Tag Archives: shed

Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Look. No Train Horn

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Look. No Train Horn
Sign near a light rail crossing in an old industrial area.

Look. No Train Horn. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sign near a light rail crossing in an old industrial area.

These signs are along one of the routes I take on my (nearly) daily urban walks. Sometimes the walks stick to tree-lined residential streets, but some of the routes take me into older areas that are a bit rougher around the edges, many of which feature old businesses and shops. There are still rail lines through some of these areas, though they are rarely used — and some have been closed off or even converted to non-rail uses. Here the local light rail transit system follows the route of the old tracks and crosses near an intersection where I found these signs.

Until a few months ago I frequently encountered the light rail trains at crossings like this one. But this is a Valley Transit Authority (VTA) route, and that is the entity that was the victim of a mass shooting earlier this year that tragically took the lives of a number of employees who work on the light rail system. The system remains shut down and there is so far no word on when it will reopen.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California

Fisherman’s Shed

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Fisherman's Shed
A shed used by fisherman at the historic China Camp, San Pablo Bay.

Fisherman’s Shed. © Copyright 2013 G Dan Mitchell – all rights reserved.

A shed used by fisherman at the historic China Camp, San Pablo Bay.

The subject is a small building on a pier at the historic settlement of China Camp, on the San Pablo Bay lobe of San Francisco Bay. Beginning in the 1800s this area was the home to many immigrants from China and the location of a thriving shrimp fishing and drying operation. Today it is an unusually quiet location along the edge of the very busy San Francisco Bay Area.

This is not a new photograph. In fact, an earlier version of it sits somewhere in my archive with a different title. Over the past few months I have been revisiting my extensive raw file archives, mostly to find images that I originally overlooked, but in a few cases to rethink my original reinterpretation of previously shared photographs. One of the changes here came from a conversation with my friend David Hoffman, who suggested a better way to crop the photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Nevada

Autumn Aspens, Great Basin

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Autumn Aspens, Great Basin
Autumn aspen trees drop their leaves, Great Basin National Park

Autumn Aspens, Great Basin. Great Basin National Park, Nevada. September 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Autumn aspen trees drop their leaves, Great Basin National Park

I began this year’s Great Fall Color Chase in a different location — not the Eastern Sierra Nevada, but instead about as far east as one can go in Nevada, at the Great Basin National Park. Several factors led me to make this trip — some specifically fall color related, and others that don’t connect to that activity. Over the past few years I have noticed a few things about Sierra Nevada fall color season. The crowds have been increasing, to the point that they can sometimes be a bit too much. But quieter and less crowded places are still available if you look around a bit. And sometimes looking a bit beyond the confines of the Sierra turns up some interesting color, perhaps in places you might not expect. The latter realization has pushed me gradually further east of the Sierra itself… and what could be a more natural extension of that process than going to the eastern boundary of Nevada?

But fall color was only part of my reason for making the long trip to Great Basin National Park. I know a bit about the basin and range country, but my direct experience with it is limited — and this park (and the long drive across many basins and ranges to get there!) offered the chance to confront this new, to me, landscape. I arrived a few days before the end of September, thinking that the somewhat earlier color change that I’ve seen in next-door Utah might be mirrored in Nevada. This turned out to be partially true — there was already aspen and cottonwood and other types of color, but it wasn’t quite at peak just yet. But I learned a lot on this trip, about where to look for the color (including one canyon I discovered just a bit too late) and when to find it. I made this photograph of trees growing in a large valley below the summit ridge that holds Wheeler Peak, the 13,000+ footer that is the second-tallest peak in Nevada.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Northern California, Photographs: Ocean & Coast

Launch For Hire Building

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Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I was in this area back in early February, attempting to make it out to Point Reyes by dawn – but various things delayed me, including distractions along the way, and I ended up along the shoreline of Tomales Bay at sunrise. The bay is long and thin and seems quite peaceful, but Californians often remember that it is there because it is the junction between the continental plate and the Pacific plate, otherwise known as the San Andreas earthquake fault. The land I stood on to make this photograph is gradually heading northward and out to sea relative to the more distant land across the bay in the upper part of the frame. Periodically, this must briefly be a distinctly non-peaceful place when that fault lets go!

But on this morning it was quiet. The winter season and cold (literally freezing) temperatures ensured that few other people were there yet, though visitors to Point Reyes National Seashore come all year long and would begin to arrive a bit later in the morning. The light was a study in contrasts. To my right from the camera position was the morning sun, barely rising above the Marin hills and shining from behind some thin and clearing fog. I also made some photographs in that direction and you would hardly guess they were shot from the same place at the same time, since the backlit atmosphere was so bright and luminous than only silhouettes appear. But in this direction only a bit of that fog is seen, in a thin layer just above the water near the far hills, and the foreground is completely clear. There is a group of these piers here, and they extend a good distance into the shallow waters of the bay. I cannot tell what, if anything, the building whose full sign reads “Launch for Hire” is used for today, though its form and the reflections underneath seemed like a good subject for a photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.