Tag Archives: sandstone

Oak Tree, Red Rock

Oak Tree, Red Rock
A twisting oak tree beneath red rock towers, Zion National Park.

Oak Tree, Red Rock. © Copyright 2021 G Dan Mitchell – all rights reserved.

A twisting oak tree beneath red rock towers, Zion National Park.

The title simplifies the content of this scene — there are actually several kinds of trees here, and the contrast between the lighter trunk of the foreground tree and the dark shape of the more distant tree is part of what attracted me to this scene. Other elements included the twisting shapes of the trees and the contrast between the bright green of the leaves (which are close to beginning their autumn color transition) and the red Utah sandstone.

The nature of light is almost always a key factor in photography, but it plays out in very special ways in the red rock canyons of the Southwest. As I have written previously, the typical photographers’ schedule (shoot very early and rather late) is upended in canyons. We often try to find the softer and warmer light of the very early and late hours of the day, but in these canyons the tall walls often keep the subjects in the soft shadow light much of the day, and direct sunlight reflected off the canyon walls can provide that warm color to the light. (To those used to having a midday break between morning and evening photography, this can be exhausting!) This photograph was made during those essentially middle-of-the-day hours, and the soft light illuminates and colors the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Towers and Shadows, Sunrise

Towers and Shadows, Sunrise
Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

Towers and Shadows, Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Red rock towers cast shadows on a cliff face in sunrise light, Zion National Park.

We have not visited Utah since before the 2016 election. I love Utah’s diverse and beautiful landscape, but once the state joined in the process of dismantling public lands I felt that the ethical — though painful — choice was to stay away until things were once again set right. Earlier this month we made it back and I can report that the state is as beautiful as it was before… and that I’m very glad to have been able to return. To a Californian, used to the mostly-gray landscapes of my beloved Sierra Nevada, the technicolor landscape of Utah is a revelation.

This photograph is another intuit combines planning and dumb luck. We got up a bit later on this morning. There was no need to catch the first shuttle into the canyon since our plan was to drive to higher country. This particular subject was on my list of sunrise possibilities, but when we arrived at the spot where I thought I could set up I could not find a place to pull over. That turned out to be good luck, as a few minutes later I figured out that a more elevated perspective was possible a bit further up the road. We found a place to pull over just. before the sun/shadow line reached the pinnacles, and I worked quickly to set up as the light continued to descend. I made a series of exposures starting with the first glimmer of direct light on the highest tower, and then I kept photographing as the light moved lower on the face, projecting the shadows of the ledge and towers on the cliff wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tree, Red Rock, Morning Light

Tree, Red Rock, Morning Light
A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

Tree, Red Rock, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

A lone tree in morning backlight against a backdrop of red rock formations, Zion National Park.

We recently managed to get away for our first long road trip in a very long time. We started in the Eastern Sierra Nevada, where the annual autumn aspen color show was well underway. From there we headed to Utah — which I have not visited since before the previous presidential administration — where we spent several days photographing in Zion National Park. From there we moved on to spend some time on one of the less-travelled Utah backroads before heading south for a very quick visit to the North Rim of Grand Canyon. (The story of that part of the trip is a bit too long to relate here. Perhaps later…)

Our visit to Zion was divided roughly into two sections. We spent the first part of the visit exploring and photographing sections of Zion Canyon on foot. Then we spent a day in the “high country” along the Mount Carmel highway, an area with an infinity of photographic opportunities that change with the light throughout the day. That is the area where I made this photograph of a solitary tree standing atop a sand stone formation in the brilliantly bright morning back-light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fractured Canyon Wall

Fractured Canyon Wall
Fractured canyon wall detail.

Fractured Canyon Wall. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fractured canyon wall detail.

With this photograph I believe I’ll conclude my nostalgic return to photographs from my 2012 autumn visits to Utah. It was a special autumn for my in Utah, as I was able to visit twice for a period adding up to almost a full month. On the second visit I was able to travel into some out-of-the-way locations, a few of which were shared with me by people who live and photograph there. That was quite a privilege. It has been too long since I’ve photographed there. Perhaps I can return next year?

This is simply a bit of canyon wall, and the specific location is hardly relevant at all — you can find rock like this all over Utah. Part of what attracted me to this little vignette was the boundary between darker old rock and the lighter rock below where some of the older material has obviously broken away. The surface of the upper, darker area is fascinating to me, and a close look reveals remarkable colors, textures, and shapes on its surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.