest me more and more here is to excerpt small bits of the larger landscape and treat them as the subject. (I believe that sometimes a close look at a fragment of the landscape can tell us more about it than a photograph that tries to “include it all.”) This photograph falls into the latter category — this little ravine is high on a hill in a place where, I’d wager, most people probably don’t even notice it. But at the right moment in the right light it becomes something special.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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First Light, Desert Mountains

First Light, Desert Mountains
The first morning light on a ridge in desert mountains, Death Valley National Park.

First Light, Desert Mountains. © Copyright 2022 G Dan Mitchell – all rights reserved.

The first morning light on a ridge in desert mountains, Death Valley National Park.

One important factor to keep in mind when photographing in Death Valley National Park is the roughly north-south orientation of most of the valleys and mountain ranges. In a broad sense, this tends to give us two ways to photograph these subjects in the morning or evening — one in direct sun and the other in shadow and backlight. This is such a basic aspect of the park’s geography, that I often organize my daily photography around it. (There are some variations on this theme, for example in locations where some features face more towards the north or south, and interesting light often slants across them.)

This photograph takes in a small segment of the east face of the Panamint Mountains, the gigantic range separating Death Valley from the Panamint Valley to the west. This east-facing aspect of the range rises over 11,000′ from Badwater to the summit of Telescope Peak, and most of it has a remarkably rugged and barren appearance. Because it is so tall, the “sunrise” takes place over a longer time as the light works its way down from the highest peaks and ridges to the alluvial fans at their base and eventually to Death Valley itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains and Dunes, Morning

Desert Mountains and Dunes, Morning
Desert mountains in shadow and early morning sun on dunes, Death Valley National Park.

Desert Mountains and Dunes, Morning. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert mountains in shadow and early morning sun on dunes, Death Valley National Park.

If you have been following along recently, you may recall me writing that this rocky ridge would show up a few more times in the photographs from my recent Death Valley visit. Although I never actually went to that ridge, it was off to the side as I walked to and from another subject on one evening and the following morning. The ridge runs a bit further to the right before ending with a spur that extends slightly into the broad, flat desert valley beyond.

Late in the day the surface of this ridge takes on the warm tones of sunset light, and the color of the ridge is quite different. Some red tones in the rock combine with the reddish light to produce a very colorful appearance. But this photograph was made the next morning, when the light comes from the other direction, leaving that same face in the cool-toned shadows. I made the photograph as the sun was gaining enough elevation to shine over the top of the ridge, striking the sand dunes that are near its base.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.