Tag Archives: rugged

Fog, Trees, Knoll

Fog, Trees, Knoll
Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Fog, Trees, Knoll. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Driving to Point Lobos from the San Francisco Bay Area in the early morning, I was not quite sure what conditions I would find. The forecast was for fog, clearing out before noon, but you can hardly ever tell for sure how this will evolve. A few days early I had been here on a day with a similar forecast and it never cleared. On this morning, however, it turned out that the fog was actually thicker inland, and it turned out that it cleared at the coast first!

We hiked over to the north shore trail, starting at a bluff above Whalers Cove, then climbing up to the higher bluffs that skirt the north shore of the park above steep and rocky cliffs that drop straight down to coastal coves. At first the fog was gray and almost oppressive. One can photograph in such conditions, but it is difficult to work the flat light. But very soon something much better began to arrive. As the fog cleared and the fog/sun boundary moved across the shore, the foggy atmosphere began to glow, and even in this soft light the colors began to intensify.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastside Dawn

Eastside Dawn
Dawn light on the eastern escarpment of the Sierra Nevada near Long Valley

Eastside Dawn. Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dawn light on the eastern escarpment of the Sierra Nevada near Long Valley

I regard myself as a bit of a sunrise connoisseur, having arisen well before dawn on many, many mornings — almost every morning, actually — and often gone out to observe and photograph at first light. Trust me, I do understand how hard it is to get out of a warm bed (or warm sleeping bag) in darkness, dress, and head out into the still-dark world. But if you can start to make it a habit there is a good chance that you’ll become addicted — and what better kind of addiction is there than to need to see the first light?

I photographed this on an autumn morning when I headed out into the valley to the east of the escarpment of the Sierra. It was, as it usually is in mid-October, very cold when we arrived. But it was also very quiet and still, and steam was rising from nearby springs and creeks as the sky began to listen and the first light touched the peaks of the Sierra. It worked its way down the face of the range, across fluted alpine faces, into deep mountain valleys, and eventually to the rounded, tree-covered hills at the foot of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Panamint Valley and Mountains

Panamint Valley and Mountains
Looking into Panamint Valley and toward the Panamint Mountain Range

Panamint Valley and Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking into Panamint Valley and toward the Panamint Mountain Range

When most people think of Death Valley they probably think of incredibly hot desert conditions. Those conditions are real, and are among the reasons that I do not visit the place during the warmer times of the year. But the conditions are quite a bit more varied than that reputation would suggest. I have been snowed on in Death Valley — on one memorable occasion photographic desert wildflowers in a snow storm! — and I have encountered temperatures ranging from over 100 degrees to below freezing. The variations are related to seasons (there are some very cold places here in the winter!) and to elevation, which ranges from below sea level to over 11,000′.

This photograph captures a range of those conditions in one image. It was a pleasantly warm, though cloudy, day as I left the park. The winds were howling down below in Panamint Valley, where a dust storm was beginning to kick up. Winter snow was still thick on the highest peaks of the Panamint range, and an incoming storm was developing and promising more precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Big Sur, Winter

Big Sur, Winter
Sediment from flowing streams and landslides colors the water along the Big Sur Coast near Julia Pfeiffer Burns State Park

Big Sur, Winter. Big Sur Coast, California. January 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Sediment from flowing streams and landslides colors the water along the Big Sur Coast near Julia Pfeiffer Burns State Park

Some viewers who know this coast very, very well might understand why this photograph could have been titled, “Not McWay Fall.” In an example of looking the “wrong” direction, this photograph looks north along the Big Sur coast in the afternoon, when the light comes in from the west and perhaps begins to warm a bit, and on a beautiful winter day, on the heels of a big storm, when the air is very, very clear and the water is intensely blue.

Looking closely you probably also notice some other colors in the water. Various things can color the coastal waters — seasonal or time of day variations, the quality of the light, reflections, algae, and much more. There are a few spots along this coast where the water is always a surprising color, for example where sandy shoals in shallow, protected water lighten it. Several things were at work here on this day. Coastal creeks were in full flow, carrying their sediment loads down to the coast and emptying into the ocean. In this particular location there was a very large and probably still active landslide that had delivered a lot of earth to the beach, where the surf was gradually pulling it into the water and staining the ocean brown.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.