Tag Archives: shadows

Photographs: Nature, Photographs: Sierra Nevada

Alpine Lake, Cloud Shadows, Reflection

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Alpine Lake, Cloud Shadows, Reflection
The talus slopes on a Sierra crest ridge, mottled with cloud shadows, is reflected in the surface of an alpine lake.

This is an interesting place. I’ve visited quite a few times in the past, and in varying conditions of light, season, and weather. My first visit was many years ago, when a friend an I backpacked into the area very late in the season, experiencing cold temperatures and early snowfall. When I visited last year it was early in the season following a year of record-setting precipitation, and at almost the same point in the season it was difficult to cross the snowfields along the route. Once I got there I could not cross the rushing torrent of the outlet stream. This year the hike was less challenging, and I encountered no snow at all.

This lake lies at the end of my planned hike on this visit. It is a moderate-sized subalpine lake that is surrounded mostly by rocky meadows and high, talus-covered mountain slopes. The first clouds of what would be afternoon thunderstorms were arriving, and the wind propelled their shadows across the landscape. I made several exposures as the light changed, enjoying the kaleidoscope-like effect produced by the reflection in the surface of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada

Lake, Forest, Alpine Ridge

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Lake, Forest, Alpine Ridge
A rugged alpine ridge rises across the valley from a subalpine lake and surrounding forest

Lake, Forest, Alpine Ridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

A rugged alpine ridge rises across the valley from a subalpine lake and surrounding forest

I have backpacked the Sierra Nevada for decades, and for much of that time I regarded the activity as primarily one about moving through the landscape. Days were spent walking through and past glorious scenery, often getting to camp in time to embark on the activities of finding a campsite, setting up a tent, figuring out food storage, filtering water, fixing and eating dinner, cleaning up… and sleeping. There was time to sit and look, but only when the other tasks were finished. Sometime later in my backpacking career I began to understand the value of sitting in one place and soaking it in, and eventually I even managed to convince myself to camp in one spot for more than one night, allowing me to slow down to match the natural rhythms of the place.

On some of the backcountry photography expeditions I’ve done more recently we have tended to set up a base camp and stay in one place for as long as a week. The experience has been surprising and remarkable. On early trips of this sort I would worry at first about how I could possibly find enough to do in one spot for a week. Invariably, by the final day of the visit I discovered that it had not been enough time! This photograph comes from one of these trips, where we camped in one location for a week, spending each day exploring near and far, and getting to know the landscape and light intimately. This photograph was made less than five minutes from camp, at a time of day when a Serious Backpacker would already by on the trail… and perhaps missing such quiet morning moments.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Museum Windows, Shadows

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Museum Windows, Shadows
Silhouetted figures, windows, and beams of light, Metropolitan Museum

Museum Windows, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Silhouetted figures, windows, and beams of light, Metropolitan Museum

This is a second “take” on a location I photographed between Christmas and New Year’s Day last year, when we spent a week in New York. It was an exceptionally cold week, and on a few days we decided that we really needed to find indoor activities. (On other days we defied the cold and wind and walked all over Manhattan anyway.) One of the reliable options is a visit to a museum, so we headed to the Metropolitan, where we wanted to see the David Hockney show. You can’t see it in this photograph, but the museum was packed with other visitors who were also looking for a warm, indoor option.

We passed through this room twice, on our way to and from a section of the museum with relatively modern art that we wanted to view. This space is really essentially a very wide walkway, though I suspect that it could also be used for exhibits at times. The row of tall windows along the southern wall opened to Central Park and, further away, the Manhattan skyline. Lots of people took advantage of the wide window sills as a place to sit. The resulting effects of light were intriguing — backlit people in a variety of poses, the faint image of the park and city outside, and the alternative effects of shadows and reflections from the bright light streaming through the windows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Winter Light and Cross Walks

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Winter Light and Cross Walks
Winter backlight illuminates pedestrians and cross walks in Manhattan

Winter Light and Cross Walks. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter backlight illuminates pedestrians and cross walks in Manhattan

People in cross walks seems to be becoming a bit of a theme here. I think that a reason may be that people tend to stay more or less in one place a bit longer while waiting to cross and their paths are more constrained while crossing the street. On top of that, encountering the temporary end of the sidewalk at a street corner does tend to face people into groups, and once the light changes they retain some connection to the group for a moment.

A few other factors appealed to me in this scene, and it wasn’t just the people. The light was wonderful, low winter light coming up the street from Lower Manhattan, and impossible to keep its sources out of the camera’s field of view in this shot. That produced the soft glare of light in front of the buildings on the right and it backlit the figures and case long shadows. Those shadows cross perpendicular to the light-colored lines of the cross walk, with become wider as they get closer to my camera position.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.