Tag Archives: rugged

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Strata and Folds, Evening

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Strata and Folds, Evening
Desert terrain of contorted and folded strata

Strata and Folds, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Desert terrain of contorted and folded strata

It has been well over a year since I made this photograph, but I remember the evening well. I had arrived in Death Valley earlier in the day, by way of a detour through the Los Angeles area, found a place to camp, and was now starting several days of intensive photography in the area. In the evening I headed south in the park to a particular knoll that I have photographed from before, with the idea of photographing a particular subject in some light that I had in mind.

I found and photographed that subject, though conditions weren’t quite what I expected. A combination of evening haze and strong winds presented some challenges — and I’ll need to return to the spot to make that photograph that I originally envisioned. However, from this elevated position there was a spectacular view of arid and rugged desert terrain in the opposite direction, so as the light on my original subject faded I turned my attention in this direction. There are many things to think about and say about terrain like this, but I’ll mention one thing. When we look at such a place our first impression is of the rugged dryness. But when we look again we see evidence of water everywhere in such a landscape — in those valleys, and in the gullies tracing twisting lines down the faces of the formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Evening

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Badlands, Evening
Evening light on deeply eroded terrain, Death Valley National Park

Badlands, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on deeply eroded terrain, Death Valley National Park

Early each spring I head back to Death Valley for several days of exploration and photography. In March of 2015 I began my trip with a visit to Los Angeles, from which I departed and drove to the park to set up my camp. My typical ritual is to arrive in the early afternoon, find a campsite, get set up and settled in, wait for early evening, and then head out for my first photography in this vast landscape.

I began by heading to an area of the Valley with expansive views across to the Panamint Mountains, backlit by the early evening sun. I photographed them through a moody haze from an elevated spot that I often go to. Before long the light on these mountains faded as the sun dropped behind them, and my attention turned to nearer formations on my side of the valley, which were now being illuminated by the warm evening light. The low angle delineated the complex structures of these badlands during the last few minutes of light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Natural Bridge, Evening Fog, and Coastal Mountains

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Natural Bridge, Evening Fog, and Coastal Mountains
Evening light on the mountains, coast, and incoming fog along the Big Sur coast

Natural Bridge, Evening Fog, and Coastal Mountains. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light on the mountains, coast, and incoming fog along the Big Sur coast

Yesterday I shared a Big Sur Coast photograph — looking north and in black and white. Today’s post is a counterpoint to that one — it looks south and is in color. Both were made late on the same day, and in the same general central area of this rugged coast. It was late in the day and I was looking for an ideal last photographic location of the day, and from this particular overlook I could see down the coast… and the light was going to go before I had time to find another spot!

In many ways I suppose the view is typical. The view extends into the distance where it disappears into fog and coastal haze, and the coastline is an alternating landscape of shallow bays and jutting peninsulas where mountain ridges drop into the ocean. Here and there are the remnants of ridges and bluffs that lost their battle with the ocean long ago, and which now remain only as isolated rock and sea stacks set off from the shoreline. One of the most impressive of them in this photograph is right below the camera position where a large rocky formation is cut through by a natural bridge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Sea Stack, Bluffs, Coastal Mountains

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Sea Stack, Bluffs, Coastal Mountains
A quiet evening along fog shrouded the Big Sur coastline

Sea Stack, Bluffs, Coastal Mountains. Big Sur Coast, California. July 20, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

A quiet evening along fog shrouded the Big Sur coastline

I think my favorite times along the Big Sur coast are in the supposed off-season, the non-summer months when the ocean tends to be a bit wilder, the winds blow stronger, and the visitors are fewer in number. Summer is often busy and not as scenic, with thick coastal fog in the morning and evening a frequent occurrence. Especially during fall and winter the passing Pacific weather fronts periodically scour out the clouds and the bring spectacular surf conditions.

Yet this photograph comes from summer. We had started back up the coast late in the day, a process that always has me contemplating a plan for the brief evening light interval — where do I want to be and what do I want to photograph. My plans often don’t play out exactly as I expected: the fog might block the sun, I might get held up photographing some unexpected subject. I made this photograph before the time for the last photograph of the day — those came a very short time later. From this spot the view overlooked a big action of the coastal waters, unusually calm and quiet, as the late afternoon light fell on the coastal bluffs and the afternoon haze turning into fog.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.