Tag Archives: shadow

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Solitary Aspen, Dark Forest

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Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: Urban/Street

Sidewalk and Fence, Autumn Light

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Sidewalk and Fence, Autumn Light
Autumn light shine through a fence to illuminate a sidewalk and fallen leaves.

Sidewalk and Fence, Autumn Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn light shines through a fence to illuminate a sidewalk and fallen leaves.

Some years ago I went on a local walk that changed the way I think about these things. Like most of us, when I think of what I want to photography, my thoughts ofter turn to placed that are distant, exotic, and different from what I experience in my daily life. For me this means lots of fascinating landscapes — deserts, mountains, ocean, and more — or it may mean travel to distant urban areas. But on the day when I went on that walk, I carried my camera. When I walk for exercise I usually don’t pay close attention to my surroundings. Instead I tend to let my thoughts drift (a good thing sometimes!) and the focus is internal. But with camera in hand (and I mean literally in my hand, not just in the bag), I start to see things that I have overlooked. On that particular walk, on a winter day, I suddenly realized, for example, that there were shadows everywhere and that they were worth photographing.

Speaking of shadows, this is the season when they become more prevalent and more interesting. Because the Northern Hemisphere sun never gets very high in the sky, shadows are cast by almost everything and on almost everything. As I came around a corner on another walk-with-the-camera this week I was stopped in my tracks by the shape of the shadow from this metal fence, falling across a sidewalk and a few autumn leaves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Entering the Narrows

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Entering the Narrows
Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Light reflected in the water of the Virgin River as it emerges from a narrow section of the canyon.

We visited this popular area of Zion Canyon twice on this particular day. The first was very early in the morning after we caught almost the first shuttle bus into the valley and arrived during blue hour light. We walked slowly up to just about to the actual beginning of the narrows and back again, taking lots of photographic detours along the way. This trail is a bit of an odd one on which to photograph. Early in the morning there is a nearly unbroken procession of people heading to the narrows. But step off the trail a bit and you can be almost entirely alone. As we walked, I made mental notes about spots that might be interesting to photograph much later in the day.

Indeed, we went back late in the day, knowing that the sun would now come from the opposite direction, light the upper canyon walls, and reflect warm-colored and soft light down into the bottom of the canyon. We were not disappointed. The effect of that reddish reflected light shining softly on sandstone walls is spectacular in a quiet sort of way, and there was a lot of photography to be done! This photograph looks up the canyon toward one of the sunlit walls, and the reflection colors the surface of the Virgin River as it passes between the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree and Shadow’s Edge

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Tree and Shadow's Edge
A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Tree and Shadow’s Edge. © Copyright 2021 G Dan Mitchell – all rights reserved.

A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Sometimes (oh, heck, often) photographs come about in somewhat unsuspected ways, and this is such a photograph. In October we were in Southern Utah and we had previously spent a day photographing in Zion Canyon. The general plan on this day was to photograph along Mt. Carmel Highway in the morning (which we did), grab some coffee and food beyond the park, and then, well, we weren’t quite sure. The day evolved organically and we ended up on some interesting Utah backroads crossing some surprisingly snowy highland before we eventually ended up in Cedar City. We gassed up the vehicle and realized that we had time for a quick side trip into Kolob Canyon on our way back toward our eventual destination.

I’ve been in the less-visited and less-developed section of Zion National Park several times. In addition to being a jumping off point for lots of interesting trails, it presents some landscapes opportunities that are quite different from those of the more familiar Zion Canyon. I’ve usually been there earlier in the day, so it was fascinating to observe the place in late-day light. Much of this landscape is huge, even “epic” in scale, but as I scanned it I started to see smaller vignettes that seemed interesting. In particular, I noticed that this shadow was moving from left to right and gradually lighting the prominent tree in the center of the scene, casting its shadow on the brightly-lit sandstone behind it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.