Tag Archives: sea stacks

Winter Fog, Big Sur Coast

Winter Fog, Big Sur Coast
Winter fog and ocean spray hugs the rugged Big Sur coast.

Winter Fog, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winter fog and ocean spray hugs the rugged Big Sur coast.

It is possible that my writing about the Big Sur Coast could become a bit repetitious. After all, my visits to the place are… repetitive! It takes about an hour for me to drive to the upper boundary of the region, and I can (and do) make a down and back trip in less than a day, often leaving home before sunrise and returning for a late lunch. Proximity to this remarkable landscape is a big part of what induces me to continue to put up with San Francisco Bay Area traffic and costs. It is hard to imagine another place with access to so many remarkable things.

This photograph comes from a visit on a sunny early December day last year. The season from November through the first half of spring is my favorite along this coast. The surf is often impressive — especially when a Pacific weather front is approaching — and conditions are remarkably variable, including fog, brilliant sunshine, strong winds, beautiful clouds, intimidating storms, and more. This morning featured one of my favorite combinations of conditions: surf big enough to raise mist along the coastline, a bit of a marine layer, and brilliant sun overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stream and Islands, Mile 337

Stream and Islands, Mile 337
A stream crosses the sand to enter the Pacific Ocean among immense shoreline rocks and island and their reflections, Oregon coastline.

Stream and Islands, Mile 337. © Copyright 2021 G Dan Mitchell – all rights reserved.

A stream crosses the sand to enter the Pacific Ocean among immense shoreline rocks and islands and their reflections, Oregon coastline.

Last month we spent time in far Northern California photographing redwood forests and coastal subjects. Several things inevitably happen on these visits. One is that we always remark how this area feels more like Oregon than California. Another is that we often head up to and across the Oregon border. On the most recent trip we took a drive to the north one evening, but we mostly explored areas just south of the stateliness and when we reached the boundary we turned around. But this photograph comes from a previous trip on which one of these “short drives” took us a good distance up the Oregon coast.

This is a striking spot along that Oregon coastline — and it was even more appealing since there were a couple of people riding horses on this beach when we passed by. (They are not seen in this photograph… in case you were looking for them.) Like so many of these beautiful spots, this one is not marked as any sort of icon, and I did not know its name or even if it has one… so I made a photograph of milepost 337 when I finished photographing to help me remember.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Sea Stacks

Evening Sea Stacks
Sea stacks and surf on an overcast evening, Crescent City, California.

Evening Sea Stacks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sea stacks and surf on an overcast evening, Crescent City, California.

The circumstances of this photograph were just a bit unusual, and it is not quite the photograph that I thought I’d be making when I recently visited the coastline at Crescent City. Because the days are so long right now, we decided to go out for an early dinner, planning to head back out into the field to photograph an hour or so before sunset. The plans was not totally solid, but I had this spot in mind as one of the possibilities, as it more or less in Crescent City. We finished dinner and it was still too early for the photography I had in mind, so we did a bit of exploring before we ended up back at this post.

I had photographed these very rocks a couple of years ago, and this time I was imagining something with sunset light, the colorful ocean and sky, and perhaps some dramatic shadows. The conditions had something else in mind. To the north a line of clouds was arriving, likely the result of a weak incoming cold front. When it became apparent that the brilliantly colorful sunset I imagined was not to be (though something else interest did eventually happen) I rethought the mood I wanted to suggest and began to see the appeal in this framing of the scene, focusing on the foreground island with the more distant sea stacks closer to the top of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mouth of the Klamath

Mouth of the Klamath
Evening fog at the mouth of the Klamath River and the Northern California Coastline

Mouth of the Klamath. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening fog at the mouth of the Klamath River and the Northern California Coastline

The first day of my early June visit to the Redwood National and State Parks area was largely devoted to the very long drive up from the San Francisco Bay Area. I got an early start — always important to at least try to get out of the Bay Area early on commute days! — and was in Redding by late morning. While that is certainly far enough north it isn’t far enough west, and a three-hour drive to the coast was still ahead of me, plus perhaps another hour north along the coast to my lodgings in Crescent City.

After so much inland driving, it was a relief to finally reach the coast in the Eureka/Arcata area and to then turn north toward my destination. I lingered a bit in the Klamath River area. I feel a bit of a connection to this river as I have spent some time photographing birds in the area where it crosses the California-Oregon border. I didn’t know this area around the river’s mouth at all — I just knew that the low hills and coastal light were beautiful. I crossed the river on a long bridge, passed by various businesses clustered near its north end, and soon found a promising road out to the hills just to the north, from which there is a panoramic view back across the rivers itself and the hills and coast to the south.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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