Tag Archives: scenic

Photographs: Nature, Photographs: Sierra Nevada

Aspen Leaves, First Light

June 21, 2013 G Dan Mitchell Leave a comment

First morning light on aspen trees and fall foliage, eastern Sierra Nevada, California

This past fall I had exactly one day to photograph aspens in the eastern Sierra Nevada. This was a bit odd for me, since I usually spend quite a number of days chasing fall aspen color up and down the east side of the range. But this year my target was a bit further away in Utah, and we merely paused for an extra day on the “east side” on our way to that other state. Fortunately, we hit great conditions, in terms of good aspen color and fine weather that didn’t prevent us from getting up to those trees.

Very early in the morning we headed up to an area that I have photographed many times. There are a couple of iconic photographic subjects at this location, but I mostly got them out of my system some years ago and now I look for somewhat less obvious subjects when I go here. I began by shooting some trees near the outlet stream of a lake, with early morning light behind the trees. After working that tricky but beautiful light for a while, I decided to go around to the far side of the lake to where a large stand of small but densely packed aspens stands at the base of a hillside. I got there before the sun came to this spot, so I quickly schlepped my gear up the hill a ways and into the end of the grove, setting up just before the sun arrived. Before the sun’s rays hit the tree, everything had a distinctly blue tone. As the edge of the shadow arrived, the aspen leaves began to glow more and to cast shadows on the trees in the background. These shadows quickly transitioned from soft and subtle to quite contrasty and sharply defined in a matter of seconds. This photograph was made just as the sunlight arrived but before it became intense, and the soft shadows of the leaves on the slender background trunks lasted just a moment.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Beach and Rocks

June 20, 2013 G Dan Mitchell Leave a comment

Late afternoon light on a rocky beach near Pescadero, California

Last week I finally was able to get out and do a bit of landscape photography along the California coast south of San Francisco. (Various other obligations and activities have minimized time in the field recently, and may continue to do so for a few more weeks – but then… lots of time “in the field!”) This area is one of my quickest “gotta get out and shoot” locations, as I can be there in less than an hour, and “there” is one of the most spectacular coastlines I can imagine, ranging from calm and peaceful to towering cliffs and raging surf.

On this visit, things were relatively quiet – nothing like the winter surf of a few months ago. My hope was to find a coastal location in that border zone between fog and sunlight, where interesting and variable things can often happen with light. Starting from the Santa Cruz area, where it was almost perfectly clear, we headed north while keeping a watch on the fog bank hanging just off shore and appearing to get closer to the coast to the north. Eventually, near the Pigeon Point lighthouse, it looked like we might get to the point where the fog and the coast converged, but as soon as we arrived the fog pulled back a bit. In this late afternoon photograph, the sun was low enough that its light was beginning to be somewhat softened and warmed by passing through the thin layer of mist and fog.

Photographs: Northern California, Photographs: Ocean & Coast

Launch For Hire Building

June 18, 2013 G Dan Mitchell Leave a comment

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree Covered Hillside, Cliff

June 16, 2013 G Dan Mitchell Leave a comment

Early autumn afternoon back-light on high country trees and shadows on a sandstone cliff face, Zion National Park

Perhaps surprisingly, trees were a big draw for me during my several visits to Zion National Park in October last year, and not just the trees that were getting their fall color. The junipers and pines are also intriguing, especially when backed by sandstone or lit from behind by low angle light as in this photograph.

This area near the eastern boundary of the park has intrigued me but also puzzled me each time I have stopped there. Nearly is a significant and named park feature that seems to be the main reason for stopping. It is an impressive geological feature… but, for the life of me, I have not been able to find a way to make an interesting photograph of it. Yet each time I passed by, I stopped and looked and pondered and (most often) did not photograph it. However, with each successive stop I began to pay more attention to other features in this spot: the big cliff on the other side of the valley on which colors fade from gray-white to red, the many trees that stand with enough space between them to allow back-light to pick them off individually, and more.

G Dan Mitchell Photography

Tag Archives: scenic

Aspen Leaves, First Light

Beach and Rocks

Launch For Hire Building

Tree Covered Hillside, Cliff

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.