Tag Archives: shoreline

Lake, Peninsula, and Reflections

Lake, Peninsula, and Reflections
“Lake, Peninsula, and Reflections” — Morning sun comes to a rocky peninsula at a wilderness lake reflecting gigantic talus slopes, Inyo National Forest.

Reflections in the waters of high country lakes always provide interesting photographic subjects. This lake, located just outside the northeast boundary of Yosemite National Park, produces some of the largest and most abstract shapes that I know of. The combination of open terrain and huge talus slopes are the keys.

I photographed here in the early morning, while my non-photographer backpacking partners were still snug and warm in their sleeping bags. The light had worked its say down the distant slope and across most of the lake — you can see the edge of the shadow on the rocks at center right.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Lakes Meadows, and Trees

Lakes Meadows, and Trees
“Lakes Meadows, and Trees” — Trees and shorelines along a series of Sierra Nevada lakes.

This is another photograph from my mid-July backpack trip into the Eastern Sierra Nevada, right below the crest of the range just outside Yosemite National Park. We spent three nights and four days in the area, and because it was an easy trip with low mileage, I had plenty of time to photograph morning and evening. This is an early morning photograph of a series of lakes, captured while my trail companions were still in their tents.

The area presented some unusual terrain. Our trip began at the lower end of the lake that is barely visible in the far distance, so the first few miles of walking were nearly level. From the end of that lake we climbed no more than perhaps fifty more feet to the middle lake and our campsite. Talk about easy walking! The water in the foreground belongs to a small pond that was less than a one minute walk from my campsite.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Tufa, Island, Distant Mountains

Tufa, Island, Distant Mountains
“Tufa, Island, Distant Mountains” — Shoreline tufa formations, an island, and distant mountains, Mono Lake.

This view looks roughly north across the expanse of Mono Lake and Mono Basin. The foreground formations are tufa towers, exposed as the lake’s level dropped decades ago when Los Angeles began taking the water from feeder streams. The main body of the lake lies beyond the tufa. What appears to be the far shoreline is actually Paoha Island, a volcanic feature. In the far distance are desert mountains of the basin and range country.

I knew some history about the fights over Mono Lake’s water, but I learned something new on this visit. A few decades ago Los Angeles Water and Power bought out water rights up and down the Eastern Sierra, drastically changing the environment — and in places turning former lakes into dusty wastelands. This taking dropped the level of Mono Lake by many feet (it was too late for Tule Lake in Owen’s Valley) until court orders and regulations forced an agreement that LA would begin to protect the watershed, with a goal of eventually restoring the lake to a level closer to its historic level. I thought that serious progress had been made… but decades later the lake’s level is still dangerously low.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Shoreline Forest

Shoreline Forest
“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.

When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.

I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)