Tag Archives: shade

Redwood Forest Floor Foliage

Redwood Forest Floor Foliage
Broadleaf starflower and redwood sorrel in the deep shade of a Northern California redwood forest.

Redwood Forest Floor Foliage. © Copyright 2021 G Dan Mitchell – all rights reserved.

Broadleaf starflower and redwood sorrel in the deep shade of a Northern California redwood forest.

There is a route in Redwood National Park that surprises me — because there is hardly ever anyone there, even though it dead-ends in a beautiful forest of old growth trees near an intersection of several trails, in a place with many interesting things to see. I visit the spot every time I go there. Perhaps the small number of visitors is due to a lack of named icons, the out of the way location, and not a whole lot of publicity. My first visit was an accident — a moment of “I wonder what is up that way?”

The last time I was there it was midday, not necessarily the ideal time to photograph in the forest. The redwood forest is often quite a dark place, and little sun manages to find an angling path through the trees to reach the ground. But in the middle of the day the sun does make it to the forest floor, and the great contrasts between shadow and light are a challenge. On this visit there were scattered clouds passing above the forest, so I found my compositions and then waited patiently, eyeing the sky for the next cloud that might soften the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Entering the Narrows

Entering the Narrows
The path up a desert canyon enters shaded narrows, Death Valley National Park.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The path through a desert canyon enters shaded narrows, Death Valley National Park.

Most of the time I approach places like this by passing across some sort of alluvial fan, then following a wash that narrows as its walls rise. When I think of these approaches, heat, direct and intense sunlight, dryness, and the sound of boots crunching on rocks come to mind, along with a sense of exposure to these elements. The terrain feels like it is mostly about loose materials — compacted soil, conglomerates, cracked faces, and the water-transported rocks all around.

That all changes when entering narrows like these. The open sky may constrict to a narrow channel far above or it may disappear entirely. The walls, having been scrubbed by moving water and gravel, are smooth and curved. The light becomes soft and often quite blue, coming entirely from the blue sky itself, reflected among the faces as it descends into the canyon. It becomes quiet and my own crunching footsteps are likely the only sound. The expansive world of light and sky on the alluvial fans and washes contracts, contained between the close walls and the next bend in the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Forest After Fire

A Forest After Fire
A dark forest, several years after a managed fire.

A Forest After Fire. © Copyright 2020 G Dan Mitchell – all rights reserved.

A dark forest, several years after a managed fire.

For obvious reasons, wildfire has been on my mind a lot during the past few weeks. Back in August a spectacular and extremely unusual series of electrical storms rolled across the San Francisco Bay Area, touching off scores of small fires that soon merged into three very large and very destructive infernos. Since that time we’ve lived in a pall of smoke around here. I briefly escaped — or so I thought — to the Eastern Sierra, with plans for a short pack trip… the weekend that the huge Creek Fire started south of Yosemite. Since that time the entire west coast has been afflicted by historically awful fires.

I’m familiar with wildfires in California, for one reason from years of late-summer and early-autumn backpacking. Some smoke is common at this time of year, most often continuing on into the very beginning of October when the first rains often arrive. Long ago I reconciled myself — after years of Smoky the Bear exposure — to the idea that some fire is a natural and beneficial part of the natural environment. But it has been harder to find photographic beauty in fire-scarred landscapes. This scene merges those two notions. This forest had been burned in a management fire a year or two earlier, scorching the lower trunks of these trees and consuming some excess litter. But when I made the photograph the forest was again looking quite healthy, albeit with visible signs of the fire remaining.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Oak and Granite, Autumn

Oak and Granite, Autumn
A small oak tree in deep shade at the base of a Yosemite Valley granite cliff.

Oak and Granite, Autumn. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small oak tree in deep shade at the base of a Yosemite Valley granite cliff.

Back in 2012 I took a somewhat later-than-usual trip to photograph fall color in Yosemite Valley. When I think of Sierra Nevada fall color the high country aspens, mostly but not exclusively on the east side of the range, come to mind. Those colors tend to be an early October thing. But colors appear a bit later on the west side of the range, eventually working their way down to the foothills and finally the Central Valley. In Yosemite Valley beautiful colors come from cottonwood, black oak, dogwood and a few other sources, typically arriving in late October and peaking around Halloween.

For reasons that I can no longer recall, this time I ended up in the Valley a couple of weeks later. There was still sufficient color, and it came with the added bonus that light snow had recently fallen. (Unlike summer and winter, which tend to be just what you would expect, the transitional fall and spring seasons often bring surprises.) I took a walk along a section of the north wall of the Valley and photographed this small tree in the shadows at the base of a very tall granite cliff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.