Tag Archives: rugged

Bluffs and Morning Fog

Bluffs and Morning Fog
Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

Bluffs and Morning Fog. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

I am still astonished by how widely variable the appearance of a single scene can be along this Big Sur coastline. On a winter day this area could be raked by monumentally powerful Pacific storms, raising winds and surf. On a quite summer evening it could be warm and peaceful with sunset light bathing the cliffs. On another summer evening everything could be socked in completely by thick fog.

On this spring morning the light coming over the ridges of the coastal mountains was still casting shadows along the shoreline, while the tops of the bluffs were in sunshine. Oddly, on a morning that began clear, fog was beginning to form down low, hugging the coast just above the water. Despite the bright morning sun, along these bluffs the principle color was blue — the blue shades of ocean water and the subtler blue of haze and fog and shaded rock, with the landscape and water eventually disappearing into the distance, muted by the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dunes and Mountains, Morning

Dunes and Mountains, Morning
Morning light on sand dunes and rugged mountains, Death Valley National Park

Dunes and Mountains, Morning. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light on sand dunes and rugged mountains, Death Valley National Park

On our final morning in Death Valley this past March I got up before dawn one more time, loaded some gear in the car, and drove a short distance to a place from which I had decided I wanted to access sand dunes. I had been in the same area a few days earlier, and on that visit I spotted a likely looking area not far away — and that was my target this time as I walked alone across the quiet playa in pre-dawn light.

Out here the light arrives with surprising suddenness, despite the hints that it is coming, seen in light on peaks to the west and far up the valley. Silently the first light skims across dune tops, and within seconds the soft light is replaced by brighter highlights and darker shadows. Here I looked east across low dunes toward mountains along the eastern side of the valley at the base of the Amargosa Range. The morning haze and shadows on the mountains muted the their details. I photographed here for a few more minutes before packing and walking back to my vehicle, and within an hour we were on our way out of the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Narrow Canyon, Hiker

Narrow Canyon, Hiker
A hiker passes through a narrow section of a desert canyon.

Narrow Canyon, Hiker. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A hiker passes through a narrow section of a desert canyon.

Almost anywhere you are in desert country, canyons can be attractive places on days that might not be so enjoyable out in the open. They are often protected from wind — and in Death Valley, at least on this trip, that also meant protected from dust storms. Their light is frequently appealing during midday hours where many other locations are experiencing harsh flat light —  in canyons the midday light can reflect down among the canyon walls and look beautiful at almost any time of day. They can also be cooler, with high walls that protect from the hottest sun.

Between morning and evening photography we decided we would take a hike up this canyon — not the most popular in the park but not the least visited either, so we shared the experience with some other hikers. The approach to this canyon took us across the lower face of an arid mountain range, then dropped into a wash and started to ascend, with tall canyon walls quickly ascending both sides of the canyon. In places this canyon is impressively narrow, and everywhere it is very deep. While it has some of the water-formed features that are common to all such canyons, these Death Valley canyons have a rugged and rough-hewn character that is quite different from that of the popular Utah canyons.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Wash and Mountains

Desert Wash and Mountains
A golden desert wash descends toward distant mountains and a valley.

Desert Wash and Mountains. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A golden desert wash descends toward distant mountains and a valley.

This beautiful wash is very (very!) close to one of the iconic Death Valley stopping places. I’ve never been able to warm up to that particular spot as a photographic subject. Fortunately, even time I go there I look in a slightly different direction — and I often seem to be the only person looking that way — and find this lovely view.

We visited near the end of the day, as afternoon sunlight begins to take on the warm tones of early evening and shadows start to stretch across the valley. Once again, I stopped at this well-known place. Once again I thought it was interesting, but not quite what I wanted to photograph. And, once again, I looked downhill and away to see this wash. The light highlighted the different colors of the geological deposits here, with yellow material lining the path of the wash and the middle distance hills darker and holding tones that are more reddish. The path of the wash winds sinuously back and forth as it descends between the lowering walls, with shadow on one side and sun on the other.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.