Tag Archives: shade

Aspen Layers

Aspen Layers
Layers of autumn color in shaded aspen groves

Aspen Layers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Layers of autumn color in shaded aspen groves.

Overall, the current Eastern Sierra Nevada fall color season has seemed less stunning than in the best years. The start was promising, with good high elevation color arriving on the expected schedule. But later on a number of areas that frequently offer up amazing color did not quite deliver. However, a few points are in order. Even in a less-than-astonishing year there is great color to be found if you just look around a bit. (And some of it is not in the usual iconic locations.) And a lot depends on the specific moment you arrive — the day and even the time of day.

This grove may serve as an example. We first spotted it while driving past in the early morning, when the sun had not yet arrived on this spot. We continued up the road a bit, thinking we’d turn around and photograph it a bit later. It turned out that “a bit later” produced some pretty uninspiring light on this subject… so we returned the next day and timed our visit more carefully. Photographing fall color in shaded light can produce a very different effect than photographing in full sun, with more color subtle and varied color with more shadow detail. This grove offered an additional compositional detail — the heights of both the small and large trees produced a sort of arch shape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Patterned Cliff Face, Detail

Patterned Cliff Face, Detail
A small section of shaded Sierra Nevada cliff reveals remarkable details of dikes, fractures, color, and stains

Patterned Cliff Face, Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small section of shaded Sierra Nevada cliff reveals remarkable details of dikes, fractures, color, and stains

Most often when I think of large rocky faces in the Sierra Nevada, the clean, smooth, and almost uniform faces of Yosemite granite come to mind — large expanses of nearly unbroken rock shaped by glaciers. However, when I get into the high country and the other areas of the range I am reminded that things aren’t quite so simple. In places you can find mountains cut through by giant dikes of non-granite rock, or you might encounter the remnants of more ancient layers that lay above the granite intrusions and today give us red, black and other colors of material.

Since I’m no geologist, I can’t explain the details of the face in this photograph, but I can share a few observations. It is the headwall of a high bowl that contains a subalpine lake, and the area does show signs of glaciation. The fact is gigantic, and this is just a small section. It is far from uniform, with mostly gray rock cut through by thick intrusions of lighter material, and the whole thing cracked and fractured. In many places the surface has been deeply stained as water has flowed or seeped across it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Grove in Shade

Aspen Grove in Shade
A hillside grove of autumn aspens in early morning shadows

Aspen Grove in Shade. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A hillside grove of autumn aspens in early morning shadows

I think there may be at least a couple of things worth discussing about this photograph — both from a slightly technical point of view and from an “opportunity” perspective, as in what photographic opportunities might be available in this part of the Sierra when focusing on the subject of autumn aspen trees. The technical issue (though it really turns out to be an aesthetic issue in the end) is one that I’ve discussed before, namely the kinds of light in which one can photograph aspen and other fall color. This photograph was made in fairly deep shade, and the trees stand on a slope of a tall mountain that blocks the morning sun until several hours after sunrise. I went here largely because of that — and the beautiful trees! — because I wanted to photograph in this soft light. Photographing these trees in shade reduces the huge contrast in light levels between highlights and shadows that we must deal with when the trees are lit directly by the sun. The intensity of the colors can increase and the light fills in the shadows, revealing details that disappear in harsh midday light. (One challenge is handling the blue quality of light that comes from the open sky, but that is perhaps a topic for another post.)

The second observation has to do with the types of aspen trees found in the Sierra. People who have seen the huge groves to straight and tall aspens in places like Colorado and Utah often remark on the many small and twisted aspens in the eastern Sierra. They are right to do so — many of “our” aspens are shorter, the groves frequently (though not always) are limited in their extent, and the tall and straight trees are less common. However, that is part of what I like about the Sierra aspens — the variety of “aspen personalities” is remarkable, ranging from brilliantly colorful but very small scrub aspens to some examples of tall and straight trees with thick trunks. This photograph combines the two. The presence of the smaller foreground trees provides color in front of the revealed trunks of this grove of tall and straight trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Slope, Autumn Foliage

Rocky Slope, Autumn Foliage
Rocky Slope, Autumn Foliage

Rocky Slope, Autumn Foliage. Bishop Creek Drainage, California. October 11, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Autumn foliage on a steep, rocky eastern Sierra Nevada slope

This is a bit of a complicated photograph, and I’ll try to make some sense out of it below. The back story is that I was in the eastern Sierra doing some fall color photography, and early on this Saturday morning I had gone to a fairly popular location for photography. It is a place that I’ve photographed many times, going all the way back to a few years ago just before the huge popularity of digital cameras began to bring sometimes-overwhelming numbers of photographers to the area. I was quite sure that there would be large groups there on this morning, including photography workshop participants lined up along the shoreline of the nearby lake, but I also knew that there would be plenty of other things for me to photograph without joining the crowd.

I began by making some photographs of small things — little vignettes of a few aspen leaves, some rocks and boulders, light shining through branches holding colorful leaves. As I did this I saw that the far side of the canyon was going to remain in shadow after the sun began to wash things out elsewhere, so I decided to use a long lens and photograph trees and rocks in that location from a distance. Most of the photographs feature more obvious subjects such as an individual grove of colorful trees, but in this one I decided to just go with the complexity of the scene, which includes broken rocks, brush, and a few small aspen trees.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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