A woman sits in a blue chair on a lawn at the Socrates Sculpture Park along the East River, New York
On this lovely, clouded day of light rain and muted colors, we traveled to the Socrates Sculpture Park along the East River, across the water from Manhattan. Our daughter-in-law Lia Lowenthal has a piece installed at the park that we wanted to get to see. I had not visited this place before, and it is quite an interesting site — partly because of its shoreline location, partly because it provides an interesting juxtaposition of urban and natural, partly because there is an active sculpture studio next door, and partly because of the works installed there.
After looking at the art I began to look at the environment with photography in mind. I saw this woman sitting on a piece of sculpture in the middle of this worn looking lawn, with the upper Manhattan skyline across the water, and everything in this soft, flat light — and I thought it made a photograph.
Morning light on the pastureland and trees of Round Valley and the eastern Sierra Nevada
This lovely pastoral location sits at the base of the eastern Sierra, and is as much a part of the Owens Valley as it is a part of the Sierra. It is green and lush in the spring and early summer, it takes on some of the typical California golden color later on, and its brown grasses and colorful leaves produce a beautiful sight in autumn. It is not at all a “destination,” but it is a place that I always look forward to seeing when I pass up and down the east side of the range.
There are two particularly beautiful lighting conditions that occur here. One, which I’ll share in another photograph a bit later, occurs in the afternoon. The sun drops behind a tall ridge along the upper section of the valley, leaving the steep slopes of the eastern Sierra escarpment in shade while brilliantly lighting the autumn-colored cottonwood trees from behind. The other lighting, which is seen in this photograph, comes in the morning, when low angle light crosses the meadow, creating long shadows and gradually lighting up the backdrop of the Sierra.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard
Having shot at Mare Island so many times, and having never encountered any weather challenges more daunting than a little wind or some night-time cold, I suppose I was due for some rain. And we got it on this visit. This being the annual “Nocturnes Alumni Night” event, people arrived much earlier than necessary for night photography – during the daylight hours mostly. As we met and shared photographs and then pizza, the conversation occasionally turned to the question of, “When will the weather front arrive tonight?” The most optimistic among us thought that it might not rain at all. Others thought it would hold off until after we were done shooting. Still others – including those of us with smart phones running weather radar applications – were not so sure that we would escape the weather this time, since it looked like the front would pass over us very shortly after we planned to start shooting.
The pessimists were right this time! Less than a half hour after we dispersed into the darkness to begin our work, it was already sprinkling, and within a few more minutes the front arrived and it began to rain in earnest. Along with another group of Nocturnes, I quickly moved to the shelter of one of the old mansions and hung out on the porch. The front wasn’t large, and after an hour or so the rain had diminished to the point that I could venture back out again. (To those who wonder about such things, the combination of night and rain is not conducive to being out and about making photographs.) I headed back over into the “historic core” area near the waterfront as the sprinkles continued, eventually ending up at this spot, near the end of building 45. Access wasn’t as easy as usual due to construction in the area and due to that darned rain! However, the rain created special conditions for night photography, adding a reflective gleam to all of the wet surfaces. The lighting here is from nearby street lights and security lights, and the sodium vapor lamps create a very garish yellow effect in color photographs – so I decided that I would take this one in the black and white direction. The patter on the wall at the right is a shadow from the huge gantry structure that towers above this spot.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Tower and steel structures beneath the Aurora Bridge, Seattle, Washington.
In early May I was briefly in Seattle on personal business, and I found myself with a free couple of hours that coincided with a Seattle Photo Walk in the Fremont district – so I left my other business behind, grabbed camera and a couple primes, and headed to the meet-up at the statue of Lenin. Really – it is a long story. ;-)
For those who don’t know, there is a waterfront along the edge of Fremont – the waterway connecting Lake Washington to the Puget Sound by way of the Ballard Locks. North of the water is a more hilly area, and Aurora Avenue crosses from there heading south over the water by way of the Aurora Bridge, which stands high above the water and above Fremont. Almost as soon as I started my “photo walk” in Fremont, I knew that I wanted to wander on over towards the bridge to see what I could find. It turns out that there is a recreational trail that passes alongside and under the bridge, so I walked down that way and made a series of handheld photographs from underneath this impressive structure.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
